改革开放40年中国特色音乐艺术评论学术话语体系构建与发展综论
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摘要
当代中国音乐评论学术体系、话语体系等的构建与发展是改革开放40年中国理论自信与文化自信探索的重要标志性成就,可分为两个发展阶段:音乐评论学术、话语体系稳步构建与发展时期(1978-2003),音乐评论学术、话语体系构建与发展的成熟时期(2004-2018)。在第一个阶段,音乐评论的本质性、基础性问题得到深入思考,较好地解决了音乐评论的标准问题,音乐评论发展方向与路径也得到全面规划,推动音乐学家和音乐评论工作者产生出创造中国特色学术体系、话语体系的自觉意识。在第二个阶段,音乐学家和音乐评论工作者开始自觉建构具有中国特色的音乐评论学术与话语体系,以及专业化、系统化的学科体系,并在音乐评论的学科建设、评论原则等方面产生重要理论成果。当前中国特色音乐评论学术、话语体系的构建和发展面临着新的机遇与挑战,中国共产党新时代文艺观念的要求和多元文化语境的出现,将推动音乐评论学术、话语体系的内蕴、形态实现重大的范式转换。
The construction and development of the academic system and discourse system of contemporary Chinese music criticism is an important landmark achievement in the exploration of China's theoretical and cultural self-confidence in the 40 years of reform and opening up. It can be divided into two stages of development: the period of steady construction and development of the academic systemand discourse system of music criticism( 1978-2003),and the mature period of construction and development of the academic systemand discourse system of music criticism and discourse system( 2004-2018). In the first stage,the essential and basic problems of music criticism were deeply considered,which solved the standard problem of music criticism. The development direction and path of music criticism were also comprehensively planned,which promoted musicologists and music critics to create a conscious awareness of creating academic system and discourse system with Chinese characteristics. In the second stage,musicologists and music critics began to consciously construct the academic and discourse system of music criticism with Chinese characteristics,as well as the professional and systematic discipline system,and produced important theoretical results in the discipline construction and principles of music criticism. At present,the construction and development of the academic systemand discourse system of music criticism with Chinese characteristics are facing new opportunities and challenges. The requirements of the CPC's literary and artistic concepts in the new era and the emergence of multi-cultural contexts will promote the realization of a major paradigm shift in the connotation and form of the academic systemand discourse system of music criticism.
The construction and development of the academic system and discourse system of contemporary Chinese music criticism is an important landmark achievement in the exploration of China's theoretical and cultural self-confidence in the 40 years of reform and opening up. It can be divided into two stages of development: the period of steady construction and development of the academic systemand discourse system of music criticism( 1978-2003),and the mature period of construction and development of the academic systemand discourse system of music criticism and discourse system( 2004-2018). In the first stage,the essential and basic problems of music criticism were deeply considered,which solved the standard problem of music criticism. The development direction and path of music criticism were also comprehensively planned,which promoted musicologists and music critics to create a conscious awareness of creating academic system and discourse system with Chinese characteristics. In the second stage,musicologists and music critics began to consciously construct the academic and discourse system of music criticism with Chinese characteristics,as well as the professional and systematic discipline system,and produced important theoretical results in the discipline construction and principles of music criticism. At present,the construction and development of the academic systemand discourse system of music criticism with Chinese characteristics are facing new opportunities and challenges. The requirements of the CPC's literary and artistic concepts in the new era and the emergence of multi-cultural contexts will promote the realization of a major paradigm shift in the connotation and form of the academic systemand discourse system of music criticism.
引文
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[3]蔡良玉.为中国音乐学的发展创造条件[J].中国音乐学,1993,(3).
[4]居其宏.论音乐批评的自觉意识[J].音乐研究,1986,(4).
[5]解梅,韦小华.时代呼唤着音乐评论(上):全国音乐评论座谈会在淮南举行[J].人民音乐,1995,(11).
[6]乔邦利.音乐批评学科的现实处境与对策:中国音乐评论学会第二届年会综述[J].音乐研究,2007,(3).
[7]黄宗权.开拓当代音乐评论发展历程的创举:记2015国家艺术基金音乐评论人才培养项目[J].音乐艺术(上海音乐学院学报),2015,(4).
[8]乔邦利.音乐批评学科的现实处境与对策:中国音乐评论学会第二届年会综述[J].音乐研究,2007,(3).
[9]刘蓉.解读音乐评论多元化[J].人民音乐,2007,(12).
[10]周勤如.多元语境下音乐评论的客观性———为中国音乐评论学会第三届年会而作[J].音乐研究,2009,(2).
[11]杨和平,闫兵.社会的责任历史的使命———第三届中国音乐评论学术研讨会述评[J].人民音乐,2008,(9).
[12]习近平.在文艺工作座谈会上的讲话[N].人民日报,2015-10-15(01).
[13]习近平.决胜全面建成小康社会夺取新时代中国特色社会主义伟大胜利[N].人民日报,2017-10-25(01).
[14]习近平.习近平在看望参加政协会议的文艺界社科界委员时强调坚定文化自信把握时代脉搏聆听时代声音坚持以精品奉献人民用明德引领风尚[N].人民日报,2019-3-5(01).