女性阵地为何沦陷——论朱山坡小说《你为什么害怕乳房》中乳房意象的文化内蕴
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摘要
朱山坡的小说《你为什么害怕乳房》一文,由于作家严肃和悲悯的意识与情怀,其"面对文学史的写作"从而塑造或构建一个不同于文学史的独特的个体化的乳房意象,同时以反讽的艺术隐喻了女性阵地的沦陷,揭示了即使在当今"男女平等"深入人心的当今社会中男女现实的不平等。而强大男性霸权文化和隐藏于"我"心中的中国古代女性审美的集体无意识和对母亲小乳房依恋的"恋母情结",是导致女主人公蓝小莲悲剧及女性阵地沦陷的深层原因。
Zhu Shanpo's novel Why Are You Afraid of Breasts,because of the serious and compassionate consciousness and feelings of the writer,he shaped or constructed a unique individualized breast different from literary history when confronting the writing of literary history,and the application of the art of irony metaphorizes the fall of women's positions,revealing the inequality of men and women even in today's society where"equality between men and women"is deeply rooted in the hearts of people.The powerful male hegemonic culture and the collective unconsciousness of the ancient Chinese women's aesthetics hidden in the"I"heart and the"Oedipus complex"attached to the mother's small breasts are the deep reasons for the fall of the heroine Lan Xiaolian and the female position.
Zhu Shanpo's novel Why Are You Afraid of Breasts,because of the serious and compassionate consciousness and feelings of the writer,he shaped or constructed a unique individualized breast different from literary history when confronting the writing of literary history,and the application of the art of irony metaphorizes the fall of women's positions,revealing the inequality of men and women even in today's society where"equality between men and women"is deeply rooted in the hearts of people.The powerful male hegemonic culture and the collective unconsciousness of the ancient Chinese women's aesthetics hidden in the"I"heart and the"Oedipus complex"attached to the mother's small breasts are the deep reasons for the fall of the heroine Lan Xiaolian and the female position.
引文
[1]朱山坡.小说五段:俺的创作谈[EB/OL].(2007-06-14)[2018-10-20].http://zhushanpo1973.blog.163.com/blog/static/311584162007514102939555/.
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[14]李建军.论小说中的反讽修辞[J].中国人民大学学报,2001,15(5):106-111.
[15]邓伟龙.满纸荒唐言,一曲女儿歌——《红楼梦》的女性主义解读[J].邵阳学院学报(社会科学版),2003,2(6):84-86
[16]荣格.原型与集体无意识[M]//徐德林,译.荣格文集:第五卷.北京:国际文化出版社,2011.
[17]弗洛伊德.梦的解析[M].赖其万,译.合肥:安徽文艺出版社,1996.
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[2]朱山坡.你为什么害怕乳房[J].天涯,2011(3):97-102.
[3]胡雪冈.试论“意象”[C]//古代文学理论研究(第7辑).上海:上海古籍出版社,1982:55-74.
[4]袁行霈.中国古典诗歌的意象[J].中华活页文选(教师版),2007(2):9-15.
[5]吴晓.意象符号与情感空间——诗学新解[M].北京:中国社会科学出版社,1990.
[6]张少康.中国古代文学创作论[M].北京:北京大学出版社,1983.
[7]弗洛伊德.弗洛伊德心理哲学[M].杨韵刚,译.北京:九州出版社,2003.
[8]李佩玲.乳房的文化象征意义[J].中国性科学,2004(4):42-43.
[9]张立.浅论《丰乳肥臀》中的乳房意象[J].名作欣赏,2010(4):39-40.
[10]张金兴.新时期文学中“乳房”意象的多重内涵[J].长春工业大学学报(社会科学版),2005,17(4):90-92.
[11]吴炫.论文学对现实的穿越[J].文艺理论研究,2004(1):17-28.
[12]哈罗德·布鲁姆.影响的焦虑[M].徐文博,译.南京:江苏教育出版社,2006.
[13]邹祖尧.说说中国的乳房文化[J].中国性科学,2009,18(2):43-44.
[14]李建军.论小说中的反讽修辞[J].中国人民大学学报,2001,15(5):106-111.
[15]邓伟龙.满纸荒唐言,一曲女儿歌——《红楼梦》的女性主义解读[J].邵阳学院学报(社会科学版),2003,2(6):84-86
[16]荣格.原型与集体无意识[M]//徐德林,译.荣格文集:第五卷.北京:国际文化出版社,2011.
[17]弗洛伊德.梦的解析[M].赖其万,译.合肥:安徽文艺出版社,1996.
[18]王国维.人间词话汇编汇校汇评[C].周锡山,编校.太原:北岳文艺出版社,2004.