鄂伦春桦皮工艺制品的审美特征
摘要
鄂伦春族是位于我国塞北边疆的少数民族之一,在其源远流长的民族文化中,桦皮文化贯穿其生活始末,他们用桦皮制作的工艺制品体现了鄂伦春族与山林共舞、与动物共生的民族文化。文章主要对鄂伦春族桦皮工艺制品的外形与图案的美学进行分析。
Olunchun is located in one of minority nationalities in the northern frontier in our country, in the national culture of the ancient,the birch bark culture throughout their life,they are made of birch skin craftwork reflects the olunchun dance with trees and animals symbiotic culture.My paper mainly on the products of birch bark appearance and the pattern of aesthetic analysis.
Olunchun is located in one of minority nationalities in the northern frontier in our country, in the national culture of the ancient,the birch bark culture throughout their life,they are made of birch skin craftwork reflects the olunchun dance with trees and animals symbiotic culture.My paper mainly on the products of birch bark appearance and the pattern of aesthetic analysis.
引文
[1]于学斌.鄂伦春游猎生活[M].黑龙江美术出版社,2003:112.
[2]杨丽红.鄂伦春族桦树皮艺术美感研究[J].科技创新导报,2011(10):20.
[3]杜志东.浅谈鄂伦春族桦树皮制品的美学意蕴[J].赤峰学院学报,2010(05):54.
[4]赵筱辛.鄂伦春族桦树皮制品图案艺术与文化内涵[J].美与时代,2013(10):56-57.
[5]郭太林.北方狩猎民族的桦树皮床是艺术[J].装饰,2007(2):123-124.
[6]周舟.谈传统民居装饰图案的视觉语言[J].设计,2015(9):132-133.
[7]张宏玉.基于鄂伦春族文化特点的家居产品设计研究[J].设计,2015(14):136-137.
[8]曾玲.试论传统图案的现代化[J].设计,2013(2):182-183.
[2]杨丽红.鄂伦春族桦树皮艺术美感研究[J].科技创新导报,2011(10):20.
[3]杜志东.浅谈鄂伦春族桦树皮制品的美学意蕴[J].赤峰学院学报,2010(05):54.
[4]赵筱辛.鄂伦春族桦树皮制品图案艺术与文化内涵[J].美与时代,2013(10):56-57.
[5]郭太林.北方狩猎民族的桦树皮床是艺术[J].装饰,2007(2):123-124.
[6]周舟.谈传统民居装饰图案的视觉语言[J].设计,2015(9):132-133.
[7]张宏玉.基于鄂伦春族文化特点的家居产品设计研究[J].设计,2015(14):136-137.
[8]曾玲.试论传统图案的现代化[J].设计,2013(2):182-183.