用户名: 密码: 验证码:
沛然赋流形——李斌瓷胎珐琅艺术的现代表现形式研究
详细信息    查看全文 | 推荐本文 |
  • 英文篇名:On the Profoundness Behind the Painting Lines——A Study on the Forms of Li Bin's Modern Enamel Artistic Expression
  • 作者:李英榀 ; 张慧敏
  • 英文作者:LI Ying-pin;ZHANG Hui-min;Jingdezhen Ceramic Institute;Jingdezhen University;
  • 关键词:瓷胎珐琅 ; 李斌 ; 艺术形式 ; 生命意识
  • 英文关键词:porcelain enamel;;Li Bin;;art form;;life consciousness
  • 中文刊名:JDZK
  • 英文刊名:Journal of Jingdezhen University
  • 机构:景德镇陶瓷大学;景德镇学院;
  • 出版日期:2019-02-15
  • 出版单位:景德镇学院学报
  • 年:2019
  • 期:v.34;No.145
  • 基金:江西省2017年度高校人文社会科学研究项目:符号与话语——中国城市文学研究(ZGW17111)
  • 语种:中文;
  • 页:JDZK201901023
  • 页数:6
  • CN:01
  • ISSN:36-1340/G4
  • 分类号:135-140
摘要
李斌现代瓷胎珐琅,一改珐琅的繁复杂艳,剔繁为简追求纯净超然。人生与为艺,就是一个参禅过程。顿悟间,感受其艺术体验、艺术构思和艺术表达,从而领悟到李斌的陶瓷艺术作品把中国陶瓷工艺美术从技术上升到艺术和哲学。本文聚焦李斌瓷胎珐琅系列作品,探析其充满哲思的独特艺术语言,李斌用自己特殊的艺术语言,不仅复活了珐琅的传统工艺之精美,更是让"瓷"超越工艺回归绘画艺术本身,以一种强烈的现代意识表达自己对自然和生命的感悟。珐琅彩瓷只是一个特殊载体,艺术形式只是一媒介,李斌瓷胎珐琅艺术的现代表现形式蕴育的强烈生命意识及融合中西立于天地的宇宙观,沛然赋流形,让笔者深深感受到其面对当下赋有的使命意识和浩然正气。
        In Li Bin's modern enamel works, what he pursues is simplicity, elegance and natural sense. In Li Bin's opinion, the art is just like the life, which is also a meditation process. So, it is quite possible that the artistic experience, artistic conception and artistic expression could be felt fully in a sudden enlightenment. Likewise, it can be understood that Li Bin's ceramic art works have elevated Chinese ceramic arts and crafts from the technical level to that of art and philosophy. This paper focuses on Li Bin's enamel works, discussing his unique artistic language full of wise thought. It reveals that Li Bin, with his distinctive artistic language, not only revived the fineness and elegance of our nation's traditional handicraft, but also moved the "porcelain" processing up to the level of painting art well beyond the handicraft, and that Li Bin is actually trying to use his strong modern consciousness to express his feelings towards the nature and life. Besides, the author suggests that because enamel color porcelain is merely a special carrier,and art form is just a medium, it could be concluded from Li Bin's works that the modern form of Li Bin's enamel artistry presents an intensified sense of life and integration of the world view in the east and west:everything may contains profound ideas in it, which gives a perfect interpretation for his grand righteousness and mission awareness in the current case.
引文
[1]赵宏.中国陶瓷文化史[M].北京:中国言实出版社,2016:321.
    [2]王锡良在《李斌艺术展及作品研讨会》上的发言,见《中国美术家·李斌》(文论卷),上海人民美术出版社,2014:166.
    [3]李斌.中国美术家·李斌(文论卷),[M].上海:上海人民美术出版社,2014:42、43.
    [4]李斌.中国美术家·李斌(文论卷),[M].上海:上海人民美术出版社,2014:2-3.
    [5]李斌.中国美术家·李斌(文论卷),[M].上海:上海人民美术出版社,2014:141.
    [6][法]福西永.形式的生命[M].北京:北京大学出版社,2011:40
    [7]李斌.中国美术家·李斌(文论卷),[M].上海:上海人民美术出版社,2014:52.
    [8]李斌.中国美术家·李斌(文论卷),[M].上海:上海人民美术出版社,2014:141.
    [9]李斌.中国美术家·李斌(陶瓷艺术卷),[M].上海:上海人民美术出版社,2014:60.
    [10]李斌.中国美术家·李斌(陶瓷艺术卷),[M].上海:上海人民美术出版社,2014:68.
    [10]李斌.中国美术家·李斌(文论卷),[M].上海:上海人民美术出版社,2014:139.140.

© 2004-2018 中国地质图书馆版权所有 京ICP备05064691号 京公网安备11010802017129号

地址:北京市海淀区学院路29号 邮编:100083

电话:办公室:(+86 10)66554848;文献借阅、咨询服务、科技查新:66554700