江西及其邻省东周玉器的工艺和文化对比
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摘要
江西省东周时期为"吴头楚尾",处于吴越文化及楚文化两大文化圈的交汇地带。以江西省为中心,分析了江西及其邻省东周玉器的工艺特征,了解了吴越玉器及楚地玉器的艺术风格和发展脉络。通过玉觽、玉璜及玉璧三种玉器的对比发现,东周时江西的玉器制造受吴越文化及楚文化的共同影响;同为南方玉文化代表的吴越玉器与楚地玉器不断的交流融合,但仍同中存异:前者细密纤巧,写实与写意相互交映;后者气势张扬,为富于动感的写实风格。
In the Eastern Zhou Dynasty,Jiangxi province was on the joint zone between the Wu and Yue culture and Chu culture.The craft characteristics of jadeware from Jiangxi province and its neighboring provinces in the Eastern Zhou Dynasty are studied,the art style and development grain of jadeware with Wu and Yue culture and Chu culture are understood also.Comparison on Jade Xi,Jade Bi and Jade Huang,the manufacture of jadeware from Jiangxi province was influenced by Wu and Yue culture and Chu culture in the Eastern Zhou Dynasty.Though both of Wu and Yue culture and Chu culture are the representatives of south jade culture,the former is of fine and delicate style with realism and impression,the latter focused on details and more vivid.
In the Eastern Zhou Dynasty,Jiangxi province was on the joint zone between the Wu and Yue culture and Chu culture.The craft characteristics of jadeware from Jiangxi province and its neighboring provinces in the Eastern Zhou Dynasty are studied,the art style and development grain of jadeware with Wu and Yue culture and Chu culture are understood also.Comparison on Jade Xi,Jade Bi and Jade Huang,the manufacture of jadeware from Jiangxi province was influenced by Wu and Yue culture and Chu culture in the Eastern Zhou Dynasty.Though both of Wu and Yue culture and Chu culture are the representatives of south jade culture,the former is of fine and delicate style with realism and impression,the latter focused on details and more vivid.
引文
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[3]钱公麟.关于吴县严山春秋玉器窖藏性质的再认识[J].东南文化,1999,(2):13—17.
[4]丁叙钧.古玉艺术鉴赏[M].上海:上海科技教育出版社,2004.72.
[5]尤仁德.古代玉器通论[M].北京:紫禁城出版社,2001.55.
[6]谢辉.对金沙遗址出土部分玉器的几点认识[J].四川文物,2003,(3):60—63.
[7]曲石.楚玉研究[J].江汉考古,1990,(3):63—77.
[8]薜翔.中国古玉器[M].武汉:湖北美术出版社,2003.4.
[9]陈文华,程应林,胡义慈.江西清江战国墓清理简报[J].考古,1977,(5):310—312.
[10]刘诗中、许智苑.东周时期江西地区吴文化初探[J].江西历史文物,1983,(2):27—31.
[11]古方.中国出土玉器图典[M].北京:文物出版社,2007.3.
[12]王瞻宁.楚“凤”图腾造型——“楚”文化的代表性物化形象[J].西北民族大学学报(哲学社会科学版),2006,(5):67—70.
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