蒙古族书画家松年身份考证
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摘要
本文提出了松年的真实身份及历史上对其旗属记载错误,在其仕途经历记载模糊的现状下,从入仕途径、仕途生涯两个方面入手剖析,经过对资料的整理对比研究,将能查到的史料,主要以地方志为主,与松年同时代的书画论集,及当下能找到的书画论集结合起来研究,总结出相关数据,结合其所在年代的时代特点,把关于松年身份及经历的信息在书画史上得以进一步明确,经过对其生平资料的整理对比研究,认为松年是蒙古镶蓝旗格图肯佐领下人,并且是通过"捐纳"走向仕途的,弄清这些问题能够更有利地为将来进一步研究这位难得的蒙古族书画理论家的画学理念夯实基础。
In the paper, the author puts forward the true identity of Songnian and the wrong record of its flag in history. Under the condition of vague record of its official career, the author analyzes from two aspects: career path and career career. Through comparative study, the author studies the historical materials, mainly local chronicles, calligraphy and painting collections of Songnian,and calligraphy and painting collections currently available. The information about Songnian's identity and experience can be further clarified in the history of painting and calligraphy. Through the collation and comparative study of his life data, it is believed that Songnian was led by Getukenzo of Xianglan Banner of Mongolia and went to his official career through " donation".To clarify these problems can lay a solid foundation for further study of this rare Mongolian painting and calligraphy theorist's philosophy in the future.
In the paper, the author puts forward the true identity of Songnian and the wrong record of its flag in history. Under the condition of vague record of its official career, the author analyzes from two aspects: career path and career career. Through comparative study, the author studies the historical materials, mainly local chronicles, calligraphy and painting collections of Songnian,and calligraphy and painting collections currently available. The information about Songnian's identity and experience can be further clarified in the history of painting and calligraphy. Through the collation and comparative study of his life data, it is believed that Songnian was led by Getukenzo of Xianglan Banner of Mongolia and went to his official career through " donation".To clarify these problems can lay a solid foundation for further study of this rare Mongolian painting and calligraphy theorist's philosophy in the future.
引文
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[2]长清县志[G]成文出版社,中华民国五十七年:401.
[3]支运亭,编.八旗制度与满族文化[M].沈阳:辽宁民族出版社,2002.
[4]史继中.八旗封建领主剖析[J].贵阳师范大学学报,1990,(03):62.
[5]关和璋.颐园论画[M].呼和浩特:内蒙古人民出版社,1984.
[6]王德昭.清代科举制度研究[G].北京:中华书局,1984.
[7]杨强.清代蒙古族蒙旗制[M].北京:民族出版社,2004.
[8]王风雷.蒙古族全史(教育卷下)[G].呼和浩特:内蒙古大学出版社,2013.
[9]于景祥.金榜题名--清代科举述要[M].沈阳:辽海出版社,1987.
[10]宁欣.中华文化通志—制度文化—选举制[M].北京:人民日报社出版,1998.
[11]清代畵史補録(卷一)[G]铅字精印本,1922.
[12]汶上文史资料(第六辑)[M].济宁:山东出版总社济宁分社,1993.