西方导演中国政治议题纪录片的个人表述
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摘要
以西方导演个人身份拍摄的中国政治议题纪录片为研究对象,从叙事学的角度研究其对中国主题的个人表述。研究发现,在有关中国影像的建构方面,西方导演个人身份的中国政治议题纪录片走过了从思想介入到事实介入、从局外人到局内人、从直呈式影像到重构式影像的过程。西方导演中国政治议题纪录片在影像表达方面的探索,对当下国内纪录片如何向国际讲述"中国故事"具有重要的借鉴意义。
Focusing on Chinese political documentaries shot by western directors in their personal identities from a narrative of view,we find that in terms of the construction of Chinese images,Chinese political issue documentaries of western directors' personal identity have gone through a process from ideological intervention to factual intervention,from outsider to insider,from direct image to reconstructed image. The exploration of the image expression of Chinese political documentaries directed by western directors has important reference significance for domestic documentaries to tell " China story" to the international community.
Focusing on Chinese political documentaries shot by western directors in their personal identities from a narrative of view,we find that in terms of the construction of Chinese images,Chinese political issue documentaries of western directors' personal identity have gone through a process from ideological intervention to factual intervention,from outsider to insider,from direct image to reconstructed image. The exploration of the image expression of Chinese political documentaries directed by western directors has important reference significance for domestic documentaries to tell " China story" to the international community.
引文
[1][英]约翰·格里尔逊.纪录电影的首要原则[A].单万里、李恒基译.单万里主编.纪录电影文献[C].北京:中国广播电视出版社,2001.
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[3]吴南瑶.九十岁的前苏联纪录片《上海纪事》[EB/OL].http://newsxmwb.xinmin.cn/2017/05/23/31050598.html,2017-5-23.
[4][法]凯斯·贝克著,程玉红译.他们像被蒙着眼罩的马-一场战争两种观点:尤里斯伊文思和龟井文夫与1938年的中国[J].当代电影,2009,(3).
[5]吴丽.分析纪录片《四万万人民》的语境---兼论伊文思创作转型的缘起[J].新疆艺术学院学报,2011,(3).
[6]央视视频.专访纪录片《钓鱼岛真相》导演里比[EB/OL].http://tv.cntv.cn/video/C10616/43ccc7f8c8f941fe8db044288e1d560d,2014-5-19.
[7]陈向明.质的研究中的“局内人”与“局外人”[J].社会学研究,1997,(6).
[8]Li Ling Ai.Life is For A Long Time:A Chinese Hawaiian Memoir[M].New York:Hastings House,1972.
[9]张同道.真实的风景---世界纪录电影导演研究[M].北京:同心出版社,2009.
[10][法]安德烈·巴赞著,崔军衍译.电影是什么[M].北京:文化艺术出版社,2008.
(1)访谈《愚公移山》摄影师杨之举。
(2)访谈《愚公移山》翻译陆颂和。
(3)访谈《愚公移山》灯光师郭维均。
[2][荷兰]尤里斯·伊文思.摄影机和我[M].北京:中国电影出版社,1980.
[3]吴南瑶.九十岁的前苏联纪录片《上海纪事》[EB/OL].http://newsxmwb.xinmin.cn/2017/05/23/31050598.html,2017-5-23.
[4][法]凯斯·贝克著,程玉红译.他们像被蒙着眼罩的马-一场战争两种观点:尤里斯伊文思和龟井文夫与1938年的中国[J].当代电影,2009,(3).
[5]吴丽.分析纪录片《四万万人民》的语境---兼论伊文思创作转型的缘起[J].新疆艺术学院学报,2011,(3).
[6]央视视频.专访纪录片《钓鱼岛真相》导演里比[EB/OL].http://tv.cntv.cn/video/C10616/43ccc7f8c8f941fe8db044288e1d560d,2014-5-19.
[7]陈向明.质的研究中的“局内人”与“局外人”[J].社会学研究,1997,(6).
[8]Li Ling Ai.Life is For A Long Time:A Chinese Hawaiian Memoir[M].New York:Hastings House,1972.
[9]张同道.真实的风景---世界纪录电影导演研究[M].北京:同心出版社,2009.
[10][法]安德烈·巴赞著,崔军衍译.电影是什么[M].北京:文化艺术出版社,2008.
(1)访谈《愚公移山》摄影师杨之举。
(2)访谈《愚公移山》翻译陆颂和。
(3)访谈《愚公移山》灯光师郭维均。