庾信乐府诗的民族融合景观
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摘要
庾信的乐府诗生动地描绘了南北朝时期多民族融合的生活图景。庾信的乐府诗以其仕北生活为界限分为前后两个时期:前期乐府诗虽以汉文化为主导,但"胡音"因素已然不自觉地渗透到其诗作之中,少数民族的生活与事物构成前期乐府诗独特的文学意象;后期乐府诗以"胡汉交融"的多民族文化为创作背景,丰富的民族生活无疑激发了庾信的创作热情,他将自己纯熟的声律理论与多民族生活紧密结合,创作出特有的民族融合的文学景观。
Yu xin's Yuefu poem vividly depicted the life of multi-ethnic fusion in the Northern and Southern dynasties. His writing can be divided into two periods by his official life. In the early stage,dominated by Han culture though,his poems had already seen ethnic influence,which was shown in the literary images of life and things of ethnic minorities in this period while his later poems,taking Han and Ethnic cultures' fusion as the background,were inspired by the multinational life. He closely combined his rhythmic theory with multi-national life and created a unique literary view of ethnic fusion.
Yu xin's Yuefu poem vividly depicted the life of multi-ethnic fusion in the Northern and Southern dynasties. His writing can be divided into two periods by his official life. In the early stage,dominated by Han culture though,his poems had already seen ethnic influence,which was shown in the literary images of life and things of ethnic minorities in this period while his later poems,taking Han and Ethnic cultures' fusion as the background,were inspired by the multinational life. He closely combined his rhythmic theory with multi-national life and created a unique literary view of ethnic fusion.
引文
[1]郭茂倩(编撰),聂世美、仓央卿(校点).乐府诗集[M].上海:上海古籍出版社,1998.
[2]袁行霈.中国文学史[M].北京:高等教育出版社,1999.
[3]杨慎(著),王仲镛(笺证).升庵诗话笺证[M].上海:上海古籍出版社,1987.
[4]谭正璧,纪馥华.庾信诗赋选[M].上海:古典文学出版社,1958.
[5]杜甫(著),高仁(标点).杜甫全集[M].上海:上海古籍出版社,1996.
[6]王若虚.滹南遗老集[M].北京:中华书局,1985.
[7]王晓妮.庾信研究三题[D].西安:陕西师范大学,2012.
[8]房玄龄.北史[M].北京:中华书局,1974.
[9]任半塘.唐声诗[M].上海:上海古籍出版社,1982.
[10]李炳海.民族融合与中国古代文学[M].长春:东北师范大学出版社,1997.
[11]刘勰(著),范文澜(注).文心雕龙注[M].北京:人民文学出版社,1958.
[12]李延寿.南史[M].北京:中华书局,1975.
[13]陈尚君(辑撰).旧五代史新辑会证[M].上海:复旦大学出版社,2005.
[14]令狐德芬.周书[M].北京:中华书局,1971.
[15]云峰.民族文化交融与文学研究论稿[M].北京:中央民族大学出版社,2015.
[16]牛贵琥.庾信入北的实际情况及作品的关系[J].文学遗产,2000(5).
[17]庾信(撰),倪璠(注),许逸民(校点).庾子山集注[M].北京:中华书局,1980.
[18]游国恩.中国文学史[M].北京:人民文学出版社,2002.
(1)其中一首为前期的《武媚娘》,另一首为后期的《怨歌行》。
[2]袁行霈.中国文学史[M].北京:高等教育出版社,1999.
[3]杨慎(著),王仲镛(笺证).升庵诗话笺证[M].上海:上海古籍出版社,1987.
[4]谭正璧,纪馥华.庾信诗赋选[M].上海:古典文学出版社,1958.
[5]杜甫(著),高仁(标点).杜甫全集[M].上海:上海古籍出版社,1996.
[6]王若虚.滹南遗老集[M].北京:中华书局,1985.
[7]王晓妮.庾信研究三题[D].西安:陕西师范大学,2012.
[8]房玄龄.北史[M].北京:中华书局,1974.
[9]任半塘.唐声诗[M].上海:上海古籍出版社,1982.
[10]李炳海.民族融合与中国古代文学[M].长春:东北师范大学出版社,1997.
[11]刘勰(著),范文澜(注).文心雕龙注[M].北京:人民文学出版社,1958.
[12]李延寿.南史[M].北京:中华书局,1975.
[13]陈尚君(辑撰).旧五代史新辑会证[M].上海:复旦大学出版社,2005.
[14]令狐德芬.周书[M].北京:中华书局,1971.
[15]云峰.民族文化交融与文学研究论稿[M].北京:中央民族大学出版社,2015.
[16]牛贵琥.庾信入北的实际情况及作品的关系[J].文学遗产,2000(5).
[17]庾信(撰),倪璠(注),许逸民(校点).庾子山集注[M].北京:中华书局,1980.
[18]游国恩.中国文学史[M].北京:人民文学出版社,2002.
(1)其中一首为前期的《武媚娘》,另一首为后期的《怨歌行》。