权力话语冲突下的自我建构——以岩井俊二的《燕尾蝶》为例
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摘要
以福柯的"权力话语"为理论基础,对日本工业文明的权力维系进行了分析。以岩井俊二的影片《燕尾蝶》为例,并通过影片中五位主人公自我价值的建构过程,分析主流权力话语如何被否定、被拆解,以及处于社会边缘的"他者"又是如何争取独立的话语权的;并对"权力话语"与电影人文关怀的关系,和以电影为代表的大众文化如何在艺术性与社会性之间维持平衡进行了探讨。
The paper first makes analysis of power holding of Japanese industry civilization based on the theory of ‘Discourse of Rights' by Foucault. Secondly,taking the film of "Swallowtail Butterfly" by 岩井俊二as an example, through their self-value construction process of five leading characters, this paper also analyzes predominating rights discourse to be disassembled and disaffirmed and how "the other" in the margins of society fighting for the independent discourse of rights,and finally probes into the relation between‘discourse of rights' and film humanistic care, and how the mass culture based on film maintain the balance between arts and society.
The paper first makes analysis of power holding of Japanese industry civilization based on the theory of ‘Discourse of Rights' by Foucault. Secondly,taking the film of "Swallowtail Butterfly" by 岩井俊二as an example, through their self-value construction process of five leading characters, this paper also analyzes predominating rights discourse to be disassembled and disaffirmed and how "the other" in the margins of society fighting for the independent discourse of rights,and finally probes into the relation between‘discourse of rights' and film humanistic care, and how the mass culture based on film maintain the balance between arts and society.
引文
[1]包亚明.权力的眼睛---福柯访谈录[M].严锋,译.上海:上海人民出版社,1997.
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[3][美]鲁思·本尼迪克特.菊与刀:日本文化诸模式[M].吕万和,熊达云,王智新,译.北京:商务印书馆,2012.
[4]王向远.东方文学史通论[M].北京:高等教育出版社,2013.
[5]章慧霞.游走在传统和现代之间---岩井俊二导演研究[J].北京电影学院学报,2002(5).
[6]李艺.菊与刀:岩井俊二的影像世界[J].四川戏剧,2005(6).
[2]吴雨平.村上春树:文化混杂现象的表现者[J].外国文学研究,2003(5).
[3][美]鲁思·本尼迪克特.菊与刀:日本文化诸模式[M].吕万和,熊达云,王智新,译.北京:商务印书馆,2012.
[4]王向远.东方文学史通论[M].北京:高等教育出版社,2013.
[5]章慧霞.游走在传统和现代之间---岩井俊二导演研究[J].北京电影学院学报,2002(5).
[6]李艺.菊与刀:岩井俊二的影像世界[J].四川戏剧,2005(6).