摘要
当涂民歌在经历新编整理之后焕发了全新的艺术光芒,在遵循传统的基础上,承前启后,旧调新腔,艺术价值得到了深层次的释放。历经时间检验,新编当涂民歌所作出的改变革新无疑是十分成功的。文章试以新编当涂民歌为载体,分析新编工作的必要性以及新当涂民歌的艺术特征。
After the new compilation, the traditional folk ballads in Dangtu have a new artistic light, which is based on the tradition,and the new cavity and artistic value are released deeply.After the time test,the innovation of the newly invented ballads in Dangtu has been very successful.This paper tries to analyze the necessity of the new work and the artistic characteristics of the new ballads in Dangtu.
引文
[1]宿南.当涂民歌[M].长春:银声出版社,2010:24.
[2]张程刚.新编当涂民歌《打麦歌》的音乐分析[J].安徽工业大学学报(社会科学版),2016(1):54-56.
[3]张程刚.当涂民歌的历史渊源及音乐形态特征探微[J].安徽工业大学学报,2011(2):59-61.
[4]王耀华.中国民族音乐[M].北京:高等教育出版社,2009.
[5]王安潮.安徽当涂民歌音乐形态研究[J].艺术百家,2014(4):45-46.
[6]戴朝庆,崔琳.安徽民歌200首[M].合肥:安徽文艺出版社,2009:5-12.
[7]周青青.中国民族民间音乐教程[M].北京:中央音乐出版社,2010.