漫谈“中国唱法”
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摘要
伴随着时代的进步,社会的发展,单一的美声唱法、民族唱法或者通俗唱法已经不能满足广大人民群众的审美需求,由此各种唱法纷纷,竭尽全力吸取别种唱法的优点来不断丰富和完善自己,适应广大受众的喜爱和欢迎。在这种形势下,"中国唱法"适时产生并形成,其鲜明的演唱特征以及训练方法值得研究探讨。
With the development of the society,the single way of singing,such as the bel canto,the national or the popular singing,couldn't meet the aesthetic demands of people. At the same time,those methods of singing urgently begin to enrich and perfect themselves continuous ly to attract people by absorbing the advantages of others,along with which Chinese Singing Method emerges and forms its distinct singing featunes and training methods,which worth researching and discussing.
With the development of the society,the single way of singing,such as the bel canto,the national or the popular singing,couldn't meet the aesthetic demands of people. At the same time,those methods of singing urgently begin to enrich and perfect themselves continuous ly to attract people by absorbing the advantages of others,along with which Chinese Singing Method emerges and forms its distinct singing featunes and training methods,which worth researching and discussing.
引文
[1]薛建洲.一种新的边缘唱法——中国唱法[J].音乐天地,1994,(10).
[2]程路.关于“中国唱法”[J].星海音乐学院学报,1996,(04).
[3]邹本初.歌唱学:沈湘歌唱学体系研究[M].人民音乐出版社,2000.
[4]陈媛.“中国唱法”之研究——从“吴碧霞现象”引起的思考[D].长沙:湖南师范大学,2006,(04).
[5]邹长海.声乐艺术心理学[M].北京:人民音乐出版社,2000.
[2]程路.关于“中国唱法”[J].星海音乐学院学报,1996,(04).
[3]邹本初.歌唱学:沈湘歌唱学体系研究[M].人民音乐出版社,2000.
[4]陈媛.“中国唱法”之研究——从“吴碧霞现象”引起的思考[D].长沙:湖南师范大学,2006,(04).
[5]邹长海.声乐艺术心理学[M].北京:人民音乐出版社,2000.