试论1990年代后王安忆创作中的女性漂泊意识
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摘要
1990年代以后,王安忆的文学创作开始对女性的精神与灵魂的归属问题进行探究,其作品中女性的经历与体验一直潜藏着无所归依的漂泊意识。这些女性的漂泊方式各不相同,但漂泊境遇却有很多相似性。究其缘由,王安忆自身的经历和上海文化的排他性,都助推了她浓重漂泊意识的形成。
After entering the 1990 s,Wang Anyi began to explore the spiritual belonging of women's self in her literary creation. The experience of female characters in her works always had a sense of wandering without any belonging. These women travel in different ways,but there are many similarities. As for the reason,Wang Anyi's own experience and the exclusiveness of Shanghai culture all contribute to the formation of the writer's strong sense of wandering.
After entering the 1990 s,Wang Anyi began to explore the spiritual belonging of women's self in her literary creation. The experience of female characters in her works always had a sense of wandering without any belonging. These women travel in different ways,but there are many similarities. As for the reason,Wang Anyi's own experience and the exclusiveness of Shanghai culture all contribute to the formation of the writer's strong sense of wandering.
引文
[1]王安忆.富萍[M].长沙:湖南文艺出版社,2000:4.
[2]朱东润.中国历代文学作品选[C].上海:上海古籍出版社,2008:7.
[3]王茜茜.论王安忆[M].上海:华东师范大学出版社,2010:77.
[4]王向东.孤独城堡的构建与冲决——论王安忆小说的孤独主题[J].扬州大学学报:人文社科版,1999(2):23-28.
[5]王安忆.长恨歌[M].北京:人民文学出版社,2004:132.
[6]王安忆.纪实与虚构[M].北京:人民文学出版社,2001:49.
[7]王安忆.米尼[M].北京:作家出版社,1996:372.
[2]朱东润.中国历代文学作品选[C].上海:上海古籍出版社,2008:7.
[3]王茜茜.论王安忆[M].上海:华东师范大学出版社,2010:77.
[4]王向东.孤独城堡的构建与冲决——论王安忆小说的孤独主题[J].扬州大学学报:人文社科版,1999(2):23-28.
[5]王安忆.长恨歌[M].北京:人民文学出版社,2004:132.
[6]王安忆.纪实与虚构[M].北京:人民文学出版社,2001:49.
[7]王安忆.米尼[M].北京:作家出版社,1996:372.