恐怖文学体系“克苏鲁神话”初探
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摘要
1926年诞生的人工神话体系——克苏鲁神话源自恐怖作家霍华德·菲利普斯·洛夫克拉夫特以《克苏鲁的召唤》为代表的一系列恐怖文学作品。洛夫克拉夫特在这些故事中将自己独特的"宇宙恐怖"概念用侦探小说的故事结构展现出来。在他逝世后,奥古斯特·威廉·德雷斯整理出版了克苏鲁神话的相关作品并完善了整个世界观设定。随着现代恐怖作家们不断加入创作队伍,克苏鲁神话体系日益完善并在世界范围内逐渐知名,更在影视、动漫、游戏等流行文化中焕发新的活力。
The artificial mythology which born in 1926,The Cthulhu Mythos was build on a series of horror literature created by horror writer Howard·Phillips·Lovecraft,which represented by Call of Cthulhu. In these stories,Lovecraft show his distinctive concept of Cosmic-Terror by applying the structure of detective novel. After Lovecraft's death,August·William·Derleth compiled and published related works of The Cthulhu Mythos,and complete the design of whole world view. With a growing creative team which include modern horror writers,The Cthulhu Mythos have been improved and gained rapid recognition around the world,which also display a new vitality in popular culture such as film,comic and video games.
The artificial mythology which born in 1926,The Cthulhu Mythos was build on a series of horror literature created by horror writer Howard·Phillips·Lovecraft,which represented by Call of Cthulhu. In these stories,Lovecraft show his distinctive concept of Cosmic-Terror by applying the structure of detective novel. After Lovecraft's death,August·William·Derleth compiled and published related works of The Cthulhu Mythos,and complete the design of whole world view. With a growing creative team which include modern horror writers,The Cthulhu Mythos have been improved and gained rapid recognition around the world,which also display a new vitality in popular culture such as film,comic and video games.
引文
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[2]张耀霖.恐怖小说的科幻解读:洛夫克拉夫特作品浅析[J].安徽文学(下半月),2011,(6).
[3]MASSIMO BERRUTI. H. P. Lovecraft and the anatomy of the nothingness:The Cthulhu Mythos[J]. Semiotica 150(2004).
[4]Airaksinen,Timo. The Philosophy of H. P. Lovecraft:The Route to Horror. New York:Peter Lang,1999.
[5]Hanegraaff,Wouter J. Fiction in the Desert of the Real:Lovecra's Cthulhu Mythos. Aries,2007,(7-1).
[6]Mark Lowell. Lovecraft's CTHULHU MYTHOS. The Explicator,2004,(63-1).
[7]王小倩.洛夫克拉夫特恐怖小说研究[D].湘潭:湘潭大学,2017.
[8]H. P.洛夫克拉夫特.克苏鲁神话合集[M].重庆:重庆大学出版社,2017.
[9]熊欣,宋登科.《克苏鲁神话》中的恐怖元素——兼谈洛氏恐怖[J].沈阳大学学报(社会科学版),2018,(2).
[10]邓志超.巴赫金时空体理论视角下斯蒂芬·金恐怖小说解读[J].周口师范学院学报,2017,(4).
[2]张耀霖.恐怖小说的科幻解读:洛夫克拉夫特作品浅析[J].安徽文学(下半月),2011,(6).
[3]MASSIMO BERRUTI. H. P. Lovecraft and the anatomy of the nothingness:The Cthulhu Mythos[J]. Semiotica 150(2004).
[4]Airaksinen,Timo. The Philosophy of H. P. Lovecraft:The Route to Horror. New York:Peter Lang,1999.
[5]Hanegraaff,Wouter J. Fiction in the Desert of the Real:Lovecra's Cthulhu Mythos. Aries,2007,(7-1).
[6]Mark Lowell. Lovecraft's CTHULHU MYTHOS. The Explicator,2004,(63-1).
[7]王小倩.洛夫克拉夫特恐怖小说研究[D].湘潭:湘潭大学,2017.
[8]H. P.洛夫克拉夫特.克苏鲁神话合集[M].重庆:重庆大学出版社,2017.
[9]熊欣,宋登科.《克苏鲁神话》中的恐怖元素——兼谈洛氏恐怖[J].沈阳大学学报(社会科学版),2018,(2).
[10]邓志超.巴赫金时空体理论视角下斯蒂芬·金恐怖小说解读[J].周口师范学院学报,2017,(4).