冯雪峰文艺批评的大众化语言和绘画式描写诉求
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摘要
作为马克思主义文艺理论家的冯雪峰,在文学创作中除了重视文学的典型化原则外,还高度重视文学语言的大众化问题,主张运用大众化的语言表达来塑造文学形象、表达情感、实现文学的社会功能;同时,他还从"油画"和"炭画"的艺术手法等方面进行文学批评,并在自己的创作中实践这种手法,由此表现了他作为一名文学创作实践者的独特性。冯雪峰关于语言大众化的要求与艺术表现的绘画式手法应该得到重视。
As a Marxism literary theorist, Feng Xuefeng attaches great importance to the typicality principle in literature and the popularization of literary language in literary creation as well in advocating the use of popular language to shape the literary image, to express emotion, and to realize the social function of literature; at the same time, he borrows the terms of "oil painting" and "carbonization" in painting to enrich his literary criticism theory,and practices the techniques in his works, which highlights his uniqueness as a practitioner of literary creation. His style of popular language and his use of the artistic technique of painting should be highly valued.
As a Marxism literary theorist, Feng Xuefeng attaches great importance to the typicality principle in literature and the popularization of literary language in literary creation as well in advocating the use of popular language to shape the literary image, to express emotion, and to realize the social function of literature; at the same time, he borrows the terms of "oil painting" and "carbonization" in painting to enrich his literary criticism theory,and practices the techniques in his works, which highlights his uniqueness as a practitioner of literary creation. His style of popular language and his use of the artistic technique of painting should be highly valued.
引文
[1]马克思,恩格斯.马克思恩格斯论艺术(四)[M].北京:人民文学出版社,1966.
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[4]鲁迅.集外集拾遗·文艺的大众化[G]//鲁迅全集(第7卷).北京:人民文学出版社,1987.
[5]冯雪峰.中国无产阶级革命文学的新任务[C]//冯雪峰.冯雪峰论文集(上).北京:人民文学出版社,1981.
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[7]冯雪峰.论民主革命的文艺运动[C]//冯雪峰.冯雪峰选集(论文集).北京:人民文学出版社,2003.
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[11]夏明钊.中国现代文学名著题解[M].北京:中国青年出版社,1993.
[12]冯雪峰.《太阳照在桑干河上》在我们文学发展上的意义[C]//冯雪峰.冯雪峰论文集(中).北京:人民文学出版社,1981.
[13]冯雪峰.论《保卫延安》[C]//冯雪峰.冯雪峰论文集(下).北京:人民文学出版社,1981.
[14]丁玲.太阳照在桑干河上[M].北京:人民文学出版社,2004.
[15]茅盾.关于艺术的技巧——在全国青年文学创作者会议上的讲演[G]//茅盾论创作.上海:上海文艺出版社,1980.
[16]冯雪峰.马加的《江山村十日》[C]//冯雪峰.冯雪峰论文集(中).北京:人民文学出版社,1981.
[17]冯雪峰.灵山歌[M].广州:新世纪出版社,1998.
[2]高尔基.《论文学》续集[M].缪灵珠,等译.北京:人民文学出版社,1979.
[3]刘泉.文学语言论争史论[M].北京:中国社会科学文献出版社,2013.
[4]鲁迅.集外集拾遗·文艺的大众化[G]//鲁迅全集(第7卷).北京:人民文学出版社,1987.
[5]冯雪峰.中国无产阶级革命文学的新任务[C]//冯雪峰.冯雪峰论文集(上).北京:人民文学出版社,1981.
[6]冯雪峰.关于“艺术大众化”——答大风社[C]//冯雪峰.冯雪峰论文集(上).北京:人民文学出版社,1981.
[7]冯雪峰.论民主革命的文艺运动[C]//冯雪峰.冯雪峰选集(论文集).北京:人民文学出版社,2003.
[8]冯雪峰.关于创作和批评[C]//冯雪峰.冯雪峰论文集(下).北京:人民文学出版社,1981.
[9]冯雪峰.论两个诗人及诗的精神和形式[C]//冯雪峰.冯雪峰论文集(上).北京:人民文学出版社,1981
[10]柯仲平.柯仲平文集(诗歌卷)[M].昆明:云南人民出版社,2002.
[11]夏明钊.中国现代文学名著题解[M].北京:中国青年出版社,1993.
[12]冯雪峰.《太阳照在桑干河上》在我们文学发展上的意义[C]//冯雪峰.冯雪峰论文集(中).北京:人民文学出版社,1981.
[13]冯雪峰.论《保卫延安》[C]//冯雪峰.冯雪峰论文集(下).北京:人民文学出版社,1981.
[14]丁玲.太阳照在桑干河上[M].北京:人民文学出版社,2004.
[15]茅盾.关于艺术的技巧——在全国青年文学创作者会议上的讲演[G]//茅盾论创作.上海:上海文艺出版社,1980.
[16]冯雪峰.马加的《江山村十日》[C]//冯雪峰.冯雪峰论文集(中).北京:人民文学出版社,1981.
[17]冯雪峰.灵山歌[M].广州:新世纪出版社,1998.