从后殖民主义视角解读《野草在歌唱》中摩西的人物形象
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摘要
多丽丝·莱辛是英国当代著名作家,其代表作《野草在歌唱》呈现了南非殖民统治下的种族压迫和土著黑人的悲惨境遇。摩西作为一个具有反抗精神的土著黑人,虽完成了报复行动,但也使自己走向了不归路。国内大部分的研究都以玛丽为主要关注对象,对摩西解读相对较少。文章从后殖民主义的视角分析摩西的人物形象,以期看到殖民制度下黑人无法逃脱的悲剧命运和作者隐性殖民话语的书写。
Doris Lessing is a famous British writer in contemporary times.Her representative work The Grass Is Singing presents the racial oppression and miserable conditions of indigenous blacks under the colonial rule in South Africa. Moses,an indigenous black man with a rebellious spirit,had his revenge that led him to the road of no return. Most domestic research focuses on Mary,but the interpretation of Moses is relatively less. This paper analyzes the image of Moses from the perspective of post-colonialism,with a view to seeing the unavoidable tragic fate of the blacks under the colonial system and Lessing's implicit colonial discourse.
Doris Lessing is a famous British writer in contemporary times.Her representative work The Grass Is Singing presents the racial oppression and miserable conditions of indigenous blacks under the colonial rule in South Africa. Moses,an indigenous black man with a rebellious spirit,had his revenge that led him to the road of no return. Most domestic research focuses on Mary,but the interpretation of Moses is relatively less. This paper analyzes the image of Moses from the perspective of post-colonialism,with a view to seeing the unavoidable tragic fate of the blacks under the colonial system and Lessing's implicit colonial discourse.
引文
[1]孙莹.“他者”的悲歌--从后殖民角度解读《野草在歌唱》[D].吉林大学,2013:11;14.
[2]多丽丝·莱辛.一蕾译.野草在歌唱[M].南京:译林出版社,2018:58;125;6;7;157;160;158;171;173;235;21;13;22;211;211.
[3]多丽丝·莱辛.影中漫步[Z].西安:陕西师范大学出版社,2008:11.
[4]丁威,张荣升.不同的肤色相同的命运--《野草在歌唱》主人公悲剧心理与后殖民主义双重解读[J].作家,2010(12):35.
[5]赵纪萍.反殖民书写与殖民话语的隐性书写--从后殖民主义的视角重读《野草在歌唱》[J].山东社会科学,2012(7):189.
[6]Lessing,Doris.Under My Skin.London:Harper Collins Publishers,1994:394.
[2]多丽丝·莱辛.一蕾译.野草在歌唱[M].南京:译林出版社,2018:58;125;6;7;157;160;158;171;173;235;21;13;22;211;211.
[3]多丽丝·莱辛.影中漫步[Z].西安:陕西师范大学出版社,2008:11.
[4]丁威,张荣升.不同的肤色相同的命运--《野草在歌唱》主人公悲剧心理与后殖民主义双重解读[J].作家,2010(12):35.
[5]赵纪萍.反殖民书写与殖民话语的隐性书写--从后殖民主义的视角重读《野草在歌唱》[J].山东社会科学,2012(7):189.
[6]Lessing,Doris.Under My Skin.London:Harper Collins Publishers,1994:394.