传统建筑木构艺术形态构成与审美意境表达
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摘要
传统建筑木构艺术是民族建筑文化的精华、是艺术的瑰宝,其深刻内涵是智慧与审美、艺术与科学的完美统一。研究传统建筑木构艺术对于当代社会审美观、美育以及社会环境建设等有着极大的美学价值。以木构艺术形态构成为切入点,通过解析木构艺术形态与特点,从美学特征、现代语境、装饰与韵律等方面,探讨传统木构艺术的审美意境构成,深入解析传统木构艺术所蕴含的审美意境,彰显传统建筑木构艺术是功能与美学的完美统一体。以期唤醒人们对传统建筑构成与审美意境的理解,为构建新时代"中华美育精神"提供有益借鉴。
As the essence of Chinese architectural culture, traditional wooden structure boasts of rich connotation. It is the perfect integration of wisdom and aesthetics, art and science. Therefore, it is of great aesthetic value to improve contemporary social aesthetics and aesthetic education via wooden structure. This article elaborates on the artistic constituents of wooden structure in terms of aesthetic characteristics, modern context, decoration and rhythm. The article also argues that traditional wooden structure art is a perfect combination of function and aesthetics and will throw light on Chinese aesthetic education in the new era.
As the essence of Chinese architectural culture, traditional wooden structure boasts of rich connotation. It is the perfect integration of wisdom and aesthetics, art and science. Therefore, it is of great aesthetic value to improve contemporary social aesthetics and aesthetic education via wooden structure. This article elaborates on the artistic constituents of wooden structure in terms of aesthetic characteristics, modern context, decoration and rhythm. The article also argues that traditional wooden structure art is a perfect combination of function and aesthetics and will throw light on Chinese aesthetic education in the new era.
引文
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[2]大力弘扬中华美育精神[N].文艺报,2018-09-03(001).
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[6]伍冰,耿晓杰.基于构成主义思想的榫卯结构创新设计探索[J].家具,2015,36(4):51-54,61.
[7]范雪峰.云南地方传统民居屋顶的体系构成及其特征[D].昆明:昆明理工大学,2005.
[8]许潇.传统建筑元素“移植重生”后的“语境”适应策略[J].中外建筑,2017(11):43-45.
[9]葛建余.谈室内设计在当代中国语境下所发生的变化[J].山西建筑,2012,38(29):27-28.
[10]李春.中国传统建筑审美范畴体系述论[J].艺术百家,2018,34(1):172-178.[万方]
[11]汤小平,马庆华.探析中国传统木结构单体建筑的美学特征[J].水利与建筑工程学报,2010,8(6):108-110,112.
[12]刘月.中国传统建筑的美学神韵[J].同济大学学报(社会科学版),2002,13(3):4-9,29.
[2]大力弘扬中华美育精神[N].文艺报,2018-09-03(001).
[3]汪俊武.论中华优秀传统文化在高校美育中的价值与运用[J].苏州科技大学学报(社会科学版),2017,34(4):97-101.
[4]石铁矛,蔡强.构成与建筑[M].西安:陕西人民美术出版社,1992.
[5]郭欣.云南地方传统建筑梁柱木构架的构成及其特征:以昆明、大理地区为例[D].昆明:昆明理工大学,2004.
[6]伍冰,耿晓杰.基于构成主义思想的榫卯结构创新设计探索[J].家具,2015,36(4):51-54,61.
[7]范雪峰.云南地方传统民居屋顶的体系构成及其特征[D].昆明:昆明理工大学,2005.
[8]许潇.传统建筑元素“移植重生”后的“语境”适应策略[J].中外建筑,2017(11):43-45.
[9]葛建余.谈室内设计在当代中国语境下所发生的变化[J].山西建筑,2012,38(29):27-28.
[10]李春.中国传统建筑审美范畴体系述论[J].艺术百家,2018,34(1):172-178.[万方]
[11]汤小平,马庆华.探析中国传统木结构单体建筑的美学特征[J].水利与建筑工程学报,2010,8(6):108-110,112.
[12]刘月.中国传统建筑的美学神韵[J].同济大学学报(社会科学版),2002,13(3):4-9,29.