A Study of Huang Mufu's Life and Seal Engraving Art.
详细信息
文摘
Entitled "A Study of Huang Mufus Life and Seal Engraving Art",this paper aims to investigate his life and art of seal engraving. Huang Mufu 1849-1908/1909),born in Anhui Province,was one of the most important seal engravers in the late Qing dynasty. Huang Mufu first learned from Deng Shiru 1743-1805) and Wu Rangzhi 1799-1870) of the Deng school,and later followed the thinking of "seeking artistic links for seal making" of Zhao Zhiqian 1829-1884). Therefore,his seals took on various forms and his seal inscriptions were unique. He also drew on the pattern of seals of the Han dynasty,which pursued tidiness and smoothness and applied Swift knife to create clean and neat strokes. He created his own style that was peculiar in the late Qing dynasty and had far-reaching influence on the seal engraving community of Guangdong Province,so he was renowned as the originator of the Lingnan school.. Huang made seals throughout his life and left over rich works. According to the information collected from this research,Huang has about 2,400 seals,which have been analyzed,integrated and chronicled into a systematic and complete database. Many of his seal impressions and colophons provide rare firsthand information for this paper,and hoped to serve as important materials for later studies. Based on the collected sources,this study divided Huangs career into the imitation,transmutation and maturation stages,in order to discuss his seals characteristics in different periods. There has been an extreme scarcity of studies on this topic. Therefore,this paper made a comprehensive study which involved a survey of the primary and secondary literature on Huang Mufus life and career. An analysis of the relevant sources enables his career to be reconstructed on a sound chronological basis,and allows his work to be seen in its proper context. This study also made an important contribution to a relatively little-studied area of the history of Chinese art. It corrected a number of misconceptions in previous studies and make up literature deficiencies. The aim is to provide a set of reliable data that allows further development of the history of seal engraving art.