摘要
《太太万岁》是张爱玲的著名编剧代表作,其中男性形象和女性形象均塑造得很成功。男性形象是令人失望的,张爱玲对男主人公表示否定,父亲角色也是负面角色。女主人公陈思珍在和自己的丈夫、婆婆、父亲、丈夫情人进行周旋的时候,出现了神经喜剧中的戏剧式反讽。但是,陈思珍不具备好莱坞神经喜剧中女主人公的女权主义特点。张爱玲通过电影给观众提出思考,女性究竟怎样才能获得独立性。
Long Live the Wife is a famous screenwriting representative of Zhang Ailing,in which both male image and female image are successfully shaped. The male characters are disappointing,for Zhang Ailing denies the hero and the father is a negative character. Too. There is dramatic irony in the nerve comedy when Chen Sizhen,the heroine,deals with her husband,mother-in-law,father and husband's lover. However,she does not have the feminist characteristics as the Hollywood nerve comedy. Through this film,Zhang Ailing makes audience think how women achieve their independence on earth.
引文
[1]张子静,季季.我的姊姊张爱玲[M].上海:文汇出版社,2003:25.
[2]柯灵.遥记张爱玲、百年悲欢[M].上海:远东出版社,1995:7.
[3]张爱玲.谈女人[M]//张看.北京:经济日报出版社,2002:49.
[4]焦雄屏.孤岛以降的中产戏剧传统——张爱玲和时代显影:中西电影论述[M].台北:台湾远流出版社,1998:52.
[5]黄爱玲.天堂里的异乡人[M]//国泰故事.香港:香港电影资料馆,2009:146.
[6]张爱玲.《太太万岁》题记[N].大公报·戏剧与电影,1947-12-3(2).