论芭斯谢芭的婚姻选择
摘要
托马斯·哈代(1840-1928)被认为是19世纪最伟大的英国小说家之一。由于哈代对他自己所处的维多利亚时代晚期的社会习俗进行了批评,破天荒地对婚姻制度的压迫性和传统性欲观展开批判,因而在一个世纪以后的今天,他的作品重新受到读者和批评家的青睐。《远离尘嚣》发表于1874年,是哈代最受欢迎的小说之一,属于哈代的“性格与环境”小说系列。如今,这部小说受到越来越多读者和评论家的关注。19世纪英国妇女的特征是忠诚顺从,纯洁禁欲。小说的女主角芭斯谢芭是一个独立、热爱自由、敢于追求爱情的年轻漂亮的女人。她对奥克和博尔德伍德求婚的拒绝都是因为她不爱他们。她选择特洛伊作她的结婚对象是出于她对真爱的追求和对自己强烈的性欲的大胆承认。虽然芭斯谢芭充满激情的个性导致她严重的判断错误,哈代还是赋予了她智慧和好运,以便她克服因为年轻而犯的错误。因为我们的社会正变得更加开放和宽容,哈代塑造的这样一个栩栩如生的新女性形象正得到越来越多的认可。她与三个追求者——牧羊人奥克、富有的农场主博尔德伍德和英俊潇洒的军官特洛伊之间的爱情纠葛在新世纪深受读者们的喜爱。在《远离尘嚣》中,哈代探讨了幸福婚姻的基础。虽然芭斯谢芭起初告诉奥克她不爱他并拒绝了他的求婚,但是他给予了她真正的友谊并被证明了是给她带来幸福的合适人选。从某种程度上说,这部小说体现了哈代的婚姻观。
这篇论文拟用女权主义理论来解读《远离尘嚣》中芭斯谢芭在婚姻中的选择。本文分为五部分。第一部分为导论,简要地介绍作者托马斯.哈代和他的《远离尘嚣》。第二部分是相关的文献综述,包括国内外对小说及其女主角的研究。第三部分简要介绍女权主义理论。第四部分详细分析芭斯谢芭和三个追求者之间的关系以及两次婚姻选择背后的原因。最后一部分是结论：芭斯谢芭在婚姻中的选择出于她的自由意志和对爱情的勇敢追求,芭斯谢芭是一个独立、热爱自由的新女性形象。
Thomas Hardy(1840-1928) was considered one of England's foremost nineteenth-century novelists. Because Hardy criticized the social customs of his own late-Victorian era and was groundbreaking in his criticism of what he saw as stifling aspects of the institution of marriage and conventional views of sexuality, he is enjoying a renewed appeal with today's readers and critics a century later. Far From the Madding Crowd, published in 1874, was one of the most popular novels by Thomas Hardy. It belongs to the group of Novels of Character and Environment. Nowadays, it is attracting more and more attention from readers and critics alike. English women in the nineteenth century are defined as obedient to men and resistant to sexuality, whereas the heroine Bathsheba in this novel is an independent, young and attractive woman who has a strong love for freedom and courage in the pursuit of love. The reason for her first refusal of Oak's proposal and later rejection of Boldwood's offer of proposal is that she doesn't love them. Her choice of Troy as marriage partner is out of her pursuit of true love and brave acknowledgement of her strong sexuality. Although Bathsheba's passionate and irrational nature leads her into serious errors of judgment, Hardy endows her with sufficient resilience, intelligence and good luck to overcome her youthful folly. As our society is becoming more open and tolerant, Hardy's construction of Bathsheba as such a vivid image of new woman is gaining more and more recognition. Her complex relationships with the three suitors-the honest and devoted shepherd Gabriel Oak, the rich but reserved farmer Boldwood and the handsome but unfaithful Sergeant Troy, have appealed greatly to readers in the new century. In Far From the Madding Crowd, Hardy explores the proper basis for a happy marriage. Although Bathsheba originally rejected Gabriel Oak, telling him she doesn't love him, he offers her true comradeship and turns out to be the right man to make her happy. To some extent, the novel embodies Hardy's outlook on marriage.
This thesis adopts feminist theory to interpret the reasons for Bathsheba's choice of marriage. It is divided into the following five parts. In the first part, I intend to give a brief introduction to Thomas Hardy and his Far From the Madding Crowd. The second chapter focuses on the literature review, including international and domestic studies of the novel and the heroine Bathsheba. In the third chapter, I will present a brief account of feminist theory. The fourth chapter offers a detailed textual analysis of Bathsheba's relationships with the three suitors and the reasons for her choices in the two marriages. The last part summarizes Bathsheba's choice between Gabriel Oak and Troy out of her own free will and brave pursuit of love and then concludes that Bathsheba is a vivid image of an independent and freedom-loving new woman.
这篇论文拟用女权主义理论来解读《远离尘嚣》中芭斯谢芭在婚姻中的选择。本文分为五部分。第一部分为导论,简要地介绍作者托马斯.哈代和他的《远离尘嚣》。第二部分是相关的文献综述,包括国内外对小说及其女主角的研究。第三部分简要介绍女权主义理论。第四部分详细分析芭斯谢芭和三个追求者之间的关系以及两次婚姻选择背后的原因。最后一部分是结论：芭斯谢芭在婚姻中的选择出于她的自由意志和对爱情的勇敢追求,芭斯谢芭是一个独立、热爱自由的新女性形象。
Thomas Hardy(1840-1928) was considered one of England's foremost nineteenth-century novelists. Because Hardy criticized the social customs of his own late-Victorian era and was groundbreaking in his criticism of what he saw as stifling aspects of the institution of marriage and conventional views of sexuality, he is enjoying a renewed appeal with today's readers and critics a century later. Far From the Madding Crowd, published in 1874, was one of the most popular novels by Thomas Hardy. It belongs to the group of Novels of Character and Environment. Nowadays, it is attracting more and more attention from readers and critics alike. English women in the nineteenth century are defined as obedient to men and resistant to sexuality, whereas the heroine Bathsheba in this novel is an independent, young and attractive woman who has a strong love for freedom and courage in the pursuit of love. The reason for her first refusal of Oak's proposal and later rejection of Boldwood's offer of proposal is that she doesn't love them. Her choice of Troy as marriage partner is out of her pursuit of true love and brave acknowledgement of her strong sexuality. Although Bathsheba's passionate and irrational nature leads her into serious errors of judgment, Hardy endows her with sufficient resilience, intelligence and good luck to overcome her youthful folly. As our society is becoming more open and tolerant, Hardy's construction of Bathsheba as such a vivid image of new woman is gaining more and more recognition. Her complex relationships with the three suitors-the honest and devoted shepherd Gabriel Oak, the rich but reserved farmer Boldwood and the handsome but unfaithful Sergeant Troy, have appealed greatly to readers in the new century. In Far From the Madding Crowd, Hardy explores the proper basis for a happy marriage. Although Bathsheba originally rejected Gabriel Oak, telling him she doesn't love him, he offers her true comradeship and turns out to be the right man to make her happy. To some extent, the novel embodies Hardy's outlook on marriage.
This thesis adopts feminist theory to interpret the reasons for Bathsheba's choice of marriage. It is divided into the following five parts. In the first part, I intend to give a brief introduction to Thomas Hardy and his Far From the Madding Crowd. The second chapter focuses on the literature review, including international and domestic studies of the novel and the heroine Bathsheba. In the third chapter, I will present a brief account of feminist theory. The fourth chapter offers a detailed textual analysis of Bathsheba's relationships with the three suitors and the reasons for her choices in the two marriages. The last part summarizes Bathsheba's choice between Gabriel Oak and Troy out of her own free will and brave pursuit of love and then concludes that Bathsheba is a vivid image of an independent and freedom-loving new woman.
引文
Abbey, Ruth. Back to the Future:Marriage as Friendship in the Thought of Mary Wollstone (1999). Retrieved on November 11,2008 in the Internet from http://muse.jhu.edu/journals/hypatia/v014/14.3abbey.html.
Abrams, M. H.. Noton Anthology of English Literature, Vol.2. W. W. Norton& Company,2003.
Beer, Gillian. Darwin's Plots Evolutionary Narrative in Darwin, George Eliot and Nineteenth-century Fiction. London:Routledge& Kegan Paul.
Benevento, Nicole (ed.). Building Feminist Theory (essays from Quest). New York& London:Longman Inc.,1981.
Carpenter, Richard C. The Mirror and the Sword:Imagery in Far From the Madding Crowd. Nineteenth-Century Fiction, Vol.18, No.4,1964.
Davis, Robert Con, Finke Laurie (ed.). Literary Criticism and Theory:The Greeks to the Present. New York& London:Longman Inc.,1989.
Delahoyde,Michael.Feminist Criticism. http://www.wsu.edu/-delahoyd/feminist.crit.html
Ellis, Havelock. Thomas Hardy's Novels, in Thomas Hardy:The Critical Heritage. The Westminster Review,1883.
Evans, Ruth. Simon de Beauvoir's The Second Sex.
Florence Emily, Hardy. The Life of Thomas Hardy,1840-1928. London:Macmillan, 1986.
Griffith, Kelley. Writing Essays about Literature. Orlando:Harcourt Brace& Company,1998.
Gilman, Sander L. Difference and Pathology. Cornell University Press,1985.
Gorden, Michael etc. (ed.) The Johns Hopkins Guide to Literary Theory& Criticism. The Johns Hopkins University Press,2005.
Grossman, Julie. Thomas Hardy and the Role of Observer. ELH56, No.3,1989.
Guerin, Wilfred L. etc. A Handbook of Critical Approaches to Literature. Beijing: Foreign Language Teaching and Research Press,2004.
Hall, Sharon.K. Twentieth-Century Literary Criticism, vol.4. Detroit:Gale Research Inc.,1995.
Hardy, Thomas. The Literary Notebooks of Thomas Hardy. London:Macmillan,1985.
Hardy, Thomas. Far From the Madding Crowd. Beijing:Foreign Language Teaching and Research Press,2006.
James, Henry. Hardy's Far From the Madding Crowd, in The Nation,1924.
Kramer, Dale. The Cambridge Companion to Thomas Hardy. Shanghai:Shanghai Foreign Language Education Press,2000.
Lodge, David. Modern Criticism and Theory:A Reader. Pearson Education Ltd., 2000.
Madsen, Deborah L. Feminist Theory and Literary Practice. Beijing:Foreign Language Teaching and Research Press,2006.
Millgate, Michael. Thomas Hardy:A Biography. Oxford:Oxford University Press, 1982.
Mitchell, Judith. Hardy's Female Reader, in The Sense of Sex:Feminist Perspectives on Hardy. Urbana:University of Illinois Press,1993.
Morgan, Rosemarie. Women and Sexuality in the Novels of Thomas Hardy. London: Routledge,1988.
Moss, Mary. The Novels of Thomas Hardy. Atlantic Monthly 98,1906.
Orel, Harold. The Unknown Thomas Hardy:Lesser-known Aspects of Hardy's Life and Career. The Harvester Press,1987.
Oppermann, Serpil Tunc. Feminist Literary Criticism:Expanding the Canon as Regards the Novels.
Page, Norman. Hardy and'the world of little things'. Thomas Hardy Annual 5,1987.
Page, Norman. Thomas Hardy:The Novels. Macmillan Distribution Ltd.,2001.
Parshley, H. M. (ed.) The Second Sex. New York:Alfred A. Knopf,1989.
Rivkin, Julie etc. (ed.) Literary Theory:An Anthology. Blackwell Publishing Ltd., 2004.
Rogers, Shannon L. The Historian of Wessex:Thomas Hardy's Contribution to History. Rethinking History 5, no.2,2001.
Schwarz, D. R. The Transformation of The English Novel,1890-1930. Houn Schweik, Robert C. (ed.) Far From the Madding Crowd Thomas Hardy:An Authoritative Text Backgrounds Criticism. New York:W. W. Norton& Company,1986. dmills: The Macmillan Press Ltd.,1989.
Selden, Raman etc. A Reader's Guide to Contemporary Literary Theory. Pearson Education Ltd.,2005
Shouhua Qi& Morgan W. W. Voices in Tragic Harmony:Essays on Thomas Hardy's Fiction and Poetry. Shanghai:Shanghai Foreign Language Education Press,2001.
Sumner, Rosemary. Thomas Hardy, Psychological Novelist. London:Macmillan, 1981.
Weber, Carl J. Hardy:A Wessex Seesaw. Saturday Review of Literature 34,1951.
Williams, Merryn. A Preface to Hardy. Beijing:Peking University Press,2005.
Witalec, Janet. Twentieth-Century Literary Criticism, vol.143. Detroit:Gale Research Inc.,1995.
Woolf, Virginia. The Novels of Thomas Hardy, in her The Second Common Reader, 1928.http://ebooks.du.ac.in/etext.library.adelaide.edu.au/w/woolf/virginia/w91c2/ch apter21.html
Far From the Madding Crowd Thomas Hardy. Twentieth-century Literary Criticism.http://www.enotes.com/twentieth-century-criticism/far-from-madding-cro wd-thomas-hardy
Far From the Madding Crowd. Retrieved on December 10,2008 from Wikipedia, the free encyclopedia. http://en.wikipedia.org/wiki/Far_from_the_Madding_Crowd
Patriarchy. Retrieved on December 20,2008 from Wikipedia, the free encyclopedia. http://en.wikipedia.org/wiki/Patriarchal
Thomas Hardy. http://pages.ripco.net/-mws/hardy.html
Welcome to the Thomas Hardy Association.http://www.yale.edu/hardysoc/intro.html
Feminism. Retrieved on December 20,2008 from Wikipedia, the free encyclopedia. http://en.wikipedia.org/wiki/Feminism
蔡红梅,程彩岚(Cai Hongmei, Cheng Cailan)试论《远离尘嚣》的现代意识——兼谈博尔德伍德的性格发展.黄冈师范学院学报,2001.
丁世忠(Ding Shizhong).《远离尘嚣》中的生态伦理思想及其矛盾性.外国文学研究,No.3,2008.
丁世忠(Ding Shizhong).论《远离尘嚣》的生态和谐观.江西社会科学,No.7,2008.
宫小兵(Gong Xiaobing).'‘屋子”的寻获与失落——对《远离尘嚣》的一种女权主义解读.湖北师范学院学报,vol.23,No.3,2003.
郭云仙(Guo Yunxian).无奈的回归——论哈代《远离尘嚣》的芭斯西芭.商丘职业技术学院学报,vol.7,No.3,2008.
纪洁萍(Ji Jieping).国内十年哈代小说研究综述.涪陵师范学院学报,vol.21,No.2,Mar.2005.
江智利(Jiang Zhili).试析哈代《远离尘嚣》中奥克的爱.重庆师专学报,vol.20,No.3,2001.
康响英(Kang Xiangying).《远离尘嚣》：一部反映“弱者”生存状态的史书.邵阳师范高等专科学校学报,vol.23,No.1,Feb.2001.
康响英(Kang Xiangying).再评芭斯希芭.湘潭师范学院学报,vol.23,No.2,Mar.2001.
康响英(Kang Xiangying).芭斯希芭形象新评.常德师范学院学报,vol.26,No.3,May 2001.
康响英(Kang Xiangying).《远离尘嚣》：哈代的奠基之作.云梦学刊,vol.22,No.4,July 2001.
蓝仁哲(Lan Renzhe).哈代小说《远离尘嚣》中的人与自然.四川外语学院学报,No.2，1998.
李华田,杜峰,余继英编(eds. Li Huatian, Du Feng ect.).托马斯·哈代作品导读.武昌：武汉大学出版社,1999.
李增,王丁(Li Zeng, Wang Ding)论哈代“性格与环境小说”中的“性格”和“环境”的关系,No.5,2004.
李金杰(Li Jinjie)伟大的哈代：女性本真生命奥秘的探索者.滨州学院学报,vol.21,No.2,2005.
刘茂生(Liu Maosheng).近20年国内哈代小说研究述评.外国文学研究,No.6,2004.
卢静(Lu Jing).《远离尘嚣》中的新女性巴丝谢芭.科技信息：人文社科,No.9,2008.
马弦(Ma Xian).论哈代小说中的新女性形象.外国文学研究,No.1,2004.
马弦(Ma Xian).论托马斯·哈代的宗教思想.外国文学评论,No.4,2003.
马弦,刘飞兵(Ma Xian, Liu Feibin).《远离尘嚣》与《圣经》原型.湖南社会科学,2002.
王桂琴(Wang Guiqin).哈代的女性观透析.襄樊学院学报的,vol.24,No.1 Jan.2003.
王瑞(Wang Rui).男权统治中的女性意识——评哈代的小说《远离尘嚣》.齐齐哈尔大学学报,No.1 Jan.2002.
王莹(Wang Ying).透过《远离尘嚣》看哈代早期的悲剧观和婚姻观.南京师范大学文学院学报,1996.
夏彤(Xia Tong).寻找一份心灵的宁静——从哈代《远离尘嚣》所想到的.文化教育.
杨玉明,温晴(Yang Yuming, Wen Qing)对比——《远离尘嚣》中强调有力手法的运用。郧阳师范高等专科学校学报,vol.20,No.2 Apr.2000.
张军(Zhang Jun).哈代前期的宗教思想在《远离尘嚣》中的体现.长春工程学院学报,vol.7,No.4,2006.
张群(Zhang Qun).“威塞克斯的女人——论托马斯·哈代笔下的女性形象”.四川外语学院学报,vol.17,No.3 May 2001.
张晓娜(Zhang Xiaona).芭斯西芭的形象塑造：论《远离尘嚣》中托马斯·哈代的女性观.对外经济贸易大学硕士学位论文,2006.
郑丹燕(Zheng Danyan).一个自我压抑的灵魂——《远离尘嚣》对博尔德伍德的心理探索.福州大学学报,2001.
仲锡(Zhong Xi).哈代笔下的轻浮放荡女人——芭斯谢芭、游苔莎和艾拉白拉的形象分析.徐州师范学院学报,No.2,1992.
周霜(Zhou Shuang).'‘英雄救美”与女性生成——《远离尘嚣》的另类解读.阜阳师范学院学报,No.5,2007.
朱刚(Zhu Gang).二十世纪西方文艺批评理论.上海：上海外语教育出版社,2001.
谢敏(Xie Min).《远离尘嚣》——一部社会的悲剧、妇女的悲剧.上海师范大学硕士学位论文,2003.
Abrams, M. H.. Noton Anthology of English Literature, Vol.2. W. W. Norton& Company,2003.
Beer, Gillian. Darwin's Plots Evolutionary Narrative in Darwin, George Eliot and Nineteenth-century Fiction. London:Routledge& Kegan Paul.
Benevento, Nicole (ed.). Building Feminist Theory (essays from Quest). New York& London:Longman Inc.,1981.
Carpenter, Richard C. The Mirror and the Sword:Imagery in Far From the Madding Crowd. Nineteenth-Century Fiction, Vol.18, No.4,1964.
Davis, Robert Con, Finke Laurie (ed.). Literary Criticism and Theory:The Greeks to the Present. New York& London:Longman Inc.,1989.
Delahoyde,Michael.Feminist Criticism. http://www.wsu.edu/-delahoyd/feminist.crit.html
Ellis, Havelock. Thomas Hardy's Novels, in Thomas Hardy:The Critical Heritage. The Westminster Review,1883.
Evans, Ruth. Simon de Beauvoir's The Second Sex.
Florence Emily, Hardy. The Life of Thomas Hardy,1840-1928. London:Macmillan, 1986.
Griffith, Kelley. Writing Essays about Literature. Orlando:Harcourt Brace& Company,1998.
Gilman, Sander L. Difference and Pathology. Cornell University Press,1985.
Gorden, Michael etc. (ed.) The Johns Hopkins Guide to Literary Theory& Criticism. The Johns Hopkins University Press,2005.
Grossman, Julie. Thomas Hardy and the Role of Observer. ELH56, No.3,1989.
Guerin, Wilfred L. etc. A Handbook of Critical Approaches to Literature. Beijing: Foreign Language Teaching and Research Press,2004.
Hall, Sharon.K. Twentieth-Century Literary Criticism, vol.4. Detroit:Gale Research Inc.,1995.
Hardy, Thomas. The Literary Notebooks of Thomas Hardy. London:Macmillan,1985.
Hardy, Thomas. Far From the Madding Crowd. Beijing:Foreign Language Teaching and Research Press,2006.
James, Henry. Hardy's Far From the Madding Crowd, in The Nation,1924.
Kramer, Dale. The Cambridge Companion to Thomas Hardy. Shanghai:Shanghai Foreign Language Education Press,2000.
Lodge, David. Modern Criticism and Theory:A Reader. Pearson Education Ltd., 2000.
Madsen, Deborah L. Feminist Theory and Literary Practice. Beijing:Foreign Language Teaching and Research Press,2006.
Millgate, Michael. Thomas Hardy:A Biography. Oxford:Oxford University Press, 1982.
Mitchell, Judith. Hardy's Female Reader, in The Sense of Sex:Feminist Perspectives on Hardy. Urbana:University of Illinois Press,1993.
Morgan, Rosemarie. Women and Sexuality in the Novels of Thomas Hardy. London: Routledge,1988.
Moss, Mary. The Novels of Thomas Hardy. Atlantic Monthly 98,1906.
Orel, Harold. The Unknown Thomas Hardy:Lesser-known Aspects of Hardy's Life and Career. The Harvester Press,1987.
Oppermann, Serpil Tunc. Feminist Literary Criticism:Expanding the Canon as Regards the Novels.
Page, Norman. Hardy and'the world of little things'. Thomas Hardy Annual 5,1987.
Page, Norman. Thomas Hardy:The Novels. Macmillan Distribution Ltd.,2001.
Parshley, H. M. (ed.) The Second Sex. New York:Alfred A. Knopf,1989.
Rivkin, Julie etc. (ed.) Literary Theory:An Anthology. Blackwell Publishing Ltd., 2004.
Rogers, Shannon L. The Historian of Wessex:Thomas Hardy's Contribution to History. Rethinking History 5, no.2,2001.
Schwarz, D. R. The Transformation of The English Novel,1890-1930. Houn Schweik, Robert C. (ed.) Far From the Madding Crowd Thomas Hardy:An Authoritative Text Backgrounds Criticism. New York:W. W. Norton& Company,1986. dmills: The Macmillan Press Ltd.,1989.
Selden, Raman etc. A Reader's Guide to Contemporary Literary Theory. Pearson Education Ltd.,2005
Shouhua Qi& Morgan W. W. Voices in Tragic Harmony:Essays on Thomas Hardy's Fiction and Poetry. Shanghai:Shanghai Foreign Language Education Press,2001.
Sumner, Rosemary. Thomas Hardy, Psychological Novelist. London:Macmillan, 1981.
Weber, Carl J. Hardy:A Wessex Seesaw. Saturday Review of Literature 34,1951.
Williams, Merryn. A Preface to Hardy. Beijing:Peking University Press,2005.
Witalec, Janet. Twentieth-Century Literary Criticism, vol.143. Detroit:Gale Research Inc.,1995.
Woolf, Virginia. The Novels of Thomas Hardy, in her The Second Common Reader, 1928.http://ebooks.du.ac.in/etext.library.adelaide.edu.au/w/woolf/virginia/w91c2/ch apter21.html
Far From the Madding Crowd Thomas Hardy. Twentieth-century Literary Criticism.http://www.enotes.com/twentieth-century-criticism/far-from-madding-cro wd-thomas-hardy
Far From the Madding Crowd. Retrieved on December 10,2008 from Wikipedia, the free encyclopedia. http://en.wikipedia.org/wiki/Far_from_the_Madding_Crowd
Patriarchy. Retrieved on December 20,2008 from Wikipedia, the free encyclopedia. http://en.wikipedia.org/wiki/Patriarchal
Thomas Hardy. http://pages.ripco.net/-mws/hardy.html
Welcome to the Thomas Hardy Association.http://www.yale.edu/hardysoc/intro.html
Feminism. Retrieved on December 20,2008 from Wikipedia, the free encyclopedia. http://en.wikipedia.org/wiki/Feminism
蔡红梅,程彩岚(Cai Hongmei, Cheng Cailan)试论《远离尘嚣》的现代意识——兼谈博尔德伍德的性格发展.黄冈师范学院学报,2001.
丁世忠(Ding Shizhong).《远离尘嚣》中的生态伦理思想及其矛盾性.外国文学研究,No.3,2008.
丁世忠(Ding Shizhong).论《远离尘嚣》的生态和谐观.江西社会科学,No.7,2008.
宫小兵(Gong Xiaobing).'‘屋子”的寻获与失落——对《远离尘嚣》的一种女权主义解读.湖北师范学院学报,vol.23,No.3,2003.
郭云仙(Guo Yunxian).无奈的回归——论哈代《远离尘嚣》的芭斯西芭.商丘职业技术学院学报,vol.7,No.3,2008.
纪洁萍(Ji Jieping).国内十年哈代小说研究综述.涪陵师范学院学报,vol.21,No.2,Mar.2005.
江智利(Jiang Zhili).试析哈代《远离尘嚣》中奥克的爱.重庆师专学报,vol.20,No.3,2001.
康响英(Kang Xiangying).《远离尘嚣》：一部反映“弱者”生存状态的史书.邵阳师范高等专科学校学报,vol.23,No.1,Feb.2001.
康响英(Kang Xiangying).再评芭斯希芭.湘潭师范学院学报,vol.23,No.2,Mar.2001.
康响英(Kang Xiangying).芭斯希芭形象新评.常德师范学院学报,vol.26,No.3,May 2001.
康响英(Kang Xiangying).《远离尘嚣》：哈代的奠基之作.云梦学刊,vol.22,No.4,July 2001.
蓝仁哲(Lan Renzhe).哈代小说《远离尘嚣》中的人与自然.四川外语学院学报,No.2，1998.
李华田,杜峰,余继英编(eds. Li Huatian, Du Feng ect.).托马斯·哈代作品导读.武昌：武汉大学出版社,1999.
李增,王丁(Li Zeng, Wang Ding)论哈代“性格与环境小说”中的“性格”和“环境”的关系,No.5,2004.
李金杰(Li Jinjie)伟大的哈代：女性本真生命奥秘的探索者.滨州学院学报,vol.21,No.2,2005.
刘茂生(Liu Maosheng).近20年国内哈代小说研究述评.外国文学研究,No.6,2004.
卢静(Lu Jing).《远离尘嚣》中的新女性巴丝谢芭.科技信息：人文社科,No.9,2008.
马弦(Ma Xian).论哈代小说中的新女性形象.外国文学研究,No.1,2004.
马弦(Ma Xian).论托马斯·哈代的宗教思想.外国文学评论,No.4,2003.
马弦,刘飞兵(Ma Xian, Liu Feibin).《远离尘嚣》与《圣经》原型.湖南社会科学,2002.
王桂琴(Wang Guiqin).哈代的女性观透析.襄樊学院学报的,vol.24,No.1 Jan.2003.
王瑞(Wang Rui).男权统治中的女性意识——评哈代的小说《远离尘嚣》.齐齐哈尔大学学报,No.1 Jan.2002.
王莹(Wang Ying).透过《远离尘嚣》看哈代早期的悲剧观和婚姻观.南京师范大学文学院学报,1996.
夏彤(Xia Tong).寻找一份心灵的宁静——从哈代《远离尘嚣》所想到的.文化教育.
杨玉明,温晴(Yang Yuming, Wen Qing)对比——《远离尘嚣》中强调有力手法的运用。郧阳师范高等专科学校学报,vol.20,No.2 Apr.2000.
张军(Zhang Jun).哈代前期的宗教思想在《远离尘嚣》中的体现.长春工程学院学报,vol.7,No.4,2006.
张群(Zhang Qun).“威塞克斯的女人——论托马斯·哈代笔下的女性形象”.四川外语学院学报,vol.17,No.3 May 2001.
张晓娜(Zhang Xiaona).芭斯西芭的形象塑造：论《远离尘嚣》中托马斯·哈代的女性观.对外经济贸易大学硕士学位论文,2006.
郑丹燕(Zheng Danyan).一个自我压抑的灵魂——《远离尘嚣》对博尔德伍德的心理探索.福州大学学报,2001.
仲锡(Zhong Xi).哈代笔下的轻浮放荡女人——芭斯谢芭、游苔莎和艾拉白拉的形象分析.徐州师范学院学报,No.2,1992.
周霜(Zhou Shuang).'‘英雄救美”与女性生成——《远离尘嚣》的另类解读.阜阳师范学院学报,No.5,2007.
朱刚(Zhu Gang).二十世纪西方文艺批评理论.上海：上海外语教育出版社,2001.
谢敏(Xie Min).《远离尘嚣》——一部社会的悲剧、妇女的悲剧.上海师范大学硕士学位论文,2003.