场所叙事视角下的东湖海洋世界文化策划
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摘要
基于场所叙事的视角,分析了东湖海洋世界的现状问题,并依托江城水文化和荆楚文化,以一种"讲故事"的形式从空间上的湖、江、海的"东湖云梦—长江图卷—百川归海"对应过去、现在、未来,描述了"重现水的一生"。以此建立场所的叙事脉络,建立使用者与场所之间的根植关系,将文化精神空间化,从而强化人们的交往参与,提升场所的文化内涵和体验价值。
Relying on the water culture of Jiangcheng,this article is in the perspective of place narration and analyses of the current situation of the marine world in East Lake.In the form of telling a story,this article reproduces the life of water from the lake into the river to the sea which is corresponds"East Lake Yunmeng-Yangtze River Map-All rivers flow to the sea".In this way,the narrative context of the place is set up.The relationship between users and sites is established.The cultural spirit is spatialized so as to enhance people's participation in communication and enhance the cultural connotation and experience value of places.
Relying on the water culture of Jiangcheng,this article is in the perspective of place narration and analyses of the current situation of the marine world in East Lake.In the form of telling a story,this article reproduces the life of water from the lake into the river to the sea which is corresponds"East Lake Yunmeng-Yangtze River Map-All rivers flow to the sea".In this way,the narrative context of the place is set up.The relationship between users and sites is established.The cultural spirit is spatialized so as to enhance people's participation in communication and enhance the cultural connotation and experience value of places.
引文
[1]李沁茹,钟香炜.场所叙事及其对于广府文化特色城市景观建构探析[J].美术教育研究,2016(11):60~61.
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[3]沈华玲.景观叙事的方法研究[D].长沙:中南大学,2008.
[4]吴限.叙事性景观设计研究[D].重庆:重庆大学,2013.
[2]黄丽花.苏州留园景观的叙事性表达方式初探[D].杭州:中国美术学院,2009.
[3]沈华玲.景观叙事的方法研究[D].长沙:中南大学,2008.
[4]吴限.叙事性景观设计研究[D].重庆:重庆大学,2013.