移动通讯终端的情感体验设计研究
|
摘要
今天的设计已从过去的追求物质丰厚为目标向以提高人们精神文化层面的需求转型。无限的追求物质享受为社会带来许多负面影响,首先是资源的消耗、环境危机,同时现代工业社会快节奏的生活和工作状态,给人的精神上造成一定程度上的紧张感和压力,也产生了诸多社会问题。如果仅考虑用户的功能需求和技术提升仍不能舒缓这些紧张和压力因素。所以基于人的情感需求的体验设计可以缓解人在使用产品中的紧张心情,从侧面起到规划人们生活和工作的作用。
首先,本文介绍了移动通讯终端情感体验设计的研究背景、目的和意义。当代社会进入了个性化消费的时代,人们对产品精神方面的需求越来越强,人们期待的是移动通讯终端在完成其有用性的同时,带给自己一种独特的体验并与自我心理需求产生共鸣。
其次,本文从情感体验角度对移动通讯终端进行了设计分析,得到了情感体验设计中移动通讯终端的特征和层次及设计思考角度。
再次,从情感体验角度对移动通讯终端的设计进行了详细、专业的调查,得到了大量的数据,将这些数据汇总之后得到了移动通讯终端用户的量化了的情感体验以及设计指南,将情感量化对设计是非常有帮助的,也是非常必要的。
最后,根据前面的理论分析得到了移动通讯终端情感体验设计的设计流程与方法。在设计策略、设计原则的指导下,按照规定的设计流程进行设计最后得到基本满足用户情感需求的移动通讯终端。相信本文最后一章节的案例演示设计可以帮助设计师更好的理解移动通讯终端的情感体验设计。
Industrial design has transited from pursuing the objective of substantial material to improve the spiritual and cultural needs. Fast-paced life and work in modern industrial society gives the spirit a certain degree of tension and pressure, and it also brings a lot of social problems. So experience design based on emotional needs of people could ease the tension during using products and in other side it plays a role of planning people’s lives and work.
First of all, the paper introduces the background, purpose and significance of the emotional experience design of mobile communication terminal. It is expected that the mobile communication terminals own wonderful usefulness at the same time, they bring unique experience and identified with psychological needs.
Secondly, the paper analysised the mobile communication terminal design from the perspective of emotional experience, and gained characteristics,level and design point of emotional experience design for mobile communication terminal.
Thirdly, detailed, professional investigation for mobile communication terminal was made in view of Emotional Experience. Mass data was collected and be summarized to be quantized emotional experience design guide.
Lastly, according to the former theoretical analysis, the paper concluded the design process and method of mobile communication terminal emotional experience design. Under guidance of design strategy and design principles, a mobile communication terminal which can meet customers’emotion needs basically was designed following prescriptive design process.
首先,本文介绍了移动通讯终端情感体验设计的研究背景、目的和意义。当代社会进入了个性化消费的时代,人们对产品精神方面的需求越来越强,人们期待的是移动通讯终端在完成其有用性的同时,带给自己一种独特的体验并与自我心理需求产生共鸣。
其次,本文从情感体验角度对移动通讯终端进行了设计分析,得到了情感体验设计中移动通讯终端的特征和层次及设计思考角度。
再次,从情感体验角度对移动通讯终端的设计进行了详细、专业的调查,得到了大量的数据,将这些数据汇总之后得到了移动通讯终端用户的量化了的情感体验以及设计指南,将情感量化对设计是非常有帮助的,也是非常必要的。
最后,根据前面的理论分析得到了移动通讯终端情感体验设计的设计流程与方法。在设计策略、设计原则的指导下,按照规定的设计流程进行设计最后得到基本满足用户情感需求的移动通讯终端。相信本文最后一章节的案例演示设计可以帮助设计师更好的理解移动通讯终端的情感体验设计。
Industrial design has transited from pursuing the objective of substantial material to improve the spiritual and cultural needs. Fast-paced life and work in modern industrial society gives the spirit a certain degree of tension and pressure, and it also brings a lot of social problems. So experience design based on emotional needs of people could ease the tension during using products and in other side it plays a role of planning people’s lives and work.
First of all, the paper introduces the background, purpose and significance of the emotional experience design of mobile communication terminal. It is expected that the mobile communication terminals own wonderful usefulness at the same time, they bring unique experience and identified with psychological needs.
Secondly, the paper analysised the mobile communication terminal design from the perspective of emotional experience, and gained characteristics,level and design point of emotional experience design for mobile communication terminal.
Thirdly, detailed, professional investigation for mobile communication terminal was made in view of Emotional Experience. Mass data was collected and be summarized to be quantized emotional experience design guide.
Lastly, according to the former theoretical analysis, the paper concluded the design process and method of mobile communication terminal emotional experience design. Under guidance of design strategy and design principles, a mobile communication terminal which can meet customers’emotion needs basically was designed following prescriptive design process.
引文
[1] B·约瑟夫·派恩,詹姆斯·H·吉尔摩着,夏业良等译.体验经济[M],北京:机械工业出版社,2002
[2]左铁锋,论体验经济条件下的产品体验设计[J],装饰,2004,10
[3]赵江洪,设计艺术的含义[M],长沙:湖南大学出版社,1999
[4]杨君顺,武艳芳,苟晓瑜.体验设计在产品设计中的应用明,包装工程,2004,3,85-96.
[5]王一川.审美体验论.第一版.中国人民出版社1989:(1),4-5
[6]Elaine Ann, Experience design current and developing trends in industrial design and its impact on education[J],1st China-USA Joint Conference on Design Education, Beijing, China ,May14-17,2002
[7]麦克尔.比内迪科特,为了现实的建筑学[M],纽约,鲁门出版社,1987
[8]Bernd H.Schmitt.顾客体验管理.冯玲邱礼新译第1版.机械工业出版社.2005
[9]诺尔曼·丹森,魏中军译.情感论.第1版:辽宁人民出版社,2003:(5):78-81
[10]陈云萍,高兰天.体验经济的兴起及发展研究[J],江苏商论,2005,2,22-23.
[11]郭馨梅.体验经济当议[J],北京工商大学学报,2003,7,1-4.
[12]夏敏燕,体验设计与故事主题[J],江南大学学报,2004,12,116-121.
[13]王明旨.产品设计美术卷[M],杭州:中国美术学院出版社,1999,11.
[14]陈云萍,高兰天.体验经济的兴起及发展研究[J],江苏商论,2005, 2, 22-23
[15]张莉立,危韧勇.产品形态设计的分析PI,制造业自动化,2000,7,22(7): 26-28.
[16]何人可,工业设计史[M],北京:高等教育出版社,2004,7.
[17]瓦西留克.体验心理学.第1版.中国人民大学出版社,1989:(3),45
[18]关注体验式营销.求知网.www.qiuzhi.com
[19]Milton J. Rokeach. The nature of the Human Values. NewYork: The Free Press, 1985
[20]简召全.工业设计方法学[T],北京:北京理工大学出版社,2000,15
[21]Tridib Banerjee, The Future of Public Space-Beyond Invented Streets and Reinvented Places, [J].APA Journal Winter, 2001
[22]Krippendorff, Klaus and Butter, Reinhart. 1984, Product Semantics: Exploring the Symbolic Qualities of Form. In novation, 1984:(3 ):9-39
[23]IDEO:设计的是人的体验.www.topku.com
[24]胡飞,杨瑞.设计符号与产品语意.第1版中国建筑工业出版社,2003:87-92
[25]海滨.开往设计时代的体验列车[J],河南机电高等专科学校学报,2005,3, 121-123
[26]李彬彬.设计心理学[M].第1版.北京:中国轻工业出版社,2001.
[27]KLAUS Krippendorff.Product Semantics:A Triangulation and Four Design Theories[J].Helsinki:UIAH,1989:3—23.
[28]SCHMITY Bernd H.顾客体验管理[M].第1版.冯玲,邱礼新,译.北京:机械工业出版社,2005.
[29]曾庆抒.产品的情感设计研究[D].长沙:湖南大学,2005
[30]潘向拢.用户中心理念与个性化服务[J],图书馆论坛,2005,6,201-203
[31]刘群望,王玉敏.新时代的消费方式—体验经济[J].消费经济,2003,(3):33
[32]牟峰.基于用户目标体验的产品设计研究[D].长沙:湖南大学,2O06.
[33]余莉莉.体验经济下的情感设计[J].南京艺术学院学报.2004(1):146
[34]席勒.审美教育书简[M].北京:北京大学出版社,1985:13
[35]巩前文,张俊鹰.体验经济与“农家乐”可持续发展问题研究[J].经济与管理,2002(11):33
[36](法)第亚尼著,滕守尧译非物质社会:后工业世界的设计、文化与技术〔M).四川:四川人民出版社,1998:1-5
[37]尹定邦.设计学概论[M].长沙:湖南科学技术出版社,2001
[38]何晓佑等.人性化设计[M].南京:江苏美术出版社,2001
[39]王凌芳,唐守廉,肖杨.体验营销位置业务发展的助推器(J),电子科技大学学报(社科版),2006(4):1—5.
[40]迈克尔·R·所罗门,卢泰宏.消费者行为学[M],第6版.北京,电子工业出版社,2006.
[41]Donalda. Norman,情感化设计,电子工业出版社,2005
[42]Amabile, T.M. Creativity in context. Boulder: Westview Press. 1996
[43]Thackara John. Design After Modernism. London: Thames and Hudson Ltd,1988
[44]张奎志,体验批评:理论与实践,人民出版社,2001
[45]熊玉平,工业设计的内涵与思维方式,包装工程,2002,04:11-12
[46]楚流等,闲情文化中国经济出版社.1995:24—27
[47]卢军,J2ME应用程序开发—手机、PDA程序开发捷径,北京:中国铁道出版社,2002
[48]《产品设计与开发》,[美]卡尔·T·犹里齐等著,杨德林主译,东北财经大学出版社,2001.3
[2]左铁锋,论体验经济条件下的产品体验设计[J],装饰,2004,10
[3]赵江洪,设计艺术的含义[M],长沙:湖南大学出版社,1999
[4]杨君顺,武艳芳,苟晓瑜.体验设计在产品设计中的应用明,包装工程,2004,3,85-96.
[5]王一川.审美体验论.第一版.中国人民出版社1989:(1),4-5
[6]Elaine Ann, Experience design current and developing trends in industrial design and its impact on education[J],1st China-USA Joint Conference on Design Education, Beijing, China ,May14-17,2002
[7]麦克尔.比内迪科特,为了现实的建筑学[M],纽约,鲁门出版社,1987
[8]Bernd H.Schmitt.顾客体验管理.冯玲邱礼新译第1版.机械工业出版社.2005
[9]诺尔曼·丹森,魏中军译.情感论.第1版:辽宁人民出版社,2003:(5):78-81
[10]陈云萍,高兰天.体验经济的兴起及发展研究[J],江苏商论,2005,2,22-23.
[11]郭馨梅.体验经济当议[J],北京工商大学学报,2003,7,1-4.
[12]夏敏燕,体验设计与故事主题[J],江南大学学报,2004,12,116-121.
[13]王明旨.产品设计美术卷[M],杭州:中国美术学院出版社,1999,11.
[14]陈云萍,高兰天.体验经济的兴起及发展研究[J],江苏商论,2005, 2, 22-23
[15]张莉立,危韧勇.产品形态设计的分析PI,制造业自动化,2000,7,22(7): 26-28.
[16]何人可,工业设计史[M],北京:高等教育出版社,2004,7.
[17]瓦西留克.体验心理学.第1版.中国人民大学出版社,1989:(3),45
[18]关注体验式营销.求知网.www.qiuzhi.com
[19]Milton J. Rokeach. The nature of the Human Values. NewYork: The Free Press, 1985
[20]简召全.工业设计方法学[T],北京:北京理工大学出版社,2000,15
[21]Tridib Banerjee, The Future of Public Space-Beyond Invented Streets and Reinvented Places, [J].APA Journal Winter, 2001
[22]Krippendorff, Klaus and Butter, Reinhart. 1984, Product Semantics: Exploring the Symbolic Qualities of Form. In novation, 1984:(3 ):9-39
[23]IDEO:设计的是人的体验.www.topku.com
[24]胡飞,杨瑞.设计符号与产品语意.第1版中国建筑工业出版社,2003:87-92
[25]海滨.开往设计时代的体验列车[J],河南机电高等专科学校学报,2005,3, 121-123
[26]李彬彬.设计心理学[M].第1版.北京:中国轻工业出版社,2001.
[27]KLAUS Krippendorff.Product Semantics:A Triangulation and Four Design Theories[J].Helsinki:UIAH,1989:3—23.
[28]SCHMITY Bernd H.顾客体验管理[M].第1版.冯玲,邱礼新,译.北京:机械工业出版社,2005.
[29]曾庆抒.产品的情感设计研究[D].长沙:湖南大学,2005
[30]潘向拢.用户中心理念与个性化服务[J],图书馆论坛,2005,6,201-203
[31]刘群望,王玉敏.新时代的消费方式—体验经济[J].消费经济,2003,(3):33
[32]牟峰.基于用户目标体验的产品设计研究[D].长沙:湖南大学,2O06.
[33]余莉莉.体验经济下的情感设计[J].南京艺术学院学报.2004(1):146
[34]席勒.审美教育书简[M].北京:北京大学出版社,1985:13
[35]巩前文,张俊鹰.体验经济与“农家乐”可持续发展问题研究[J].经济与管理,2002(11):33
[36](法)第亚尼著,滕守尧译非物质社会:后工业世界的设计、文化与技术〔M).四川:四川人民出版社,1998:1-5
[37]尹定邦.设计学概论[M].长沙:湖南科学技术出版社,2001
[38]何晓佑等.人性化设计[M].南京:江苏美术出版社,2001
[39]王凌芳,唐守廉,肖杨.体验营销位置业务发展的助推器(J),电子科技大学学报(社科版),2006(4):1—5.
[40]迈克尔·R·所罗门,卢泰宏.消费者行为学[M],第6版.北京,电子工业出版社,2006.
[41]Donalda. Norman,情感化设计,电子工业出版社,2005
[42]Amabile, T.M. Creativity in context. Boulder: Westview Press. 1996
[43]Thackara John. Design After Modernism. London: Thames and Hudson Ltd,1988
[44]张奎志,体验批评:理论与实践,人民出版社,2001
[45]熊玉平,工业设计的内涵与思维方式,包装工程,2002,04:11-12
[46]楚流等,闲情文化中国经济出版社.1995:24—27
[47]卢军,J2ME应用程序开发—手机、PDA程序开发捷径,北京:中国铁道出版社,2002
[48]《产品设计与开发》,[美]卡尔·T·犹里齐等著,杨德林主译,东北财经大学出版社,2001.3