摘要
新月派为反拨早期新诗的弊病,提倡新诗的创作要走向传统,做中西合璧的宁馨儿。林徽因诗歌创作受到传统诗歌的影响,在主题探寻、美的形式创造等方面与李清照词有"互文性"。这种"互文性"的存在正是林徽因诗歌既古典又现代的特征。
In order to reverse the shortcomings of early new poetry, the Xinyue School advocated the creation of new poetry that should go to the tradition and be a mixture of Chinese and western elements. Lin Huiyin's poetry was influenced by traditional poetry, which was intertextual with Li Qingzhao's poems in the aspects of theme exploration and aesthetic form creation. This kind of intertextuality is the characteristic of Lin Huiyin's poems, both classical and modern.
引文
[1][美]费慰梅.梁思成与林徽因——一对探索中国建筑史的伴侣[M].北京:中国文联出版社,1997:112.
[2]清华大学建筑学院编.建筑师林徽因[Z].北京:清华大学出版社,2004:39.
[3]朱立元.当代西方文艺理论[M].上海:华东师范大学出版社,2014:51.
[4]张清平.林徽因[M].天津:百花文艺出版社,2002:34.
[5]李泽厚.美的历程[M].北京:中国社会出版社,1987:150.
[6]陈祖美.李清照诗词选[M].北京:商务印刷馆,2015:8.
[7]朱立元.当代西方文艺理论[M].上海:华东师范大学出版社,2014:242.