摘要
文学是语言的艺术,而美术是视觉的艺术,没有文学中所描写的生活体验,很难在画面上体现文学内涵。建国“十七”年文学作品插图在中国文学作品插图中占有重要地位,我国现代文学作品插图创于民国初期,兴于新中国建国“十七”年,奠定了改革开放文学作品插图发展的重要依托方面,它形成了文学与艺术的有机结合,以及独有的艺术风格。本篇论文旨在通过对民国时期插图和解放区木刻对建国“十七”年插图产生的影响和对这一时期插图的流派、特点、代表人物和代表作进行的梳理和剖析来探寻建国“十七”年文学作品插图兴盛的背景及成因。
The literature is a skill of language,but the art is a skill of vision.Emboding the intension of literatrue is a difficulty things if there isn't any experience frome daily life in literature describe,The position of Chinese literature illustration in the early 17 years of foundation of our country is important in the chinese literature illustration.The modern chinese literature illustration was founded at the beginning of the Republic of china but it prosper in chinese literation illustration at the early 17 years of the people's Republic of china and it lay a foundation of reform in the literatruce illustration.The literature and art combined tegattcer and the style was realy unique.The purpose of this thesis will give you a batter understand throuth the illustration in times of the Republic of china,the wood cut in Times of early,17 years of founding of our country,and this thesis will dissect such as the partes of illustration,characteristis,representative,representative work and explore the prosperous back ground of illustration in that times.
引文
[1]郭强《古本戏曲版画图录》学苑出版社2003.3
[1]祝重寿《中国插图艺术史话》第19讲152页
[1]李伟铭 图像历史-20世纪中国美术论稿39页
[1]孙犁小说艺术特色论170页,孙犁小说人物性格论170页
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