感知武藏野美术大学图书馆的空间秩序之美
|
摘要
随着时代的发展,高校学子对于阅读空间的要求与日俱增,图书馆是高校文化基础设施中最不可缺少的一部分。从人文特征属性来说,图书馆更是高校的灵魂所在。文章以武藏野美术大学图书馆为例,结合设计师弱建筑的相关理念,对其整体空间形态进行多维度剖析,笔者通过实地调研与考察,总结具体创作手法,探索图书馆空间中艺术创造的更多可能性,以期为我国高校图书馆的空间设计提供一些借鉴和参考。
With the development of the times,the demands of college students for reading space are increasing day by day,and the library is the most indispensable part of the university's cultural infrastructure. From the perspective of humanistic attributes,libraries are the soul of colleges and universities. Taking the Musashino Art University Library as an example,this paper combines the designer's related theory of weak architecture concept and analyzes the overall spatial form. The author summarizes the specific creative techniques and explores more possibilities of artistic creation in the library space through field research and investigation,in order to provide some reference and reference for the space design of Chinese university libraries.
With the development of the times,the demands of college students for reading space are increasing day by day,and the library is the most indispensable part of the university's cultural infrastructure. From the perspective of humanistic attributes,libraries are the soul of colleges and universities. Taking the Musashino Art University Library as an example,this paper combines the designer's related theory of weak architecture concept and analyzes the overall spatial form. The author summarizes the specific creative techniques and explores more possibilities of artistic creation in the library space through field research and investigation,in order to provide some reference and reference for the space design of Chinese university libraries.
引文
[1]日本武藏野美术大学美术馆及图书馆(Musashino Art University Museum&Library)——藤本壮介(Sou Fujimoto Architects)http://www.treemode.com/case/753
[2] Musashino Art University Museum&Library https://nonzen.com/musashino-art-university-museum-library/
[3]薛宁,韩玉婷.玻璃材料在建筑空间中的运用与表达[J].设计,2017(17):148-149.
[4]武藏野美术大学图书馆新馆http://www.sohu.com/a/219374542_188910
[5]武藏野美术大学图书馆/Sou Fujimoto https://www.archdaily.cn/cn/627499/wu-cang-ye-yi-zhu-da-xue-tushuguan-sou-fujimoto
[6]纪薇“.光”在建筑空间中运用之美的解读[J].设计,2017(01):144-145.
[7]喻袁崛.光影下的建筑科技与建筑空间中的光影[J].设计,2018(.03):90-91.
[8]小麦.空间秩序的解构东京武藏野美术大学图书馆[J].室内设计与装修,2012(09):116-119.
[9]邹颖,刘骞.被“弱化”的螺旋——从螺旋形空间看藤本壮介的设计策略[J].世界建筑,2013(03):122-124.
[10]冯永民,李奇芫.漫步螺旋形书海——武藏野美术大学图书馆新馆设计解读[J].中外建筑,2016(11):109-
[2] Musashino Art University Museum&Library https://nonzen.com/musashino-art-university-museum-library/
[3]薛宁,韩玉婷.玻璃材料在建筑空间中的运用与表达[J].设计,2017(17):148-149.
[4]武藏野美术大学图书馆新馆http://www.sohu.com/a/219374542_188910
[5]武藏野美术大学图书馆/Sou Fujimoto https://www.archdaily.cn/cn/627499/wu-cang-ye-yi-zhu-da-xue-tushuguan-sou-fujimoto
[6]纪薇“.光”在建筑空间中运用之美的解读[J].设计,2017(01):144-145.
[7]喻袁崛.光影下的建筑科技与建筑空间中的光影[J].设计,2018(.03):90-91.
[8]小麦.空间秩序的解构东京武藏野美术大学图书馆[J].室内设计与装修,2012(09):116-119.
[9]邹颖,刘骞.被“弱化”的螺旋——从螺旋形空间看藤本壮介的设计策略[J].世界建筑,2013(03):122-124.
[10]冯永民,李奇芫.漫步螺旋形书海——武藏野美术大学图书馆新馆设计解读[J].中外建筑,2016(11):109-