乐府题解与四本的关系
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摘要
乐府题解是"题解类批评"最重要也是最常见的一种乐府诗批评方式。与乐府题解始终相伴而行的是"四本"。"四本"是指存在于旧题乐府(古乐府)中的"本事""本题""本文""本义",前三者均是为"本义"服务的,"本事"则为弄清楚一首乐府诗题旨的关键所在,故而,大凡从事"题解类批评"者,都在探讨"本事"上下功夫。但从总的方面言,"四本"是各有其功能而又各具特点的。
The folk poetry's content description is one of the most important and common criticize way in content description criticism. The folk poetry's content description is always together with its four characters. The four characters refer to the original story, the old title, the primitive text, the intended will. The former three characters are all in order to express the last one clearly. The original story is the key to find out the poem's aim. Thus, those who researches about the criticism on folk poetry's content description usually does a lot work to explore the original story of the poem. However, the four characters have their own function separately which makes them to be themselves.
The folk poetry's content description is one of the most important and common criticize way in content description criticism. The folk poetry's content description is always together with its four characters. The four characters refer to the original story, the old title, the primitive text, the intended will. The former three characters are all in order to express the last one clearly. The original story is the key to find out the poem's aim. Thus, those who researches about the criticism on folk poetry's content description usually does a lot work to explore the original story of the poem. However, the four characters have their own function separately which makes them to be themselves.
引文
(1)具体参见王辉斌:《中国乐府诗批评史·自序》,武汉:武汉大学出版社,2017年,第5页。
(1)蔡邕:《琴操》(卷上),《续修四库全书》,上海:上海古籍出版社,2002年,第1092册,第149页。
(1)朱乾:《乐府正义序》,《乐府正义》(卷首),国家图书馆藏乾隆五十四年刻本。
(2)郭茂倩:《钓竿》题解,《乐府诗集》(卷十八),北京:中华书局,1979年,第262-263页。
(1)吴兢:《乐府古题要解》(上卷),《历代诗话续编》,北京:中华书局,1983年,第38-39页。
(2)房玄龄等:《晋书》卷二十三《乐下》,北京:中华书局,1967年,第701页。
(1)班固:《汉书》卷三十《艺文志第十》,湖南:岳麓书社,1993年,第776-777页。
(2)郭茂倩:《乐府诗集》(卷六十三),北京:中华书局,1979年,第921页。
(1)蔡邕:《琴操》(卷上),《续修四库全书》,上海:上海古籍出版社,2002年,第1092册,第151页。
(2)刘次庄:《乐府集》之于《将进酒》的题解,据阮阅《诗话总龟》卷七引,北京:人民文学出版社,1987年,第78页。
(3)徐献忠:《有所思》题解,《乐府原》(卷三),《明诗话全编》,江苏:凤凰出版社,1997年,第3043页。
(1)朱乾:《泰山吟》题解,《乐府正义》(卷九),乾隆五十四年刻本。
(1)蔡邕:《琴操》(卷上),《续修四库全书》,上海:上海古籍出版社,2002年,第1092册,第149页。
(1)朱乾:《乐府正义序》,《乐府正义》(卷首),国家图书馆藏乾隆五十四年刻本。
(2)郭茂倩:《钓竿》题解,《乐府诗集》(卷十八),北京:中华书局,1979年,第262-263页。
(1)吴兢:《乐府古题要解》(上卷),《历代诗话续编》,北京:中华书局,1983年,第38-39页。
(2)房玄龄等:《晋书》卷二十三《乐下》,北京:中华书局,1967年,第701页。
(1)班固:《汉书》卷三十《艺文志第十》,湖南:岳麓书社,1993年,第776-777页。
(2)郭茂倩:《乐府诗集》(卷六十三),北京:中华书局,1979年,第921页。
(1)蔡邕:《琴操》(卷上),《续修四库全书》,上海:上海古籍出版社,2002年,第1092册,第151页。
(2)刘次庄:《乐府集》之于《将进酒》的题解,据阮阅《诗话总龟》卷七引,北京:人民文学出版社,1987年,第78页。
(3)徐献忠:《有所思》题解,《乐府原》(卷三),《明诗话全编》,江苏:凤凰出版社,1997年,第3043页。
(1)朱乾:《泰山吟》题解,《乐府正义》(卷九),乾隆五十四年刻本。