Body Storytelling and the Performance of Memory: Arts-Based-Research and Human Enhancement

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• 关键词：Art ; based research ; Neuroscience ; Memory enhancement ; Experiential cognition ; Empathy ; Embodied observation ; Affect ; Varela ; Foucault ; Latour
• 刊名：Lecture Notes in Computer Science
• 出版年：2016
• 出版时间：2016
• 年：2016
• 卷：9749
• 期：1
• 页码：257-269
• 全文大小：555 KB
• 参考文献：1.Lopes, M.M.: Representational strategies on Alzheimer’s disease: a practicebased arts research in a neuroscience laboratory. Doctoral dissertation, University of Brighton and University for the Creative Arts - Farnham, UK (2013, unpublished)
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  14.Bitarello, B., Queiróz, J.: Embodied semiotic artefacts: on the role of the skin as a semiotic niche. Technoetic Arts J. Specul. Res. 12(1), 75–90 (2014). doi:10.​1386/​tear.​12.​1.​75_​1 . Intellect Ltd. Article. English LanguageCrossRef
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• 作者单位：Maria Manuela Lopes (15) (16)
  
  15. ID+ Instituto de Investigação em Design Media e Cultura, Universidade de Aveiro, Aveiro, Portugal
  16. Instituto de Biologia Molecular e Celular, I3S, Universidade do Porto, Porto, Portugal
  
• 丛书名：Distributed, Ambient and Pervasive Interactions
• ISBN：978-3-319-39862-4
• 刊物类别：Computer Science
• 刊物主题：Artificial Intelligence and Robotics
  Computer Communication Networks
  Software Engineering
  Data Encryption
  Database Management
  Computation by Abstract Devices
  Algorithm Analysis and Problem Complexity
  
• 出版者：Springer Berlin / Heidelberg
• ISSN：1611-3349
• 卷排序：9749

文摘

Since the late 1990s a new tendency has emerged in contemporary art whereby artists deploy archival research and scientific practices to explore the mechanics of historical representation, the location and material of memory and evoke the past. As a visual artist working with video, photography, film and scientific strategies and technologies (e.g. BCI’s Brain Computer Interface and Biology/Bioengineering) Lopes explores the historical and personal representation and notions of memory materiality. Technologies, for memory preservation and enhancement of our humane bodies, are developing at a fast pace, and the corresponding dystopic and utopic future scenarios are constantly presented in speculative news reports, science research studies and popular culture such as science fiction. In this paper Lopes intends to examine two on-going artwork PostDoc research projects Enhancing the Mind’s I and Emerging Self that address notions memory and representation, self-identity and the greater cognitive capacities promised by transhumanism and neuro-enhancent technologies.