赫拉普钦科的艺术形象论

详细信息    查看全文 | 推荐本文 |

	英文篇名：Herapchenko's Theory of Artistic Image 作者：何朝辉 英文作者：HE Zhao-Hui;Hunan Normal University; 关键词：赫拉普钦科 ; 艺术形象论 英文关键词：Herapchenko;;the theory of artistic image 中文刊名：LHZJ 英文刊名：Journal of Luohe Vocational Technology College 机构：湖南师范大学; 出版日期：2019-01-15 出版单位：漯河职业技术学院学报 年：2019 期：v.18;No.90 语种：中文; 页：LHZJ201901016 页数：4 CN：01 ISSN：41-1330/Z 分类号：59-62

摘要

赫拉普钦科是苏联科学院院士,一生坚守马克思主义文艺理论。赫拉普钦科对艺术形象理论的见解颇有新意:他质疑黑格尔的"一般与个别相统一"的观点,重新定义艺术形象,区分审美符号与艺术形象,分析西方现代审美符号理论的合理与不足。他的这些见解对发展促进马克思主义文艺理论、苏联文艺理论,甚至改革开放后的中国文艺理论都具有重要意义。
        Herapchenko is a member of the Academy of Sciences of the Soviet Union, who has adhered to the Marxist theory of literature and art all his life. Herapchenko's views on the theory of artistic image are quite innovative: he questioned Hegel's view that "general and individual are unified", redefined artistic image, distinguished aesthetic symbol from artistic image, and analyzed the rationality and shortcomings of modern western aesthetic symbol theory. His opinions are of great significance to the development and promotion of Marxist literary theory, Soviet Union literary theory, and even Chinese literary theory after the reform and opening up.

引文

[1] 赫拉普钦科.赫拉普钦科文学论文集[M].张捷,刘逢棋,译,北京:人民文学出版社,1997.
    [2] 刘宁.当代苏联文艺学发展趋势:访苏联文艺学家米·鲍·赫拉普钦科院士[J].文艺研究,1987(1):85-93.
    [3] 吴晓都.再论赫拉普钦科的文论思想[J].中国俄语教学,2016(2):1-7.
    [4] 陈晋.近六年来艺术典型探讨概观[J].社会科学战线,1984(2):280-286.
    [5] [25]黎皓智.论前苏联结构符号学[J].江西社会科学,1992(3):53-56+14.