青年自我建构意义中的爽文化思考——以热播剧《延禧攻略》为例
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摘要
清宫网剧《延禧攻略》因其戏景的精致、爽快的剧情以及对于当下观剧者集体情绪的迎合而受到了大批青年人的追捧,引起了当下人们对于爽文化的讨论。这类依靠资本运作与娱乐产业建构的虚幻去引导青年欲望的网剧,虽然营造了异托邦,使年轻受众能够在无法逃离的现实困境中获得一种心理补偿的快感,但是,剧中复仇之路上的大女主承载更多的是现代年轻女性群体自我情感的表达与重塑女性角色的想象,没有输出对于自我在与家庭、群体和社会的互动中如何寻求主体性建构的启示。《延禧攻略》表现出的较为年轻化的叙述,潜藏着一种引导现实中的青年人走向自我主体膨胀的危机。基于这一情况,爽文化应该在更大视阈中提升对于现代自我的表达。
The TV drama Story of Yanxi Palace was launched this summer,and has been sought after because of its exquisite settings,refreshing plot and the catering of the collective mood of the current TV viewers,and has aroused a discussion on "cool culture".This kind of "fantasy",which relies on capital operation and entertainment industry to tempt Youth's desires,creates a kind of"heterotopia"which enables young audience to get a psychological compensation in the real dilemma they cannot escape.However,the heroine in the drama carries more of the emotional expression of modern young women and their expectation of reshaping female characters,but does not suggest a way for modern women to seek subjectivity in their interaction with family,group and society.The"young"narrative in Story of Yanxi Palace may lead to self-expansion in youth in reality.Thus cool culture should improve its expression of"modern self"in a wider perspective.
The TV drama Story of Yanxi Palace was launched this summer,and has been sought after because of its exquisite settings,refreshing plot and the catering of the collective mood of the current TV viewers,and has aroused a discussion on "cool culture".This kind of "fantasy",which relies on capital operation and entertainment industry to tempt Youth's desires,creates a kind of"heterotopia"which enables young audience to get a psychological compensation in the real dilemma they cannot escape.However,the heroine in the drama carries more of the emotional expression of modern young women and their expectation of reshaping female characters,but does not suggest a way for modern women to seek subjectivity in their interaction with family,group and society.The"young"narrative in Story of Yanxi Palace may lead to self-expansion in youth in reality.Thus cool culture should improve its expression of"modern self"in a wider perspective.
引文
[1]阿莫.透析《延禧攻略》:为什么中国人这么想“爽”一回?[EB/OL].(2018-08-20)[2018-08-29].http://culture.ifeng.com/a/20180820/59896706-0.shtml.
[2]王嘉军.《中国有嘻哈》与嘻哈的文化政治[J].文艺研究,2018(6):113-123.
[3]王品芝,顾凌文.你怎么看待“爽文化”[N].中国青年报,2018-09-06(7),
[4]胡洁.当代中国青年社会心态的变迁、现状与分析[J].中国青年研究,2017(12):85-115.
[5]Dina Gromala.Pain and subjectivity in virtual reality[M]//David Bell,Barbara M,Kennedy,ed.The Cybercultures Reader.London:Routledge,2000:601.
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[7]马忠君.网络环境中虚拟自我的呈现与建构[M].北京:中国电影出版社,2013:32.
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[9]王广林.荧屏宫斗何时休[N].人民日报,2012-05-08(24).
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[11]邵燕君,猫腻.以“爽文”写“情怀”——专访著名网络文学作家猫腻[J].南方文坛,2015(5):92-97.
[12]杨俊蕾.类型化的宫斗剧,降低了怎样的人格底线——从古装剧《延禧攻略》《如懿传》热播说开去[N].文汇报,2018-8-29(10).
(1)“九千岁”是90后和00后的合称,他们往往能缔造大IP现象,带来更高的收视率,这导致目前很多影视作品会迎合这类群体的喜好,略带贬义。
[2]王嘉军.《中国有嘻哈》与嘻哈的文化政治[J].文艺研究,2018(6):113-123.
[3]王品芝,顾凌文.你怎么看待“爽文化”[N].中国青年报,2018-09-06(7),
[4]胡洁.当代中国青年社会心态的变迁、现状与分析[J].中国青年研究,2017(12):85-115.
[5]Dina Gromala.Pain and subjectivity in virtual reality[M]//David Bell,Barbara M,Kennedy,ed.The Cybercultures Reader.London:Routledge,2000:601.
[6]克里斯蒂安·麦茨,吉尔·德勒兹.凝视的快感——电影文本的精神分析[M].吴琼,译.北京:中国人民大学出版社,2005:8.
[7]马忠君.网络环境中虚拟自我的呈现与建构[M].北京:中国电影出版社,2013:32.
[8]郑傲.网络互动中的网民自我意识研究[M].成都:电子科技大学出版社,2013:10.
[9]王广林.荧屏宫斗何时休[N].人民日报,2012-05-08(24).
[10]居伊·德波.景观社会[M].王昭风,译.南京:南京大学出版社,2006:61.
[11]邵燕君,猫腻.以“爽文”写“情怀”——专访著名网络文学作家猫腻[J].南方文坛,2015(5):92-97.
[12]杨俊蕾.类型化的宫斗剧,降低了怎样的人格底线——从古装剧《延禧攻略》《如懿传》热播说开去[N].文汇报,2018-8-29(10).
(1)“九千岁”是90后和00后的合称,他们往往能缔造大IP现象,带来更高的收视率,这导致目前很多影视作品会迎合这类群体的喜好,略带贬义。