巴塞尔姆小说《白雪公主》的互文性解读
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摘要
唐纳德·巴塞尔姆的小说《白雪公主》取材于童话故事《白雪公主与七个小矮人》。在小说中,作者通过一系列支离破碎和荒诞不经的后现代主义"碎片"对原童话故事进行了重新建构,并实现了前所未有的颠覆。本文将唐纳德·巴塞尔姆的《白雪公主》与童话故事《白雪公主与七个小矮人》进行比较,从意义生成的互文性、文本形式的互文性、审美效果的互文性三个角度解读两者的互文性关系。
Donald Barthelme's novel Snow White is originated from a fairy tale Snow White and the Seven Dwarfs. In the fiction,the author reconstructs the original fairy tale through a series of fragmented and ridiculous postmodernism fragments,and implements the unprecedented subversion. This article makes a comparison of Donald Barthelme's Snow White and the fairy tale of Snow White and the Seven Dwarfs,analyzing their intertextuality relation from the perspectives of significance,text forms of,aesthetic effect.
Donald Barthelme's novel Snow White is originated from a fairy tale Snow White and the Seven Dwarfs. In the fiction,the author reconstructs the original fairy tale through a series of fragmented and ridiculous postmodernism fragments,and implements the unprecedented subversion. This article makes a comparison of Donald Barthelme's Snow White and the fairy tale of Snow White and the Seven Dwarfs,analyzing their intertextuality relation from the perspectives of significance,text forms of,aesthetic effect.
引文
[1]杨珊.唐纳德·巴塞尔姆《白雪公主》中的黑色幽默研究[D].江西财经大学,2014.
[2]王丽.论唐纳德·巴塞尔姆小说《白雪公主》的互文性[J].安徽文学(下半月),2008,(2):108-110.
[3]曾海霞.文化记忆理论视角下看纳德·巴塞尔姆的小说《白雪公主》[D].四川外国语大学,2015.
[4]隋丹妮,陈铮.积极互文性视角中的文学作品分析[J].时代文学(上),2010,(12):29-31.
[5]严峰梅.《白雪公主后传》——对格林童话《白雪公主》的解构[D].陕西师范大学,2010.
[6]程莲,陈晓飞.解读小说《白雪公主》的后现代主义特征[J].语文学刊,2009,(3):121-124.
[7]杜松,王玉华.《白雪公主后传》的文本间性解读[J].哈尔滨学院学报,2011,(6):99-102.
[8]李晶晶.后现代视域中的互文性研究[D].湖北大学.2012.
[9]Hai-xia GUO.On Word-Play in The Dead Father by Donald Barthelme[J].Studies in Literature and Language.2015,(4):174-179.
[10]Cristina Ionica.The Nagging Father:Donald Barthelme's Narrative Framing of Gender and FamilyViolence[J].Critique:Studies in Contemporary Fiction.2015,(1):17-23.
[11]Lindsey Drager.The Absence of the Book and the Future ofthe Work:Blanchot,Barthelme,and Creative Reading Practice[J].New Writing.2015,(1):59-63.
[2]王丽.论唐纳德·巴塞尔姆小说《白雪公主》的互文性[J].安徽文学(下半月),2008,(2):108-110.
[3]曾海霞.文化记忆理论视角下看纳德·巴塞尔姆的小说《白雪公主》[D].四川外国语大学,2015.
[4]隋丹妮,陈铮.积极互文性视角中的文学作品分析[J].时代文学(上),2010,(12):29-31.
[5]严峰梅.《白雪公主后传》——对格林童话《白雪公主》的解构[D].陕西师范大学,2010.
[6]程莲,陈晓飞.解读小说《白雪公主》的后现代主义特征[J].语文学刊,2009,(3):121-124.
[7]杜松,王玉华.《白雪公主后传》的文本间性解读[J].哈尔滨学院学报,2011,(6):99-102.
[8]李晶晶.后现代视域中的互文性研究[D].湖北大学.2012.
[9]Hai-xia GUO.On Word-Play in The Dead Father by Donald Barthelme[J].Studies in Literature and Language.2015,(4):174-179.
[10]Cristina Ionica.The Nagging Father:Donald Barthelme's Narrative Framing of Gender and FamilyViolence[J].Critique:Studies in Contemporary Fiction.2015,(1):17-23.
[11]Lindsey Drager.The Absence of the Book and the Future ofthe Work:Blanchot,Barthelme,and Creative Reading Practice[J].New Writing.2015,(1):59-63.