竹山绿松石艺术首饰创作“松石上的风景”
详细信息    查看全文 | 推荐本文 |
  • 英文篇名:Artistic Jewelry Creation of Turquoise from Zhushan: The Scenery on Turquoise
  • 作者:李园 ; 张荣红
  • 英文作者:LI Yuan;ZHANG Ronghong;Guangzhou College of South China University of Technology;Gemmological Institute, China University of Geosciences;
  • 关键词:绿松石 ; 艺术特点 ; 首饰设计
  • 英文关键词:turquoise;;artistic characteristic;;jewelry design
  • 中文刊名:BSHB
  • 英文刊名:Journal of Gems & Gemmology
  • 机构:华南理工大学广州学院;中国地质大学珠宝学院;
  • 出版日期:2019-05-14 14:59
  • 出版单位:宝石和宝石学杂志
  • 年:2019
  • 期:v.21;No.92
  • 基金:2018国家艺术基金资助项目《湖北竹山绿松石艺术创作人才培养》(2018A-04-(115)-0646)
  • 语种:中文;
  • 页:BSHB201902009
  • 页数:4
  • CN:02
  • ISSN:42-1438/TS
  • 分类号:65-68
摘要
通过对湖北竹山绿松石艺术特点进行分析,总结出其具有花纹独一无二、生长肌理呈结核状、颜色丰富多变三个方面的特征,提出将绿松石花纹、肌理、颜色作为首饰设计的表达元素,结合其不同特点进行联想设计,笔者设计创作出"松石上的风景"系列首饰三套。作品一《松石上·远航》主要基于绿松石花纹的联想与叙事表达;作品二《松石上·瞬间》将绿松石肌理的素美与情感表达相结合;作品三《松石上·蘑趣》主要基于绿松石色彩的联想与趣味表达。绿松石作为传递首饰设计理念的重要载体,在一定程度上具有不可替代性,在彰显绿松石材料特色的同时可以通过设计作品呈现出一道道动人的风景。
        Based on the analysis of turquoise from Zhushan, Hubei Province, the authors summarized its three artistic characteristics: unique pattern, tubercular growth texture and rich and changeable colour. It is put forward that pattern, texture and colour of turquoise should be regarded as expression elements of jewelry design, and associative design should be carried out in combination with their different characteristics. The authors designed three sets of landscape jewelry named The Scenery on Turquoise. The work Voyage on Turquoise is based on the associations and narrative expressions of turquoise patterns; Work Moment on the Turquoise combines the plain beauty of turquoise texture with emotional expression; Work Mushroom Fun on Turquoise is based on the association of turquoise colour and interesting expression. Turquoise is an important carrier to convey the concept of jewelry design, and to a certain extent, it is irreplaceable. When highlighting the material characteristics of turquoise itself, it presents a moving landscape.
引文
[1] 李亚光.不同产地的绿松石特征浅析[J].文物鉴定与鉴赏,2017:83-84
    [2] 尹悟铭.大朴不雕——试论雕塑中朴素之美的创作观[J].南京艺术学院学报(美术与设计版),2011(3):115-118
    [3] 刘玲.中国绿松石颜色的成因、影响因素及分级研究[D].武汉:中国地质大学,2018.