工艺因素对青花料发色的影响
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摘要
元青花以其大气豪迈气概和艺术原创精神,将青花绘画艺术推向顶峰,成为研究者考察的热点。利用高铁低锰和低铁高锰作为呈色剂,考察青白釉层厚度,有无上釉、坯体种类,烧成气氛等对青花呈色效果的影响。实验结果表明:在釉层厚度为0.15～0.18 mm时,在青白釉的覆盖下采用还原气氛烧成,青花色调都呈现不同程度的蓝色调,尤其是当着色氧化物为氧化锰和氧化钴时,其颜色最为仿古流畅,发色最为均匀,与元代青花发淡颜色相似。
Due to its heroic atmosphere and original spirit, Yuan dynasty pushed the art of blue and white painting to the peak, which became a hot spot for researchers. The effects of the thickness of glaze layer, with or without glaze, body kinds and firing atmosphere on the color of blue and white were investigated by using high ironand high manganese as coloring agents. The experimental results show that only when the glaze layerthickness is 0.15～0.18 mm under the cover of blue and white glaze, various blue and white colors are exhibitedat reducing atmosphere. Especially when the colored oxides are manganese oxide and iron oxide, their color is most smooth and uniform, which is similar to the blue and whiteof Yuan Dynasty.
Due to its heroic atmosphere and original spirit, Yuan dynasty pushed the art of blue and white painting to the peak, which became a hot spot for researchers. The effects of the thickness of glaze layer, with or without glaze, body kinds and firing atmosphere on the color of blue and white were investigated by using high ironand high manganese as coloring agents. The experimental results show that only when the glaze layerthickness is 0.15～0.18 mm under the cover of blue and white glaze, various blue and white colors are exhibitedat reducing atmosphere. Especially when the colored oxides are manganese oxide and iron oxide, their color is most smooth and uniform, which is similar to the blue and whiteof Yuan Dynasty.
引文
1 吴隽,周洁,李其江,等.康熙青花色料的仿制研究.中国陶瓷,2015,51(3):103～105