Determining the resonance wood provenance of stringed instruments from the Cherubini Conservatory Collection in Florence, Italy

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• 作者：Mauro Bernabei ; ^a ; ^{bernabei@ivalsa.cnr.it"" rel=""nofollow} ; Jarno Bontadi^a
• 关键词：Wood provenance ; Resonance wood ; Violin-makers ; Dendrochronology ; Stringed instruments
• 刊名：Journal of Cultural Heritage
• 出版年：2011
• 出版时间：April-June 2011
• 年：2011
• 卷：12
• 期：2
• 页码：196-204
• 全文大小：354 K

文摘

The wood provenance of what is considered today's most important collection of stringed instruments by Tuscan violin-makers, the Collection of the “Luigi Cherubini” Conservatory, at the Accademia Gallery in Florence, was analyzed dendrochronologically. On the basis of 95 geographically very widely distributed master chronologies, the most likely areas of origin of the Norway spruce wood used for the construction of 32 from a total of 37 instruments were determined. Consequently, the most important centres of wood supply were established. Finally, a location in the Tuscan-Emilian Apennines was identified as the likely provenance of a considerable quantity of timber used in the construction of these instruments. The results provide a new prospect in studying the geographical origins of the wood from which stringed instruments were made in the past, by using dendrochronological analysis.