摘要
《乡间书》中不仅有诗人陈亮对乡村荒野的真实呈现,对古老乡村里人们粗砺、腌臜、卑微的生存状态的描绘;同样,诗人细致地体察到乡村荒凉背后人与人之间的熨贴;古老乡村在现代文明的侵蚀之下血肉横飞的惨状,散发着不祥、阴冷的调子。整部诗集在以"母-子"为隐喻的空间维度,以及以"父-子"为隐喻的时间维度中,道出了每一个个体在现代文明面前都变成了空间和时间维度中无所依傍的孩子。这是乡村个体在现代文明面前所承受的物质与文明的双重困境,更是古老乡村最后的一曲哀歌。
In the Country Book,the poet CHEN Liang not only presents the real rural wilderness,but also depicts the rough and humble living conditions of the people in the countryside.In addition,the poet observes the warmth between people in the countryside.He also writes about the miserable condition because of the erosion of industrial civilization,which emits an ominous and cold tone.The whole collection of poetry takes "mother-son" as the metaphorical spatial dimension and"father-son"as the metaphorical temporal dimension,showing that every person has become a child in the spatial and temporal dimensions in the front of industrial civilization.This is the double dilemma of materialism and civilization that rural individuals bear in the face of modern civilization,and it is also the last lament of the ancient countryside.
引文
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