论藏族女作家央珍小说《无性别的神》的空间叙事
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摘要
藏族女作家央珍的长篇小说《无性别的神》以拉萨贵族小姐央吉卓玛为叙述视角,展现出她在德康庄园、帕鲁庄园、贝西庄园之间迁徙流浪,随后在家族安排下遁入空门,在西藏解放的时代背景中央吉卓玛自主选择前往内地的生存空间的变化。小说运用空间叙事的技巧构建了《无性别的神》的叙事大厦,并在自然地理空间、社会历史空间和文化心理空间的建构中寄予了个人与民族、国家命运的隐喻,呈现出女性生存空间的扩大和超越。
By taking the perspective of Yangjizhuoma,a noble lady of Lhasa,the Tibetan female writer Yang Zhen's novel Asexual Gods describedthe heroin's changes ofliving spaces from wandering among DeKang manor,PaLu manor and Bessie manor,then escaping into the temple as a recluse under the arrangement of the family,and at last choosing to live in the mainland in the background of Tibetan liberation. The novel uses the technique of spatial narrative to construct the narrative edifices of Asexual God,and in the con-struction of natural geographical space,social historical space and cultural psychological space,it places metaphors for the destiny of individuals,nations and countries,showing the expansion and transcendence of women's living space.
By taking the perspective of Yangjizhuoma,a noble lady of Lhasa,the Tibetan female writer Yang Zhen's novel Asexual Gods describedthe heroin's changes ofliving spaces from wandering among DeKang manor,PaLu manor and Bessie manor,then escaping into the temple as a recluse under the arrangement of the family,and at last choosing to live in the mainland in the background of Tibetan liberation. The novel uses the technique of spatial narrative to construct the narrative edifices of Asexual God,and in the con-struction of natural geographical space,social historical space and cultural psychological space,it places metaphors for the destiny of individuals,nations and countries,showing the expansion and transcendence of women's living space.
引文
[1][9]吴冶平.空间理论与文学的再现[M].兰州:甘肃人民出版社,2008.
[2][8]胡亚敏.叙事学[M].武汉:华中师范大学出版社,2004.
[3][4][5][6][10]央珍.无性别的神[M].北京:中国青年出版社,1994.
[7]马绍玺.边地风景与少数民族诗歌的民族国家想象——以晓雪、饶阶巴桑、张长早期诗歌为例[J].民族文学研究,2012.
[11]胡沛萍.当代藏族女性汉语文学史论[M].北京:中央民族大学出版社,2018.
[2][8]胡亚敏.叙事学[M].武汉:华中师范大学出版社,2004.
[3][4][5][6][10]央珍.无性别的神[M].北京:中国青年出版社,1994.
[7]马绍玺.边地风景与少数民族诗歌的民族国家想象——以晓雪、饶阶巴桑、张长早期诗歌为例[J].民族文学研究,2012.
[11]胡沛萍.当代藏族女性汉语文学史论[M].北京:中央民族大学出版社,2018.