几种景观沉浸体验创构方法研究
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摘要
景观沉浸体验是指景观环境调动体验者知觉发挥积极的作用,通过身心的投入与情感的交流,激发体验者进行想象、幻想、冥想等意象活动,从而形成"知觉-想象""知觉-幻想""知觉-冥想"等沉浸体验。在景观体验过程中,沉浸体验的产生表明人与景观间不是各自为政,无交流、无反馈的状态,而是存在双向交流与互动。本文主要论述了四种景观沉浸体验类型的创构方法,包括探索体验、记忆体验、冥想体验、幻想体验,希望从人景交流的视角寻找有一定价值和意义的景观创构方法。
Immersive experience is to let consciousness play a positive role,so that people can be in a state of concentration. This experience means there are mental interaction and two-way communication between people and the landscape, instead of no communication and no feedback. This paper mainly discusses the creation methods of four types about landscape immersive experience, including meditation experience,exploration experience,fantasy experience, memory experience. It pursues a valuable design method from the view of relationship between people and the landscape.
Immersive experience is to let consciousness play a positive role,so that people can be in a state of concentration. This experience means there are mental interaction and two-way communication between people and the landscape, instead of no communication and no feedback. This paper mainly discusses the creation methods of four types about landscape immersive experience, including meditation experience,exploration experience,fantasy experience, memory experience. It pursues a valuable design method from the view of relationship between people and the landscape.
引文
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[2]CSIKSZENTNIIHALYI M. Beyond Boredom and Anxiety:The Experience of Play in Work and Games[M]. San Francisco:Jossey-Bass,1975.
[3]段伟文.网络空间的伦理反思[M].南京:江苏人民出版社,2002.
[4]APPLETON J.The Experience of Landscape[M].Chichester:Wiley,1996.
[5]戈布尔.第三思潮:马斯洛心理学[M].吕明,陈红雯,译.上海:上海译文出版社,2006.
[6]张永和.作文本[M].北京:生活·读书·新知三联书店,2012.
[7]波泰格,普灵顿.景观叙事:讲故事的设计实践[M].张楠,许悦萌,汤莉,等译.北京:中国建筑工业出版社,2015.
[8]卒姆托.建筑氛围[M].张宇,译.北京:中国建筑工业出版社,2010.
[9]亚历山大.建筑模式语言[M].王听度.周序鸿,译.北京:中国建筑工业出版社,1989.
[10]槙文彦,三谷彻,覃力.场所设计[M].北京:中国建筑工业出版社,2014.
[11]贡布里希.艺术与错觉:图画再现的心理学研究[M].林夕,李本正,范景中,译.长沙:湖南科学技术出版社,2000.
[12]阿恩海.视觉思维[M].滕守尧,译.北京:光明日报出版社,1986.
[13]贡布里希.艺术与错觉[M].林夕,李本正,范景中,译.北京:中国工人出版社,1988.
[14]哈普林.景园大师[M].林云龙,杨百东,译.台北:尚林出版社,1984.
[15]林璎,地志景观:林璎和她的艺术世界[M].陈晓宇,奚雪松,译,北京:电子工业出版社,2016.
[16] HALPRINAI L.Notebooks[M].Cambridge:MIT Press,1972.
[17] MOIR J.Contemplative Place in Cities[M].Cambridge:MIT Press,1973.
[18]枡野俊明.看不见的设计:禅思、观心、留白、共生,与当代庭园设计大师的65则对话[M].蔡青雯,译.台北:脸谱出版,2012.
[19]安东尼亚德斯.建筑诗学与设计理论[M].周玉鹏,张鹏,刘耀辉,译.北京:中国建筑工业出版社,2011.
[20]游飞.导演艺术观念[M].北京:北京大学出版社,2011.
[21]纽顿.西方形式主义艺术心理学[J].段炼,译.世界美术,2010(2):100-105.
[22]帕拉斯玛.碰撞与冲突:帕拉斯玛建筑随笔录[M].JOROAN M,译.南京:东南大学出版社,2014.
[23]格兰特.超现实主义与视觉艺术[M].王升才,译.南京:江苏美术出版社,2007.