Invisible Economies: Paranoia and Asian American Literature and Culture.
详细信息
文摘
From "Yellow Peril" to "model minority," the competing stereotypes of Asian Americans have always implicated a pathological psychology of the race. Whether it produces sinister aliens or ideal citizens, American anxiety about Asian Americans forms a paranoid dialectic that has yet to be theorized in scholarship. This dissertation expands upon and changes our current understanding of the psychology of Asian American culture by considering literary and cinematic representations of paranoia in the latter half of the twentieth century. While the significance of paranoia in this period is clearly demonstrated by the tension between Asian nations and the United States because of Americas wars in Asia and Asian immigration into the U.S., it is perhaps best seen through its literal and metaphorical centrality in texts such as John Frankenheimers The Manchurian Candidate 1962), Hualing Niehs Mulberry and Peach: Two Women of China 1988), Wayne Wangs Chan is Missing 1981), and Chang-Rae Lees Native Speaker 1996). Drawing on the theories of Freud, Lacan, Zizek, Jameson, and Sedgwick, this dissertation explicitly ties together the psychic and political dimensions of Asian American culture by considering the ways in which paranoia contributes to the constitution of national identities as well as to the formation of individual subjectivities. I argue that paranoia embodies the sense of epistemological and ontological anxiety that lies at the heart of the Asian American experience and that its heuristic usefulness also extends to the theorizing of broader issues of race, agency, and knowledge. Paranoia is not only examined in terms of the fear of being controlled by the unseen Other and in terms of what lurks behind the visible, but it is also investigated in its capacity to establish structure and coherence, and even as a viable model for theorizing a complex set of political and psychic interactions in American racial culture. By focusing on paranoia as a key trope that mediates among different Asian American literary and cultural discourses, this project offers a comprehensive analysis of the Asian American experience and theorizes an analytical paradigm that reflects the changing nature of Asian American studies.