殖民语境下东北新文学发展的另一种可能——以梅娘在伪满文坛的两种文学身份标签为中心
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摘要
梅娘的文学之路始于伪满洲国。这时期梅娘在文坛上具有两个身份标签——"文丛派同人"与"满洲自由主义文学的代表"。1936年至1940年,梅娘与《大同报》副刊作者群关系密切,成为伪满汉语文坛重要文学社团文丛刊行会的同人。但仔细考察梅娘这一时期的作品可发现其文学观念与受左翼文学影响较大的文丛刊行会不完全一致。这种不同的文学价值取向被韩护称为"自由主义文学"。梅娘的存在代表着殖民语境下东北新文学发展的另一种可能,这也是沦陷时期新文学多样性和多元化的证明。
Mei Niang's literary creation has begun in Manchukuo. At that time, Mei Niang has two identity labels in the literature, which are Company of Wen Cong Literature Society and Representative of Liberalism Literature in Manchukuo. From 1936 to 1940, Mei Niang has been closely related to the authors of Datong Newspaper Supplement,so she has become a company of Wen Cong Literature Society, which is an important literary community of Chinese literature in Manchukuo. But through the careful research of Mei Niang's works in this period, it finds that Mei Niang's literature concept is not completely consistent with Wen Cong Literature Society, which has been greatly influenced by the Left-Wing literature. Han Hu has called this different literary value orientation as Liberalism Literature. The existence of Mei Niang represents another development possibility of new literature under the colonial background,and also the proof of diversity and variety of new literature during the occupied period.
Mei Niang's literary creation has begun in Manchukuo. At that time, Mei Niang has two identity labels in the literature, which are Company of Wen Cong Literature Society and Representative of Liberalism Literature in Manchukuo. From 1936 to 1940, Mei Niang has been closely related to the authors of Datong Newspaper Supplement,so she has become a company of Wen Cong Literature Society, which is an important literary community of Chinese literature in Manchukuo. But through the careful research of Mei Niang's works in this period, it finds that Mei Niang's literature concept is not completely consistent with Wen Cong Literature Society, which has been greatly influenced by the Left-Wing literature. Han Hu has called this different literary value orientation as Liberalism Literature. The existence of Mei Niang represents another development possibility of new literature under the colonial background,and also the proof of diversity and variety of new literature during the occupied period.
引文
[1]张泉.抗战时期的华北文学[M].贵阳:贵州教育出版社,2005:229.
[2]蒋蕾.精神抵抗---以《大同报》为样本的历史考察[M].长春:吉林人民出版社,2014:207.
[3]吴郎.关于“文艺丛刊”[N].大同报,1939-12-05(6).
[4]吴郎.关于“文艺丛刊”[N].大同报,1939-12-07(6).
[5]吴瑛.两极[M].长春:益智书店,1941:扉页.
[6]佚名.文化动向[N].大同报,1939-10-3(6).
[7]山丁.从《小姐集》到《第二代》[M]//梅娘.第二代.长春:文丛刊行会,1940:1-4.
[8]山丁《.去故集》的作者[M]//陈因.满洲作家论集.大连:实业印书馆,1943:280.
[9]刘纳.社团、势力及其它---从一个角度介入五四文学史[J].中国现代文学研究丛刊,1999(3):15-26.
[10]韩护《.第二代》论[M]//陈因.满洲作家论集.大连:实业印书馆,1943:307-314.
[11]吴瑛.满洲女性文学的人与作品[J].青年文化,1944(5):26.
[12]张泉.沦陷时期北京文学八年[M].北京:中国和平出版社,1994:202.
[13]山丁.山风[M].长春:益智书店,1940:扉页.
[14]萧红.萧红全集[M].南京:凤凰出版社,2010:75-105.
[15]城岛舟礼.城岛文库刊行辞[J].明明,1938(1):2.
[16]李春燕.古丁作品选[M].沈阳:春风文艺出版社,1995:88.
[17]邢小群.人间事哪有这么简单[M]//陈晓帆.又见梅娘.北京:人民文学出版社,2002:112.
(1)孙小野(1908-1994年),原名常叙,又名孙晓野,祖籍河北乐亭,出生于吉林省吉林市,毕业于吉林省立第一师范学校,后任省立女子中学国文老师,新中国成立后任东北师范大学中文系主任,著名语言学家、古文字学家、篆刻家。
(1)《大同报·文艺专页》由《文艺》副刊编辑作者群策划创办。本论文依据的《大同报》各个文艺副刊均来自辽宁省图书馆1989年制作的缩微胶片版《大同报》。
[2]蒋蕾.精神抵抗---以《大同报》为样本的历史考察[M].长春:吉林人民出版社,2014:207.
[3]吴郎.关于“文艺丛刊”[N].大同报,1939-12-05(6).
[4]吴郎.关于“文艺丛刊”[N].大同报,1939-12-07(6).
[5]吴瑛.两极[M].长春:益智书店,1941:扉页.
[6]佚名.文化动向[N].大同报,1939-10-3(6).
[7]山丁.从《小姐集》到《第二代》[M]//梅娘.第二代.长春:文丛刊行会,1940:1-4.
[8]山丁《.去故集》的作者[M]//陈因.满洲作家论集.大连:实业印书馆,1943:280.
[9]刘纳.社团、势力及其它---从一个角度介入五四文学史[J].中国现代文学研究丛刊,1999(3):15-26.
[10]韩护《.第二代》论[M]//陈因.满洲作家论集.大连:实业印书馆,1943:307-314.
[11]吴瑛.满洲女性文学的人与作品[J].青年文化,1944(5):26.
[12]张泉.沦陷时期北京文学八年[M].北京:中国和平出版社,1994:202.
[13]山丁.山风[M].长春:益智书店,1940:扉页.
[14]萧红.萧红全集[M].南京:凤凰出版社,2010:75-105.
[15]城岛舟礼.城岛文库刊行辞[J].明明,1938(1):2.
[16]李春燕.古丁作品选[M].沈阳:春风文艺出版社,1995:88.
[17]邢小群.人间事哪有这么简单[M]//陈晓帆.又见梅娘.北京:人民文学出版社,2002:112.
(1)孙小野(1908-1994年),原名常叙,又名孙晓野,祖籍河北乐亭,出生于吉林省吉林市,毕业于吉林省立第一师范学校,后任省立女子中学国文老师,新中国成立后任东北师范大学中文系主任,著名语言学家、古文字学家、篆刻家。
(1)《大同报·文艺专页》由《文艺》副刊编辑作者群策划创办。本论文依据的《大同报》各个文艺副刊均来自辽宁省图书馆1989年制作的缩微胶片版《大同报》。