《雪暴》:东北特质的叙事元素及审美建构
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摘要
《雪暴》中现实主义手法运用使得大自然与人物同样处于一种高度紧张状态,围绕着东北地域、文化与精神建构了具有东北特质的审美文化。影片在追击叙事中产生了新元素,并且成为重要角色。对比西部片与东北电影,追击叙事与整体叙事的关系暧昧不清,使得作品在叙事问题上仍然有待挖掘与拓展。如果说以第六代电影中具有纪实美学特质的影像来叙述森林警察,《雪暴》是否是另一种《可可西里》?与导演崔斯韦以往参与的编剧和电影相比,显然,它在尝试着新视点创作。
There grows a new element in the chase narration in Savages and becomes a key role. Compared Chinese western film and northeastern film with Savages, the relationship between the chase narration and the story structure is ambiguous, which brings about the fact that the narration in this film is on the road of being explored.
There grows a new element in the chase narration in Savages and becomes a key role. Compared Chinese western film and northeastern film with Savages, the relationship between the chase narration and the story structure is ambiguous, which brings about the fact that the narration in this film is on the road of being explored.
引文
1周斌.中国西部电影创作的多元化发展.艺术百家,2012,(1):54.
2裴亚莉.长安画派与中国西部电影的主流成就.文艺研究, 2018,(6):14—24.
2裴亚莉.长安画派与中国西部电影的主流成就.文艺研究, 2018,(6):14—24.