宋代审美文化与日常生活的融合——以建盏为例
|
摘要
审美文化是以艺术文化为核心的具有一定审美特性、审美价值的文化形态,而日常生活可以简单概括为人类的衣食住行,吃饭睡觉以及繁衍后代等。在原始文化阶段,审美文化与日常生活并未分化,直到审美文化逐渐走向成熟,审美文化与日常生活生活之间产生了界限。二十世纪后期的文化研究认为,后现代主义阶段的审美文化与日常生活又重新走向融合。而本文通过对宋代历史文化的研究,从各个艺术领域,特别是宋代典型茶器建盏中,得出宋代审美文化与日常生活有着和谐融合的现象,并以此为突破口向当下的文化研究提出问题,并对现实中审美文化、日常生活、以及消费文化的关系进行反思。
Aesthetic culture is a cultural form with certain aesthetic characteristics and aesthetic value centered on art and culture, and daily life can be simply summarized as human clothing, food, housing, eating, sleeping and reproduction of future generations. In the primitive culture stage, aesthetic culture and daily life did not differentiate until aesthetic culture gradually matured, and there was a boundary between aesthetic culture and daily life. Cultural studies in the late twentieth century hold that aesthetic culture and everyday life in the post-modernist stage are merging again. Through the study of the history and culture of the Song Dynasty, this paper draws a conclusion that the aesthetic culture and daily life of the Song Dynasty are in harmony with each other in various artistic fields, especially in the construction of typical tea wares of the Song Dynasty. As a breakthrough, this paper raises questions to the current cultural research, and reflects on the relationship between aesthetic culture, daily life and consumption culture in reality.
Aesthetic culture is a cultural form with certain aesthetic characteristics and aesthetic value centered on art and culture, and daily life can be simply summarized as human clothing, food, housing, eating, sleeping and reproduction of future generations. In the primitive culture stage, aesthetic culture and daily life did not differentiate until aesthetic culture gradually matured, and there was a boundary between aesthetic culture and daily life. Cultural studies in the late twentieth century hold that aesthetic culture and everyday life in the post-modernist stage are merging again. Through the study of the history and culture of the Song Dynasty, this paper draws a conclusion that the aesthetic culture and daily life of the Song Dynasty are in harmony with each other in various artistic fields, especially in the construction of typical tea wares of the Song Dynasty. As a breakthrough, this paper raises questions to the current cultural research, and reflects on the relationship between aesthetic culture, daily life and consumption culture in reality.
引文
[1]阿格妮丝·赫勒著.日常生活[M].重庆,重庆出版社,2010.
[2]朱立元.主编.艺术美学辞典[M].上海,上海辞书出版社,2012.8
[3]李泽厚著.美的历程[M].北京,生活·读书·新知三联书店,2015年第22版
[4]段吉方.审美文化与中国当代美学研究的话语转译[J].宜兴,社会科学战线, 2016.
[5]李莹波.文化、审美文化与文学[J].陕西,文学界·文化万象, 2016.
[2]朱立元.主编.艺术美学辞典[M].上海,上海辞书出版社,2012.8
[3]李泽厚著.美的历程[M].北京,生活·读书·新知三联书店,2015年第22版
[4]段吉方.审美文化与中国当代美学研究的话语转译[J].宜兴,社会科学战线, 2016.
[5]李莹波.文化、审美文化与文学[J].陕西,文学界·文化万象, 2016.