论莫言小说的美学追求——以《红高粱家族》为例
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摘要
莫言在其小说的创作中,有意识地把西方现代叙事和中国古典叙事手法进行整合性运用,将西方现代主义,尤其是魔幻现实主义与中华民族的叙事传统相结合。他在小说的构思、取材和整体创作中表现出其独创性的民间立场、对于人性的独特表达和对于心中文学王国的追寻,从而向读者传达出自己的美学追求。
Mo Yan consciously combines Western modern narratives with Chinese classical narrative techniques in his novel creation, combining Western modernism, especially magical realism with the narrative tradition of the Chinese nation. In the conception, material and overall creation of the novel, he showed his original folk position, the unique expression of human nature and the pursuit of the literary kingdom of the heart, thus conveying his own aesthetic pursuit to the reader.
Mo Yan consciously combines Western modern narratives with Chinese classical narrative techniques in his novel creation, combining Western modernism, especially magical realism with the narrative tradition of the Chinese nation. In the conception, material and overall creation of the novel, he showed his original folk position, the unique expression of human nature and the pursuit of the literary kingdom of the heart, thus conveying his own aesthetic pursuit to the reader.
引文
[1] 王振军,宋向阳.中外文学精品导读[M].北京:中国广播影视出版社,2016:323.
[2] 加西亚·马尔克斯.百年孤独[M].海口:南海出版公司,2011:1.
[3] 莫言.红高粱家族[M].上海:上海文艺出版社,2012.
[4] 莫言,王尧.从《红高粱》到《檀香刑》[J].当代作家评论,2002(1):10-22.
[5] 莫言.文学创作的民间资源——在苏州大学“小说家讲坛”上的讲演[J].当代作家评论,2002(1):6-7.
[6] 莫言.文学照进人生[N].南方日报,2011-06-22.
[7] 莫言.捍卫长篇小说的尊严[J].当代作家评论,2006(1):24-28.
[8] 温伟,朱宾忠.莫言与福克纳文学观之比较[J].江汉论坛,2007(4):121-124.
[9] 莫言.小说的气味[M].沈阳:春风文艺出版社,2003:125.
[10]莫言.我的故乡与我的小说[J].当代作家评论,1993(2):37-39.
[2] 加西亚·马尔克斯.百年孤独[M].海口:南海出版公司,2011:1.
[3] 莫言.红高粱家族[M].上海:上海文艺出版社,2012.
[4] 莫言,王尧.从《红高粱》到《檀香刑》[J].当代作家评论,2002(1):10-22.
[5] 莫言.文学创作的民间资源——在苏州大学“小说家讲坛”上的讲演[J].当代作家评论,2002(1):6-7.
[6] 莫言.文学照进人生[N].南方日报,2011-06-22.
[7] 莫言.捍卫长篇小说的尊严[J].当代作家评论,2006(1):24-28.
[8] 温伟,朱宾忠.莫言与福克纳文学观之比较[J].江汉论坛,2007(4):121-124.
[9] 莫言.小说的气味[M].沈阳:春风文艺出版社,2003:125.
[10]莫言.我的故乡与我的小说[J].当代作家评论,1993(2):37-39.