论文化地理视域下明清浙籍小说家的兴起
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摘要
明清时期浙籍小说作家大量涌现与浙江地理空间有着重要关系,经济发展与历史文化的积淀是小说作家生成的背景。小说群体的兴起与地缘文化、创作氛围、科举制度、书坊刊刻以及读者阅读需求等密切相关,也彰显出了地域文化精神与底层文人治生的需求。小说作家对"文体形态"不断地探索与构建,形成了丰富多彩的近似于小说的抒情文体样式,也是小说作家集体长期实践的结果。小说作家群体的发展轨迹是两浙地理优势、文化精神驱动力与时代机运对作家群体影响的结果,是小说史上的一种特殊的存在,也完成了群体创作经验与地理元素、文学审美之间的相互诠释。
During the Ming and Qing dynasties,a great number of novel writers appeared in Zhejiang province,which had an important relationship with the geographical space of Zhejiang. From the perspective of cultural geography,such factors as the natural environment,the economic development,traditional customs and taboos,religious legends,the female talents culture and the local music in the area all contributed to the development background of the rise of writers. The rise is also closely related to the creation atmosphere,the imperial examination system,the library inscription and the readers' demand,which reflects the impact of the regional cultural spirit and the opportunities of the times on the writers. The writers' exploration and construction of " stylistic form" led to a rich and colorful lyrical style similar to novels,which was also the result of the collective long-term practice of fiction writers. The rise of the writer groups is a special kind of existence in the novel history,achieving the mutual interpretation between the group creation experience and the geographical elements and literary aesthetics.
During the Ming and Qing dynasties,a great number of novel writers appeared in Zhejiang province,which had an important relationship with the geographical space of Zhejiang. From the perspective of cultural geography,such factors as the natural environment,the economic development,traditional customs and taboos,religious legends,the female talents culture and the local music in the area all contributed to the development background of the rise of writers. The rise is also closely related to the creation atmosphere,the imperial examination system,the library inscription and the readers' demand,which reflects the impact of the regional cultural spirit and the opportunities of the times on the writers. The writers' exploration and construction of " stylistic form" led to a rich and colorful lyrical style similar to novels,which was also the result of the collective long-term practice of fiction writers. The rise of the writer groups is a special kind of existence in the novel history,achieving the mutual interpretation between the group creation experience and the geographical elements and literary aesthetics.
引文
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[5]佘德余.浙江文化简史[M].北京:人民出版社,2009:23.
[6][明]王士性.广志绎[M].北京:中华书局,1981.
[7]刘士林.江南诗性文化:内涵、方法与话语[J].江海学刊,2006,(1).
[8]王嘉良.地域人文传统与浙江新文学作家群的建构[J].中国社会科学,2009,(4).
[9]周作人.谈龙集[M].北京:北京十月文艺出版社,2011.
[10][明]刘应钶,修,沈尧中,纂.万历嘉兴府志[M].上海:上海古籍出版社,2013:8.
[11]姜彬.吴越民间信仰民俗[M].上海:上海文艺出版社,1992.
[12]浙江省地方志编纂委员会.浙江通志·风俗(清雍正朝,卷九十九)[M].北京:中华书局,2001:2284.
[13]崔志远.论中国地缘文化诗学[J].文艺争鸣,2011,(8).
[14]罗时进.湖畔水滨:清代江南文学社团的创作现场[J].中国人民大学学报,2016,(6).
[15]李立峰.科举学的文化地理视角[J].东南学术,2005,(4).
[16]朱海滨.近世浙江文化地理研究[M].上海:复旦大学出版社,2011:70.
[17]丁辉,陈心蓉.嘉兴历代进士研究[M].合肥:黄山出版社,2012:59.
[18][清]朱梅叔.笔记小说大观·埋忧集[M].台北:新兴书局有限公司,1978:1955.
[19]邹丽.明清江南士子心态的变迁[J].华东师范大学学报:哲学社会科学版,1997,(2).
[20]曹之.中国古籍版本学[M].武汉:武汉大学出版社,2015:319-320.
[21]文革红.清代前期通俗小说刊刻考论[M].南昌:江西人民出版社,2008:325.
[22][德]雷丹.观察文学场域[J].文学评论,2002,(3).
[23]李渔.李渔全集:卷三[M].杭州:浙江古籍出版社,1991:52.
[24]杨义.文学地理学的渊源与视境[J].文学评论,2012,(4).