文摘
A significant strain of thought in European modernist literature identified the formal achievement and classic timelessness to which its high art aspired with the historical aristocracy and its traditions. At the same time, modernist authors portrayed the twentieth-century deadend of this aristocracy through the demise of one of its potent symbols: the horseman-soldier. Novelists (Proust, Ford, Roth) explored the class-inflected idea of the artwork within depictions of a changing society. Lyric poets (Rilke, Yeats) located an aristocratic realm of aesthetic play apparently outside of history. Both kinds of writers assimilated this artistic/noble realm with childhood immaturity on the one hand, with death on the other. In this attraction to an expiring aristocracy, such modernism was uncertain how grown-up and modern it wanted to be.