作为一种“塑性偶发”的沙丘美术馆
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摘要
文章从设计理念和建造品质两个方面,将OPEN建筑事务所的新作北戴河UCCA沙丘美术馆置于从弗里德里克·基斯勒、勒·柯布西耶、尤恩·伍重到丹尼尔·格拉塔鲁普的现代建筑以来的语境中进行审视,试图揭示该建筑对于OPEN建筑事务所的建筑实践和当代建筑学的双重意义。
The article investigates the design idea and construction quality of the OPEN Architecture's UCCA Dune Art Museum by locating it in the context of modem architecture from Frederick Kiesler, Le Corbusier, J(?)rn Utzon to Daniel Grataloup. In this way, it aims to explore the significance of this building work in relation to the practice of OPEN Architecture as well to contemporary architecture in general.
The article investigates the design idea and construction quality of the OPEN Architecture's UCCA Dune Art Museum by locating it in the context of modem architecture from Frederick Kiesler, Le Corbusier, J(?)rn Utzon to Daniel Grataloup. In this way, it aims to explore the significance of this building work in relation to the practice of OPEN Architecture as well to contemporary architecture in general.
引文
[1] Colin Rowe. La Tourette[M]//The Mathematics of the Ideal Villa and Other Essays, Cambridge. Massachusetts and London.England:The MIT Press, 1976:187.
[2] Le Corbusier. Creation Is a Patient Search[M]. translated by James Palmes. New York and Washington:Frederick A. Praeger,Publishers. 1960.
[3] Patrik Schumacher. Parametricism:A New Global Style for Architecture and Urban Design[J]. Architectural Design. 2009,79(4):14-23.
[4] Stephen John Phillips. Elastic Architecture:Frederick Kiesler and His Research Practice——A Study of Continuity in the Age of Modern Production[D]. Princeton:Princeton University, 2008.
[5] Roberto Gargiani and Anna Rosellini. Béton Brut and Ineffable Space. 1940-1965. Surface Materials and Psychophysiology of Vision[M]. London; New York:Routledge. 2011.
[6]丹尼尔·保利.朗香教堂[M].张宇,译.北京:中国建筑工业出版社.2006:109.
[7] Sigfried Giedion. Space. Time and Architecture:the Growth of a New Tradition[M]. the Sixth Edition. Cambridge, Massachusetts:Harvard University Press, 1969.
[8] JФrn Utzon, Silkeborg Museum of Fine Arts[M]//Richard Weston.Utzon. Copenhagen:Edition BlФndal, 2002:217.
[9] Richard Weston. Utzon[M]. Copenhagen:Edition BlФndal, 2002.
[10]肯尼斯·弗兰姆普敦.建构文化研究——论19世纪和20世纪建筑中的建造诗学[M].王骏阳,译.北京:中国建筑工业出版社,2007:265.
[11]赵辰.民族主义与古典主义——梁思成建筑理论体系的矛盾性与悲剧性[M]//“立面”的误会:建筑理论·历史,北京:生活·读书·新知三联书店,2007:39-40.
[12] Adolf Max Vogt. Le Corbusier, the Noble Savage[M].Cambridge, Massachusetts and London, England:The MIT Press.1998.
(1)《渤海湾上消隐的洞穴:UCCA沙丘美术馆/OPEN建筑事务所》.www.archiposition.com.
(2)Kenneth Frampton, A Genealogy of Modern Architecture.
(3)E.H.贡布里希·偏爱原始性——西方艺术和文学中趣味史[M].杨小京,译,南宁:广西美术出版社,2016.有趣的是,尽管这一特征在柯布晚期作品中十分明显,但是却也被柯林·罗这种对柯布的见解和认识不可谓不敏锐的学者所忽视。关于这个问题,也见笔者《<理想别墅的数学及其他论文>中译本导读》.载王骏阳.阅读柯林·罗的《拉图雷特》——王骏阳建筑学论文集2[M].上海:同济大学出版社.2018:58-59.
[2] Le Corbusier. Creation Is a Patient Search[M]. translated by James Palmes. New York and Washington:Frederick A. Praeger,Publishers. 1960.
[3] Patrik Schumacher. Parametricism:A New Global Style for Architecture and Urban Design[J]. Architectural Design. 2009,79(4):14-23.
[4] Stephen John Phillips. Elastic Architecture:Frederick Kiesler and His Research Practice——A Study of Continuity in the Age of Modern Production[D]. Princeton:Princeton University, 2008.
[5] Roberto Gargiani and Anna Rosellini. Béton Brut and Ineffable Space. 1940-1965. Surface Materials and Psychophysiology of Vision[M]. London; New York:Routledge. 2011.
[6]丹尼尔·保利.朗香教堂[M].张宇,译.北京:中国建筑工业出版社.2006:109.
[7] Sigfried Giedion. Space. Time and Architecture:the Growth of a New Tradition[M]. the Sixth Edition. Cambridge, Massachusetts:Harvard University Press, 1969.
[8] JФrn Utzon, Silkeborg Museum of Fine Arts[M]//Richard Weston.Utzon. Copenhagen:Edition BlФndal, 2002:217.
[9] Richard Weston. Utzon[M]. Copenhagen:Edition BlФndal, 2002.
[10]肯尼斯·弗兰姆普敦.建构文化研究——论19世纪和20世纪建筑中的建造诗学[M].王骏阳,译.北京:中国建筑工业出版社,2007:265.
[11]赵辰.民族主义与古典主义——梁思成建筑理论体系的矛盾性与悲剧性[M]//“立面”的误会:建筑理论·历史,北京:生活·读书·新知三联书店,2007:39-40.
[12] Adolf Max Vogt. Le Corbusier, the Noble Savage[M].Cambridge, Massachusetts and London, England:The MIT Press.1998.
(1)《渤海湾上消隐的洞穴:UCCA沙丘美术馆/OPEN建筑事务所》.www.archiposition.com.
(2)Kenneth Frampton, A Genealogy of Modern Architecture.
(3)E.H.贡布里希·偏爱原始性——西方艺术和文学中趣味史[M].杨小京,译,南宁:广西美术出版社,2016.有趣的是,尽管这一特征在柯布晚期作品中十分明显,但是却也被柯林·罗这种对柯布的见解和认识不可谓不敏锐的学者所忽视。关于这个问题,也见笔者《<理想别墅的数学及其他论文>中译本导读》.载王骏阳.阅读柯林·罗的《拉图雷特》——王骏阳建筑学论文集2[M].上海:同济大学出版社.2018:58-59.