摘要
李建军的文学研究和文学批评根植于中国本土文化,面对当代的文学实践和种种问题,开启了中西文化-文学的比较模式,审视文学自性、公共性与主体性等问题,体现了批评与研究自觉的主体意识。他的文学研究和文学批评主体性自觉,体现在这样几个方面:审美层面的主体性自觉;介入现实的公共意识自觉;探索中国本土精神和格调的主体性自觉。《重估俄苏文学》全面而完整地体现着李建军的文学意识和文学价值观,因而是一部值得深入考察的具有标志性意义和典型意义的文本。
Li jianjun's literary research and criticism are rooted in the local culture of China.Facing the contemporary literary practice and various problems,he has opened the comparative model of Chinese and Western culture-literature and examined the issues of literary self-nature,publicity and subjectivity,reflecting the subjective consciousness of criticism and research.His subjective consciousness of literary research and criticism is embodied in the following aspects:aesthetic subjective consciousness;public consciousness of intervening in reality;subjective consciousness in exploring Chinese local spirit and style.Revaluation of Russian-Soviet Literature comprehensively and completely embodies Li jianjun's literary consciousness and values,and thus is a symbolic and typical text worthy of in-depth study.
引文
[1]李建军.重估俄苏文学[M].南昌:二十一世纪出版社,2018:后记.
[2]李建军.当代作家的精神困境与思想局限---以陈忠实为例进行考察[J].当代文坛,2018,(3):16-25.
[3]李建军.中性风格的魅力与局限---平心试论汪曾祺[J].文学评论,2016,(4):54-64.
[4]李建军.论陕西文学的代际传承及其他[J].当代文坛,2008,(2):17-20.
[5]李建军,杨光祖.用伟大的经验矫正自己时代的文学---李建军“重估俄苏文学”研究访谈[J].当代文坛,2019,(1):13-23.