文摘
In 1852, the French state commissioned the artists Fr¨¦miet and Jacquemart to execute bronzes of a plesiosaur and a pterodactyl for the Jardin des Plantes in Paris. The orders were cancelled before the sculptures could be realized, largely because of petty jealousies among the professors of the Mus¨¦um national d¡¯Histoire naturelle, who maintained that the long-extinct animals were too poorly understood for accurate reconstructions. In this way an important opportunity to educate and inspire the French public about the life of the past was lost.