乾隆帝西画观影响下的珐琅彩瓷西洋人物画艺术特色
|
摘要
乾隆帝酷爱西洋油画,并具有独特的中西合璧的西画观念,其西画观通过在珐琅彩瓷上移植宫廷绘画的做法,对珐琅彩瓷西洋人物画的产生具有重要影响,在其影响下,珐琅彩瓷西洋人物画从题材内容、文化内涵到技法表现均形成了鲜明的艺术特色。
The emperor Qianlong loved western oil paintings, and formed a unique Chinese and Western painting concepts. The concept of Western painting by transplantation of enamel painted porcelain of palace painting practice, has an important influence on generation of Western figure painting of enamel painted porcelain. Under the influence of Western painting, enamel porcelain formed the distinctive artistic features in the expression from the theme content, cultural connotation to the skills.
The emperor Qianlong loved western oil paintings, and formed a unique Chinese and Western painting concepts. The concept of Western painting by transplantation of enamel painted porcelain of palace painting practice, has an important influence on generation of Western figure painting of enamel painted porcelain. Under the influence of Western painting, enamel porcelain formed the distinctive artistic features in the expression from the theme content, cultural connotation to the skills.
引文
[1]董建中.传教士进贡与乾隆皇帝的西洋品味[J].清史研究,2009(03):95-106.
[2]潘耀昌.乾隆帝与“清宫廷”合作画[J].中国书画,2004(03):58-65.
[3]牟晓林.十八世纪中国瓷绘西洋人物图像研究[D].北京:首都师范大学,2011.
[4]孔六庆.论清宫瓷上画珐琅彩性质与地位[J].南京艺术学院学报(美术与设计),2012(01):39-44.
[5]萱草园主人.乾隆珐琅彩瓷的断代及鉴定(上篇)[J].艺术市场,2005(02):68-71.
[6]萱草园主人.乾隆珐琅彩瓷的断代及鉴定(下篇)[J].艺术市场,2005(03):60-63.
[7]秦觉民.乾隆珐琅彩瓷上西洋人物画与油画的关系[J].景德镇陶瓷,2000(04):30-31.
[2]潘耀昌.乾隆帝与“清宫廷”合作画[J].中国书画,2004(03):58-65.
[3]牟晓林.十八世纪中国瓷绘西洋人物图像研究[D].北京:首都师范大学,2011.
[4]孔六庆.论清宫瓷上画珐琅彩性质与地位[J].南京艺术学院学报(美术与设计),2012(01):39-44.
[5]萱草园主人.乾隆珐琅彩瓷的断代及鉴定(上篇)[J].艺术市场,2005(02):68-71.
[6]萱草园主人.乾隆珐琅彩瓷的断代及鉴定(下篇)[J].艺术市场,2005(03):60-63.
[7]秦觉民.乾隆珐琅彩瓷上西洋人物画与油画的关系[J].景德镇陶瓷,2000(04):30-31.