诗贵情思:论李东阳诗学体系中的“真情”意识
|
摘要
作为明代承先启后的诗人,李东阳站在诗歌的转捩点上,试图突破理学思想及馆阁文学所造成的思想上的樊篱,以一股"清新婉丽"之风标举"真情"意识——崇尚真情实意、力主自然之情、提倡唐人之情;其诗歌创作,与之桴鼓相应地将其"真情"意识融汇贯通地表现在他的婚恋诗、历史人文诗、山水风光诗之中。李东阳诗学体系中的"真情"意识和其诗歌创作实践,引导恢复了古典诗歌审美理想中"重情"的特质,打破了当时"台阁体"诗歌题材局限于应制颂德的桎梏。"真情"意识流播所及,实是明代中后期文学关于"真"的讨论的滥觞。
As a poet of the Ming Dynasty, Li Dongyang stood at the turning point of the times, trying to break through the ideological barrier caused by "Tai Ge culture". Li Dongyang raised the consciousness of "true feeling"with a wind of fresh and graceful beauty—advocating"true feeling", natural feelings and the feelings of Tang dynasty's people. In his specific poetry, accordingly, his consciousness of "true feeling"is reflected in his rich love poems, historical and humanistic poems and natural landscape poems. As the demand of the literary world at that time, Li Dongyang's consciousness of "true feeling"in his poetic system and his specific poetry led to the restoration of"true feelings"in the aesthetic ideal of classical poetry and broke the barrier that the subject matter of Tai Ge style was confined to the eulogy of virtue at that time. The consciousness of "true feeling"was the beginning of the discussion of"truth"in mid and late Ming dynasty's literature.
As a poet of the Ming Dynasty, Li Dongyang stood at the turning point of the times, trying to break through the ideological barrier caused by "Tai Ge culture". Li Dongyang raised the consciousness of "true feeling"with a wind of fresh and graceful beauty—advocating"true feeling", natural feelings and the feelings of Tang dynasty's people. In his specific poetry, accordingly, his consciousness of "true feeling"is reflected in his rich love poems, historical and humanistic poems and natural landscape poems. As the demand of the literary world at that time, Li Dongyang's consciousness of "true feeling"in his poetic system and his specific poetry led to the restoration of"true feelings"in the aesthetic ideal of classical poetry and broke the barrier that the subject matter of Tai Ge style was confined to the eulogy of virtue at that time. The consciousness of "true feeling"was the beginning of the discussion of"truth"in mid and late Ming dynasty's literature.
引文
[1]王国维.人间词话[M].上海:上海古籍出版社,1998:13.
[2]永2).四库全书总目[M].上海:上海古籍出版社,1993:1484.
[3]钱谦益.列朝诗集小传[M].上海:古典文学出版社,1957:425.
[4]廖可斌.明代文学复古运动研究[M].北京:商务印书馆,2008.
[5]李东阳.李东阳集:第二卷[M].长沙:岳麓书社,1984.
[6]沈德潜.明诗别裁集[M].上海:上海古籍出版社,1979:75.
[7]郭绍虞.沧浪诗话校释[M].北京:人民文学出版社,2005:26.
[8]马云骎.李东阳诗话新探[D].北京:北京大学,2005:35.
[9]李庆立.怀麓堂诗话校释[M].北京:人民文学出版社,2009:83.
[10]童庆炳.艺术与人类心理[M].北京:北京文艺出版社,1990:240.
[11]张廷玉.明史[M].北京:中华书局,1984:7307.
[12]叶燮.原诗[G]//郭绍虞.清诗话.上海:上海古籍出版社,1978:597.
[13]陈文新.明代诗学[M].长沙:湖南人民出版社,2000.
[14]钱基博.明文学史[M].上海:商务印书馆,1933:81.
[15]任昉.述异记[M].程荣.汉魏丛书,明万历二十年(1592)新安程氏刻本.
[16]李梦阳.空同先生集[M].香港:伟文图书出版社,1976:1437.
[17]薛泉.李东阳与茶陵派研究[M].北京:人民出版社,2013:81.
[18]谢铎.桃溪净稿[M].济南:齐鲁书社,1997:320.
[19]郭绍虞.清诗话续编[G].上海:上海古籍出版社,1983:2361.
[20]丁福保.历代诗话续编[G].北京:中华书局,1983:1044.
[2]永2).四库全书总目[M].上海:上海古籍出版社,1993:1484.
[3]钱谦益.列朝诗集小传[M].上海:古典文学出版社,1957:425.
[4]廖可斌.明代文学复古运动研究[M].北京:商务印书馆,2008.
[5]李东阳.李东阳集:第二卷[M].长沙:岳麓书社,1984.
[6]沈德潜.明诗别裁集[M].上海:上海古籍出版社,1979:75.
[7]郭绍虞.沧浪诗话校释[M].北京:人民文学出版社,2005:26.
[8]马云骎.李东阳诗话新探[D].北京:北京大学,2005:35.
[9]李庆立.怀麓堂诗话校释[M].北京:人民文学出版社,2009:83.
[10]童庆炳.艺术与人类心理[M].北京:北京文艺出版社,1990:240.
[11]张廷玉.明史[M].北京:中华书局,1984:7307.
[12]叶燮.原诗[G]//郭绍虞.清诗话.上海:上海古籍出版社,1978:597.
[13]陈文新.明代诗学[M].长沙:湖南人民出版社,2000.
[14]钱基博.明文学史[M].上海:商务印书馆,1933:81.
[15]任昉.述异记[M].程荣.汉魏丛书,明万历二十年(1592)新安程氏刻本.
[16]李梦阳.空同先生集[M].香港:伟文图书出版社,1976:1437.
[17]薛泉.李东阳与茶陵派研究[M].北京:人民出版社,2013:81.
[18]谢铎.桃溪净稿[M].济南:齐鲁书社,1997:320.
[19]郭绍虞.清诗话续编[G].上海:上海古籍出版社,1983:2361.
[20]丁福保.历代诗话续编[G].北京:中华书局,1983:1044.