Uneasy riders: some literary modernists and the aristocracy
详细信息    查看全文
  • 作者:David Quint
  • 关键词:Aristocracy ; Modernism ; Literature ; M. Proust ; R. M. Rilke ; W. B. Yeats ; Ford Madox Ford ; Joseph Roth ; Novel ; Poetry
  • 刊名:Neohelicon
  • 出版年:2015
  • 出版时间:June 2015
  • 年:2015
  • 卷:42
  • 期:1
  • 页码:17-42
  • 全文大小:488 KB
  • 参考文献:Angenot, M. (1989). 1889: Un 茅tat du discours social. Qu茅bec: 脡ditions du Pr茅ambule.
    Badsey, S. (2008). Doctrine and reform in the British cavalry 1880鈥?918. Aldershot: Ashgate.
    Berberich, C. (2006). A modernist elegy to the gentleman? Englishness and the idea of the gentleman in Ford鈥檚 The good soldier. In D. Brown & J. Plastow (Eds.), Ford Madox Ford and Englishness (pp. 185鈥?09). Amsterdam: Rodopi.
    Bersani, L. (1965). Marcel Proust: The fictions of life and art. New York: Oxford University Press.
    Bourget, P. (1907). L鈥櫭塵igr茅. Paris: Plon-Nourrit.
    Cannadine, D. (1990). The decline and fall of the British aristocracy. New Haven: Yale University Press.
    Cannadine, D. (1994). Aspects of aristocracy: grandeur and decline in modern Britain. New Haven: Yale University Press.
    Compagnon, A. (1989). Proust entre deux si猫cles. Paris: Seuil.
    Compagnon, A. (1990). Les cinq paradoxes de la modernit茅. Paris: Seuil.
    de Bruyn, B., & Martens, D. (2012). La passion aristocratique de l鈥橭ccident. Denis de Rougemont: lecteur d鈥檜ne tradition, proph猫te d鈥檜n d茅clin. C. Meur茅e (Ed.). Le Souci de l鈥檃venir chez les 茅crivains francophones. Les Lettres romanes, 66(3鈥?), 401鈥?18.
    de Man, P. (1979). Allegories of reading: Figural language in Rousseau, Nietzsche, Rilke, and Proust. New Haven: Yale University Press.
    Eliot, T.S. (1958) [1921]. The Metaphysical Poets. In Selected Prose. Hammondworth: Penguin.
    Ellman, R. (1948). Yeats: The man and the masks. New York: E. P. Dutton.
    Ford, F. M. (1990). The good soldier (T. Moser, Ed.). Oxford: Oxford University Press.
    Freedman, R. (1996). Life of a poet: Rainer Maria Rilke. New York: Farrar, Straus and Giroux.
    Greene, T. M. (1991). Po茅sie et magie. Paris: Julliard.
    Jacobs, C. (1978). The (too) good soldier: 鈥楢 real story鈥? Glyph, 3, 32鈥?1.
    Jeffares, A. N. (1970). The circus animals: Essays on W.B. Yeats. Stanford: Stanford University Press.
    Jeffares, A. N. (1996) [1949]. W. B. Yeats: man and poet. London: Kyle Cathie.
    Kenyon, D. (2011). Horsemen in no man鈥檚 land: British cavalry & trench warfare 1914鈥?918. Barneley: Pen & Sword.
    Komar, K. L. (1987). Transcending angels: Rainer Maria Rilke鈥檚 Duino Elegies. Lincoln: University of Nebraska Press.
    Lamont, R. C. (1973). Le rituel dramatique dans A la recherche du temps perdu. In L. B. Price (Ed.), Marcel Proust: A critical panorama (pp. 226鈥?46). Urbana: Universtiy of Illinois Press.
    Mayer, A. (2010) [1981]. The persistence of the old regime: Europe to the great war. London: Verso.
    Mazzoni, G. (2011). Teoria del romanzo. Bologna: Il Mulino.
    Orlando, F. (1993 and 1994). Gli oggetti desueti nelle immagini della letteratura. Turin: Einaudi.
    Orlando, F. (2006). Obsolete objects in the literary imagination. New Haven: Yale University Press. [English translation].View Article
    Orwell, G. (1943). W. B. Yeats. In S. Orwell & I. Angus (Eds.), The collected essays, journalism and letters of George Orwell, Vol. 2, my country right or left, 1940鈥?943 (pp. 271鈥?76). New York: Harcourt, Brace and World.
    Painter, G. D. (1978) [1959]. Marcel Proust: A biography. New York: Vintage Books.
    Pavel, T. (2003). La pens茅e du roman. Paris: Gallimard.
    Perloff, M. (1966). The consolation theme in Yeats鈥檚 鈥業n memory of major Robert Gregory鈥? Modern Langage Quarterly, 27, 299鈥?05.View Article
    Pickering, E. D. (2009). The artist鈥檚 tragic flight: Yeats鈥檚 portrayal of major Robert Gregory. Journal of Modern Literature, 32, 80鈥?9.View Article
    Proust, M. (1952). Jean Santeuil 3 vols. Paris: Gallimard.
    Proust, M. (1987). 脌 la recherche du temps perdu (4 Vols.) (J.-Y. Tadi茅 et al., Eds.). Paris: Gallimard.
    Proust, M. (2005). The Guermantes way (M. Trehane, Trans.). New York: Penguin.
    Quint, D. (1983). Origin and originality in Renaissance literature. New Haven and London: Yale University Press.
    Quint, D. (2010). Noble passions: Aristocracy and the novel. Comparative Literature, 62, 104鈥?21.View Article
    Renoir, J. (1974). La grande illusion. Paris: Balland.
    Rilke, R. M. (1938). Translations from the poetry of Rainer Maria Rilke (M. D. Herter Norton, Trans.). New York: W. W. Norton.
    Rilke, R. M. (1962). Sonnets to Orpheus (M. D. Herter Norton, Trans.). New York: W. W. Norton.
    Rilke, R. M. (1963). Duino Elegies (J. B. Leishman & S. Spender, Trans.). New York: W. W. Norton.
    Rilke, R. M. (1991). The book of images (E. Snow, Trans.). San Francisco: North Point Press.
    Roth, J. (2002) [1932]. The Radetzky March/Radetzkymarsch (J. Neugroschel, Trans.). Woodstock and New York: Overlook Press/ Berlin: Gustav Kiepenheuer.
    Steegmuller, F. (1970). Cocteau: A biography. Boston: Little, Brown and Company.
    Steiner, J. (1969). Rilkes Duineser Elegien. Berne and Munich: Francke Verlag.
    Tonkin, K. (2008). Joseph Roth鈥檚 march into history: From the early novels to Radetzkymarsch and die Kapuzinergrust. Rochester, NY: Camden House.
    Todorov, T. (1977). Th茅ories du symbole. Paris: Seuil.
    Vendler, H. (2007). Our secret discipline: Yeats and lyric form. Cambridge, MA: Harvard University Press.
    Wortman, M. (2006). The millionaires鈥?unit: The aristocratic flyboys who fought the Great War and invented American air power. New York: Public Affairs.
    Yeats, W. B. (1996). The collected poems of W. B. Yeats (2nd revised ed.) (R. J. Finneran, Ed.). New York: Scribner Paperback Poetry.
  • 作者单位:David Quint (1)

    1. Yale University, New Haven, CT, USA
  • 刊物主题:Comparative Literature;
  • 出版者:Springer Netherlands
  • ISSN:1588-2810
文摘
A significant strain of thought in European modernist literature identified the formal achievement and classic timelessness to which its high art aspired with the historical aristocracy and its traditions. At the same time, modernist authors portrayed the twentieth-century deadend of this aristocracy through the demise of one of its potent symbols: the horseman-soldier. Novelists (Proust, Ford, Roth) explored the class-inflected idea of the artwork within depictions of a changing society. Lyric poets (Rilke, Yeats) located an aristocratic realm of aesthetic play apparently outside of history. Both kinds of writers assimilated this artistic/noble realm with childhood immaturity on the one hand, with death on the other. In this attraction to an expiring aristocracy, such modernism was uncertain how grown-up and modern it wanted to be.

© 2004-2018 中国地质图书馆版权所有 京ICP备05064691号 京公网安备11010802017129号

地址:北京市海淀区学院路29号 邮编:100083

电话:办公室:(+86 10)66554848;文献借阅、咨询服务、科技查新:66554700