论英国园林“自然”观理论与实践中的中国园林基因与元素
|
摘要
中国园林是在英国自然观审美的理论与实践的实际需求的发展中被引入,并对英国园林艺术产生影响的。其影响首先表现在理论领域,坦普尔将中国园林理论与自然审美相结合,夏夫兹博里通过阐释令其进一步合法化,而安迪生则论证了自然风格园林的想象性要素。此后,肯特从设计领域展开了初次尝试。英国自然风格园林自此从初现进入成熟,而中国基因也由此从隐性走向显性,邱园则成为成熟园林的代表与巅峰。
The practical requirement of the self-development of the nature aesthetics theory in England is the significant reason to refer to Chinese garden theory and practice. The influence of Chinese garden appeared first in the theory field, Temple infused the Chinese garden theory and the nature aesthetics, and then Shaftesbury further legitimatized it through paraphrasing. Addison reasoned the importance of the imagination in the nature style garden. After the theoretical preparation, Ken is one of the first designers who applied the nature theory into practice, and the nature style garden in England became maturer after a series of development, and the Chinese garden gene became more remarkable.
The practical requirement of the self-development of the nature aesthetics theory in England is the significant reason to refer to Chinese garden theory and practice. The influence of Chinese garden appeared first in the theory field, Temple infused the Chinese garden theory and the nature aesthetics, and then Shaftesbury further legitimatized it through paraphrasing. Addison reasoned the importance of the imagination in the nature style garden. After the theoretical preparation, Ken is one of the first designers who applied the nature theory into practice, and the nature style garden in England became maturer after a series of development, and the Chinese garden gene became more remarkable.
引文
[1]程里尧.中国园林对欧洲的影响[J].新美术,1985,1(4):54-58.
[2]纪宗安.明清之际入华耶稣会士与中国造园艺术在欧洲的影响[J].基督教研究,1998,13(1):96-106.
[3]刘华.中国古典园林艺术对欧洲的影响[J].装饰,2003,123(7):40-41.
[4]黄家瑾.中国造园术在欧洲的传播[J].中国园林,2008,24(12):79-82.
[5]王秋玮.18世纪英国园林中的“中国风”建筑[J].新美术,2010,26(4):65-67.
[6]朱建宁,张文甫.中国园林在18世纪欧洲的影响[J].中国园林,2011,27(3):90-95.
[7]朱宏宇.论中国园林对英国18世纪如画园林的影响[J].中国园林,2011,27(9):94.
[8]刘晓光,王浩.17至18世纪中国园林文化对英国园林转型的影响[J].东疆学刊,2015,32(2):60-66.
[9]廖前兰.18世纪英国园林中的中国因素[J].艺术与设计,2007,6(6):79-81.
[10]Bald R C.Sir William Chambers and the Chinese Garden[J].Journal of the History of Ideas,1950,11(3):287-320.
[11]Shamy T S.Frederick the Great's Porcelain Diversion:The Chinese Tea House at Sanssouci[D].Montreal:McGill University,2009.
[12]Sun Y N.Architectural Chinoiserie in Germany:Micro-and Macro-Approaches to Historical Research[D].Ithaca:Conell University,2015.
[13]吴婧洋,(荷)扬·伍斯德拉.中国式园林小品在英国自然风景园中的兴衰[J].中国园林,2015,31(2):84-88.
[14]朱宏宇.英国18世纪园林艺术:如画美学理念下的园林史研究[D].南京:东南大学,2006.
[15]Siren O.China and Gardens of Europe of the Eighteenth Century[M].New York:The Ronald Press Company,1950.
[16]Impey O.Chinoiserie:The Impact of Oriental Styles on Western Art and Decoration[M].New York:Charles Seribner's sons,1977.
[17]Jenkins E Z.A Taste for China:English Subjectivity and the Prehistory of Orientalism[M].Oxford:Oxford University Press,2013.
[18]Prudence R.Myer,Images and Influence of Oriental Art:A study in European Taste[J].Art Journal,1961,20(4):203-210.
[19]Cooper A A.Earl of Shaftesbury,Characteristics of Men,Manners,Opinions,Times,ed.Lawrence Klein[M].New York:Cambridge University Press,1999.
[20]Addison J,Streele R.The Spectator,ed.Donald F.Bond[M].Oxford:Clarendo Press,1965.
[21]朱宏宇.英国18世纪自然风景园林之父威廉·肯特的如画贡献[J].中国园林,2016,32(5):57-61.
[22]Sloboda S.Chinoiserie:Commerce and Critical Ornament in Eighteenth-Century Britain[M].Manchester and New York:Manchester University Press,2014.
[23]Durán A W,Morejón N.Transculturation,Translation,and the Poetics of the Caribbean[J].Callaloo,2005,28(4):1110-1121.
[2]纪宗安.明清之际入华耶稣会士与中国造园艺术在欧洲的影响[J].基督教研究,1998,13(1):96-106.
[3]刘华.中国古典园林艺术对欧洲的影响[J].装饰,2003,123(7):40-41.
[4]黄家瑾.中国造园术在欧洲的传播[J].中国园林,2008,24(12):79-82.
[5]王秋玮.18世纪英国园林中的“中国风”建筑[J].新美术,2010,26(4):65-67.
[6]朱建宁,张文甫.中国园林在18世纪欧洲的影响[J].中国园林,2011,27(3):90-95.
[7]朱宏宇.论中国园林对英国18世纪如画园林的影响[J].中国园林,2011,27(9):94.
[8]刘晓光,王浩.17至18世纪中国园林文化对英国园林转型的影响[J].东疆学刊,2015,32(2):60-66.
[9]廖前兰.18世纪英国园林中的中国因素[J].艺术与设计,2007,6(6):79-81.
[10]Bald R C.Sir William Chambers and the Chinese Garden[J].Journal of the History of Ideas,1950,11(3):287-320.
[11]Shamy T S.Frederick the Great's Porcelain Diversion:The Chinese Tea House at Sanssouci[D].Montreal:McGill University,2009.
[12]Sun Y N.Architectural Chinoiserie in Germany:Micro-and Macro-Approaches to Historical Research[D].Ithaca:Conell University,2015.
[13]吴婧洋,(荷)扬·伍斯德拉.中国式园林小品在英国自然风景园中的兴衰[J].中国园林,2015,31(2):84-88.
[14]朱宏宇.英国18世纪园林艺术:如画美学理念下的园林史研究[D].南京:东南大学,2006.
[15]Siren O.China and Gardens of Europe of the Eighteenth Century[M].New York:The Ronald Press Company,1950.
[16]Impey O.Chinoiserie:The Impact of Oriental Styles on Western Art and Decoration[M].New York:Charles Seribner's sons,1977.
[17]Jenkins E Z.A Taste for China:English Subjectivity and the Prehistory of Orientalism[M].Oxford:Oxford University Press,2013.
[18]Prudence R.Myer,Images and Influence of Oriental Art:A study in European Taste[J].Art Journal,1961,20(4):203-210.
[19]Cooper A A.Earl of Shaftesbury,Characteristics of Men,Manners,Opinions,Times,ed.Lawrence Klein[M].New York:Cambridge University Press,1999.
[20]Addison J,Streele R.The Spectator,ed.Donald F.Bond[M].Oxford:Clarendo Press,1965.
[21]朱宏宇.英国18世纪自然风景园林之父威廉·肯特的如画贡献[J].中国园林,2016,32(5):57-61.
[22]Sloboda S.Chinoiserie:Commerce and Critical Ornament in Eighteenth-Century Britain[M].Manchester and New York:Manchester University Press,2014.
[23]Durán A W,Morejón N.Transculturation,Translation,and the Poetics of the Caribbean[J].Callaloo,2005,28(4):1110-1121.