论《坛经》的“自性自足”思想
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摘要
《坛经》是一部博大精深的佛教经典,它在中国佛教思想史上具有开创性的意义。东汉两大译经家安世高和支谶的思想是《坛经》思想的重要来源。《坛经》在继承、吸收这二者的思想之外,还受到了儒家人性论思想和道家虚无主义思想的影响,最终形成了自性自足的禅宗思想。自性是《坛经》立论的本体,自足就是《坛经》的方法论,启发了自唐以降中国心性哲学的发展,促进了中国文化艺术的繁荣,是中华民族真正意义上的文化自觉。《坛经》自性自足思想是一场思想史上的革命,促进了中华文化的自我完善和自我更新。
Altar Sutra is a Buddhist classic with extensive and profound content. It has a groundbreaking significance in the history of Chinese Buddhist thought. The two major translators of the Eastern Han Dynasty, Anshi Gao and Zhi Chen, were one of the sources of the altar thought. In addition to inheriting and absorbing the ideas of these two, the altar was also influenced by the Confucian theory of human nature and the Taoist nihilism,finally forming the Zen thought of self-sufficiency. Self-nature is the noumenon of the altars while self-sufficiency is its methodology, which inspired the development of the philosophy of the Chinese mind since the Tang Dynasty, and promoted the prosperity of Chinese culture and art. It is the cultural consciousness in the true sense of the Chinese nation. The thought of self-self-sufficiency in altars is a revolution in the history of thought. It has promoted the self-improvement and self-renewal of Chinese culture.
Altar Sutra is a Buddhist classic with extensive and profound content. It has a groundbreaking significance in the history of Chinese Buddhist thought. The two major translators of the Eastern Han Dynasty, Anshi Gao and Zhi Chen, were one of the sources of the altar thought. In addition to inheriting and absorbing the ideas of these two, the altar was also influenced by the Confucian theory of human nature and the Taoist nihilism,finally forming the Zen thought of self-sufficiency. Self-nature is the noumenon of the altars while self-sufficiency is its methodology, which inspired the development of the philosophy of the Chinese mind since the Tang Dynasty, and promoted the prosperity of Chinese culture and art. It is the cultural consciousness in the true sense of the Chinese nation. The thought of self-self-sufficiency in altars is a revolution in the history of thought. It has promoted the self-improvement and self-renewal of Chinese culture.
引文
[1]李曙豪.南禅文化的源流及其现代意义[J].韶关学院学报,2016(3):80.
[2]潘蒙孩.《坛经》禅学新探[D].北京:中国社会科学院,2010.
[3]金命镐.《坛经》思想及其在后世的演变与影响研究[D].南京:南京大学,2011.
[4]任继愈,洪修平.禅宗思想的形成与发展[M].南京:江苏古籍出版社,2000:2.
[5]谭世宝.慧能开创的佛教革命在中国和世界的历史意义[J].韶关学院学报,2005(4):5.
[2]潘蒙孩.《坛经》禅学新探[D].北京:中国社会科学院,2010.
[3]金命镐.《坛经》思想及其在后世的演变与影响研究[D].南京:南京大学,2011.
[4]任继愈,洪修平.禅宗思想的形成与发展[M].南京:江苏古籍出版社,2000:2.
[5]谭世宝.慧能开创的佛教革命在中国和世界的历史意义[J].韶关学院学报,2005(4):5.