北宋汝官窑器型情感研究
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摘要
为探究北宋汝官窑器型中的产品特征及相关情感,创建用户感性认知的北宋汝官窑器型的情感研究模型。在大量收集和深入了解北宋汝官窑器型文化的基础上,提取器型的设计要素及感性意象语义,通过构建器型情感评价图谱及分析二者间的关系矩阵,将器型的情感研究参数化,并融入现代审美元素,应用于陶瓷优盘产品创新设计中。在文化研究的同时,辅以优盘产品用户研究,使得所提取的设计要素有较强的文化表征性和可识别性。通过传统文化与创意设计的融合,将有效提升设计对象的内涵,并促进传统文化的传承与创新。
The purpose is to explore and research the product characteristics and related emotions of Northern Song Ruguan kiln type, create a model of emotion research on Northern Song Ruguan kiln type about of user perception. Basis on the large collection and In-depth understanding of Northern Song Ruguan kiln type about culture,extract the design elements and Kansei image semantics of the kiln type, by building kiln type evaluation map and analyze the relationship between the two matrices, parameterization studies and into the modern aesthetic elements used in innovation design about Ceramic USB product.While cultural studies, supplemented user research, making the extracted design elements have a strong cultural representation and recognizability. Conclusion, by combining traditional culture and creative design, will effectively enhance the connotation of design objects and to promote heritage and innovation of traditional culture.
The purpose is to explore and research the product characteristics and related emotions of Northern Song Ruguan kiln type, create a model of emotion research on Northern Song Ruguan kiln type about of user perception. Basis on the large collection and In-depth understanding of Northern Song Ruguan kiln type about culture,extract the design elements and Kansei image semantics of the kiln type, by building kiln type evaluation map and analyze the relationship between the two matrices, parameterization studies and into the modern aesthetic elements used in innovation design about Ceramic USB product.While cultural studies, supplemented user research, making the extracted design elements have a strong cultural representation and recognizability. Conclusion, by combining traditional culture and creative design, will effectively enhance the connotation of design objects and to promote heritage and innovation of traditional culture.
引文
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[2]胡志刚,杨君顺,乔现玲.造型设计中用户定制方法的研究[J].轻工机械,2007,24(4):8-10.
[3]谭征宇.面向用户感知信息的产品概念设计技术研究[D].浙江大学,2007.
[4]王伟伟,胡宇坤,金心,等.传统文化设计元素提取模型研究与应用[J].包装工程,2014,35(006):73-76.
[5]刘莹.北宋汝官窑瓷造型设计研究[D].景德镇陶瓷学院,2013.
[6]郭木森,赵文军,娄金山,等.宝丰清凉寺汝窑遗址的新发现[J].华夏考古,2005(3):21-28.
[7]王团乐.试析汝窑的性质及相关问题[J].中原文物,2005(4):76-81.
[8]中国陶瓷[M].上海古籍出版社,2001.
[9]翁盛斌.CNKI数据源的关键词共现分析与多维尺度分析法的现实分析[J].现代情报,2013.04.
[10]周美玉.聚类模型在感性设计中的应用[J].机械工程学报,2008,7.
[11]Reboli AC,Farrar WE.Erysipelothrix rhusiopathiae:an occupational pathogen[J].Clin Microbiol Rev,1989:2:354-359.
[12]惠新.两种量表统计方式在公共服务满意度中的比较[J].统计与决策,2009.
[13]侯家麟.模糊数量化理论的应用与探索[J].系统工程理论与实践,2003,6.
[14]陈庆荣,单艳红,邓铸.E-Prime试验系统及其在心理学中的应用[J].实验室研究与索,2006.
[15]李小胜,陈珍珍.如何正确应用SPSS软件做主成分分析[J].统计研究,2010(8).
[16]白凯.无答应式李克特量表在旅游研究中的应用检验[J].旅游学报,2011(4)
[17]卢兆麟,汤文成,薛澄岐.一种基于形状文法的产品设计DNA推理方法[J].东南大学学报,自然科学版,2010,40(4):704-711.
[18]LAI H H,CHANG Y M,CHANG H C.A robust design approach for enhancing the feeling quality of a product:a car profile case study[J].International Journal of Industrial Ergonomics,2005,35(5):445-460.